Contact SCUA
Burt Brooks image of young woman
Alton Blackington image of woman with feathered hat
Alton Blackington image of woman selling walnuts
Alton Blackington image of woman and parrot
Alton Blackington image of young woman
Alton Blackington image of Cleo the monkey
Alton Blackington image of cat
Burt V Brooks image of young woman
Burt V Brooks image of farmstead
Burt V Brooks image of family
Burt V Brooks image of dog on porch
Alton Blackington image of crystal gazer
SCUA

Results for: “Poets, American--20th century” (507 collections)SCUA

  1. Pages:
  2. 1
  3. 2
  4. 3
  5. 4
  6. 5
  7. 6
  8. 7
  9. ...
  10. 51

W.E.B. Du Bois Lecture

Du Bois and Mao Tse-Tung, 1959
Du Bois and Mao Tse Tung, 1959

The Department of Special Collections and University Archives and the Department of Afro-American Studies at UMass Amherst co-sponsor an annual colloquium to commemorate W.E.B. Du Bois. Timed to coincide with the anniversary of his birth (February 23), the departments invite a distinguished Speaker to discuss Dr. Du Bois’ life, work, and legacy.

 

20th Annual W.E.B. Du Bois Lecture, 2014
2014 Feb. 25. 4pm. Campus Center Auditorium, UMass Amherst
Performer: Brian Richardson and Pulse Ensemble Theatre
Title: “A Man for All Times: W.E.B. Du Bois”
Brian Richardson as W.E.B. Du Bois

This year’s Du Bois Birthday Celebration features performances of “A Man for All Times: W.E.B. Du Bois,” performed by the Pulse Ensemble Theatre. The one-hour one-man show of the 95-year-long life of W.E.B. Du Bois unfolds in a gripping performance by Brian Richardson, and a moving script by writer/director Alexa Kelly. Learn more about Great Barrington’s native son, civil rights leader, and visionary of equality and democracy at this free performance by Pulse Theatre Ensemble.

Additional free performances will be held on Saturday, February 22, 7:00 p.m., at Mahaiwe Performing Arts Center, in Great Barrington, Massachusetts, and on Sunday, February 23, 10:00 a.m., at St. John’s Congregational Church, Springfield, Massachusetts.

19th Annual W.E.B. Du Bois Lecture, 2013
2013 Feb. 26. 4pm. Lower Level, W.E.B. Du Bois Library
Speaker: Arthur McFarlane II
Title: “The Life of W.E.B. Du Bois and Its Relevance to Today
Colorado Department of Public Health and Envrionment

McFarlane, the great-grandson of W.E.B. Du Bois, will discuss the legacy of W.E.B. Du Bois, civil rights activist, co-founder of the NAACP, and the first African American to receive a PhD from Harvard University.

Previous Du Bois Lectures:
2012 Feb. 23
Speaker: Derrick Alridge
Title: “Ideas Have Consequences: The Radical Pedagogy of W.E.B. Du Bois”
Professor in the Curry School of Education, University of Virginia
Derrick Alridge

Derrick Alridge is author of The Educational Thought of W.E.B. Du Bois: An Intellectual History, lead editor of Message in the Music: Hip Hop, History, and Pedagogy, and Distinguished Lecturer for the Association of the Study of African American Life and History. He is currently completing an intellectual history of Hip Hop as a social movement called The Hip Hop Mind: An Intellectual History of the Social Consciousness of a Generation (University of Wisconsin Press) and is conducting research for a book on the role of education in the civil rights movement.

An educational and intellectual historian, Alridge is associate editor of the Journal of African American History and served as Director of the Institute for African American Studies. Alridge’s areas of scholarship include the history of African America education, African American intellectual history and the history of ideas, and civil rights studies. His work has been published in the Journal of African American History, the Journal of Negro Education, and teh History of Education Quarterly, among others.

2011 Feb. 28
Speaker: Bettina Aptheker
Title: “W.E.B. Du Bois: Personal Stories/Political Reflections”
Distinguished Professor of Feminist Studies and History
University of California, Santa Cruz
Bettina Aptheker

Bettina Aptheker is Distinguished Professor of Feminist Studies and History at the University of California, Santa Cruz, where she has taught for more than 30 years. Her most recent book is a memoir, Intimate Politics: How I Grew Up Red, Fought for Free Speech and Became a Feminist Rebel (2006). It contains many stories of her early friendship with W.E.B. and Shirley Graham Du Bois. Other major books include, The Morning Breaks: The Trial of Angela Davis (1976; 2nd edition, 1999); Woman’s Legacy: Essays on Race, Sex, and Class in American History (1982) and Tapestries of Life: Women’s Work, Women’s Consciousness, and the Meaning of Daily Experience (1989). She is the biographer of Shirley Graham Du Bois for Notable American Women, and is currently writing a critical essay on Graham Du Bois’ creative career as an opera composer, playwright, biographer, and novelist. She is also at work on a major research project: “Queering the History of the American Left: 1940s-1980s.”

2010 Feb. 25
Speaker: Evelyn Brooks Higginbotham
Title: “The Many Lives of W.E.B. Du Bois in the New From Slavery to Freedom
Victor S. Thomas Professor of History and of African and African American Studies
Harvard University
Evelyn Brooks Higginbotham

Evelyn Brooks Higginbotham has been chair of the Department of African and African American Studies at Harvard since 2006. She also served as Acting-Director of Harvard’s W.E.B. Du Bois Institute in the Spring 2008. A prolific author, she is co-editor with Henry Louis Gates, Jr., of the African American National Biography (2008)—a multivolume-reference work that presents African American history through the lives of people, and she and Gates also co-edited African American Lives (2004), which served as the forerunner to the AANB. Professor Higginbotham was the editor-in-chief of The Harvard Guide to African-American History (2001) with general editors Darlene Clark Hine, and Leon Litwack. She also co-edited History and Theory: Feminist Research, Debates and Contestations (1997).

Professor Higginbotham is the author of Righteous Discontent: The Women’s Movement in the Black Baptist Church: 1880-1920 (1993), which won numerous book prizes, most notably from the American Historical Association, the American Academy of Religion, the Association of Black Women Historians, and the Association for Research on Non-Profit and Voluntary Organizations. Righteous Discontent was also included among the New York Times Book Review’s Notable Books of the Year in 1993 and 1994.

2009 Feb. 26
Speaker: Howard Dodson
Chief of the Schomburg Center for Research in Black Culture
New York Public Library
Howard Dodson

A scholar, historian, educator, curator, consultant, and lecturer, Howard Dodson, has committed his professional life to the retrieval, preservation, interpretation, and dissemination of the history and culture of African and African American peoples.

Since 1984, Dodson has served as chief of the New York Public Library’s Schomburg Center for Research in Black Culture, the world’s leading and most prestigious repository for materials and artifacts on black cultural life. Under Dodson’s leadership, the Schomburg Center has developed into the world’s most comprehensive public research library devoted exclusively to documenting and interpreting African diasporan and African history and culture.

Dodson’s books include Becoming American: The African American Journey (Sterling Publishing, Inc., 2009), In Motion: The African-American Migration Experience (National Geographic Press, 2004), Jubilee: The Emergence of African-American Culture (National Geographic Press, 2002), and The Black New Yorkers: Four Hundred Years of African American History (Wiley, 2000).

2008 Feb. 28: W.E.B. Du Bois and Ralph Ellison
Speaker: Arnold Rampersad
Department of English, Stanford University

A distinguished biographer and literary critic, Arnold Rampersad is the Sara Hart Kimball Professor in the Humanities and Professor of English at Stanford University. A scholar of race and American literature and the Harlem Renaissance, Rampersad has written books on W.E.B. Du Bois, Langston Hughes, and most recently, Ralph Ellison. He has been elected a member of the American Academy of Arts and Sciences and the American Philosophical Society, and was a 1991 recipient of a MacArthur “genius grant.” He is a recipient of fellowships from the John D. and Catherine T. MacArthur Foundation, the Guggenheim Foundation, the National Endowment for the Humanities, and the Rockefeller Foundation.

Professor Rampersad has recently published Ralph Ellison, a biography of the novelist (1914-1994). His other books include The Art and Imagination of W.E.B. Du Bois (1976); The Life of Langston Hughes (2 vols., 1986, 1988); Days of Grace: A Memoir (1993), co-authored with Arthur Ashe; and Jackie Robinson: A Biography (1997). In addition, he has edited several volumes including Collected Poems of Langston Hughes; the Library of America edition of works by Richard Wright, with revised individual editions of Native Son and Black Boy; and (as co-editor with Deborah McDowell) Slavery and the Literary Imagination. He was also co-editor, with Shelley Fisher Fishkin, of the Race and American Culture book series published by Oxford University Press. His teaching covers such areas as nineteenth and twentieth-century American literature; American autobiography; race and American literature; and African-American literature.

2007 March 9: The Unknown Du Bois: W.E.B. Du Bois and the Future of Black Studies in the Twenty-First Century
Speaker:James Turner
Africana Studies and Research Center, Cornell University
Poster (pdf)
2006: W.E.B. Du Bois and Martin Luther King
Speaker: Clayborne Carson
Stanford University, editor, Papers of Martin Luther King
Press release (pdf)


2005: The Enduring Greatness of the The Souls of Black Folk
Speaker: Robert Hill
UCLA, editor, Papers of Marcus Garvey
Press release (Word file)


2004: Du Bois and Bond: Black Education in the Age of Jim Crow
Speaker: John H. Bracey
Afro-American Studies, UMass Amherst


2003: Revisiting The Souls of Black Folk: A Centenary Celebration
Panelists:
Horace Clarence Boyer
Music, UMass Amherst
Esther Terry
Afro-American Studies, UMass Amherst
Phil Zuckerman, “Du Bois, Religion, and The Souls of Black Folk
Sociology, Pitzer College
David Blight, “A Poet’s Sense of the Past: The Souls of Black Folk as History”
History, Yale University
Ernest Allen, “The Education of Black Folk: The Educational Philosophies of W.E.B. Du Bois”
Afro-American Studies, UMass Amherst
Gerald Friedman, “Reconstructing the Color Line: The New Economics of Race in the Post-bellum South”
Economics, UMass Amherst


2002: Recollections of W.E.B. Du Bois in the McCarthy Era by His Friends and Colleagues
Panelists:
Esther Cooper Jackson
Co-founder, Freedomways
James Jackson
Editor, Daily Worker
Abbott Simon
Executive director, Peace Information Center and co-defendant with Dr. Du Bois


2001: W.E.B. Du Bois and the Problem of the Twenty-first Century
Speaker: David Levering Lewis
History, Rutgers University


2000: Du Bois’ Prophecy: The Color Line and Education at the Start of a New Century
Speaker: Ruth Simmons
President, Smith College


1999: Du Boisian Double Consciousness: The Unsustainable Argument
Speaker: Ernest Allen
Afro-American Studies, UMass Amherst


1998: Du Bois in Context
Speaker: Randolph W. Bromery
President, Springfield College and former Chancellor, UMass Amherst


1996: W.E.B. Du Bois
Speaker: David Levering Lewis
History, Rutgers University


1995: Celebration of Learning
Panelists:
David Du Bois
William Strickland
Michael Thelwell


1987: The Du Bois Legacy: Reflections on His Birthday
Speaker: Herbert Aptheker
Editor, Complete Published Works of W.E.B. Du Bois
Listen to a recording of Aptheker’s lecture.

Hoagland, Everett

Everett Hoagland Papers, 1966-2016.

4 boxes, 28 books (3 linear feet).
Call no.: MS 910
Everett Hoagland
Everett Hoagland at the PAWA World Poetry Conference in Accra, Ghana, 1999.

Poet Everett Hoagland was born and raised in Philadelphia and attended and graduated from Lincoln University, and later Brown University on a full fellowship for pursuing his Masters of Arts. Hoagland’s poetry came of age during the civil rights struggles of the 1960s and the Black Arts Movement, and is often powerfully political. Driven by the history, music, rhythms, and both collective and individual stories from African and African American culture and experiences, Hoagland is one of the most significant African American poets of the late twentieth century. His second chapbook, Black Velvet, was published by the pioneering Broadside Press in 1970, and he has remained widely published and anthologized through to the present day, including his most recent anthology addition, a poem about the Black Lives Matter movement. In addition to his writing, Hoagland has given readings across the nation and globe, and also served as a teacher and mentor to many, primarily in his position as a Professor of English at the University of Massachusetts Dartmouth for over thirty years. He has won numerous awards and honors, including the Gwendolyn Brooks Award for Fiction, two state-wide poetry competitions for Massachusetts Artists Foundation fellowships, the Distinguished Service to University award from UMass Dartmouth, two MA Local Cultural Council grants for book publications, ForeWord Magazine’s Best Poetry Book award, and most recently in 2015, the Langston Hughes Society Award. Hoagland also served, from 1994 to 1998, as the inaugural poet laureate of his adopted hometown of New Bedford, MA.

The Everett Hoagland Papers include manuscript materials and over twenty books documenting Hoagland’s decades-long career as a poet and writer on racial politics and African American experiences. They consist of photographs; performance and presentation programs, reviews, and recordings; interviews and articles; and unpublished and published writings including copies of Hoagland’s column in the New Bedford The Standard Times, a draft of his Master’s thesis, short fiction stories, a scrapbook of unpublished poetry, and poetry in magazines, periodicals, Hoagland’s authored poetry books, and numerous anthologies.

Subjects

  • African American poets
  • African American writers
  • African Americans--Poetry
  • American poetry--African American authors
  • Black Arts Movement
  • Poetry--New England--Massachusetts

Types of material

  • Anthologies
  • Books
  • Poems

Trent family

Trent Family Papers, 1850-1996.

3 boxes (1.5 linear feet).
Call no.: MS 373

Five generations of an African-American family that achieved commercial success and wealth through the restaurant and catering business as well as extensive real estate investments at the turn of the 20th century in New York City, Brooklyn, and Sea Cliff, Long Island, New York. Includes letters, public and church records, news clippings, ephemera, a videotape, and 87 photographs.

Subjects

  • African American capitalists and financiers--New York (State)--Biography
  • African American families--New York (State)--History
  • African Americans--Genealogy--Handbooks, manuals, etc
  • African Americans--New York (State)--Biography
  • African Americans--New York (State)--Social life and customs
  • Burleigh, H. T. (Harry Thacker), 1866-1949
  • Capitalists and financiers--New York (State)--Biography
  • Fuller, Meta Warrick, 1877-1968
  • Landowners--New York (State)--Biography
  • Restauranteurs--New York (State)--Biography
  • Smith family
  • Smith, William H. (William Henry), 1836-1923
  • Trent family

Types of material

  • Baptismal certificates
  • Deeds
  • Genealogies
  • Photographs
  • Vital statistics records
  • Wills

American Morgan Horse Association

Finding aid

American Morgan Horse Association Registry Records, 1911-1981.

119 boxes (150 linear feet).
Call no.: MS 781
Morgan horses at MAC
Morgan horses at MAC

In 1789, Vermont native Justin Morgan acquired a bay colt in Springfield, Mass., that became the progenitor of a distinctly American breed of general purpose horse. Noted for its stamina, strength, disposition, and beauty, the Morgan became widely popular in western Massachusetts and Vermont, eventually spreading nationally and internationally. To support the breed, the Morgan Horse Club (later the American Morgan Horse Association) was founded in 1909 and today maintains the breed registry, publishes The Morgan Horse magazine, and offers a wide range of public information and educational services.

The Registry records of the AMHA are a product of concern during the late 19th century for documenting and preserving the integrity of the Morgan breed and a means for breeders to certify pedigrees for their stock. In 1894, Joseph Battell published the first volume of the Morgan Horse and Register containing nearly 1,000 pages of pedigrees for “any meritorious stallion, mare, or gelding tracing in direct male line to Justin Morgan and having at least 1/64 of his blood,” and although standards have been modified since, the registry remains the primary source for documenting the history of the breed. The records in this collection include approved applications for the AMHA registry, including pedigrees and supporting materials.

Subjects

  • Horses--Breeding
  • Morgan horse

American Watch Company. Band

Finding aid

American Watch Company Band Engagement Book, 1878-1883.

1 vol. (0.25 linear feet).
Call no.: MS 364

Band of musicians who worked at the Waltham Watch Company in Waltham, Massachusetts. Engagement book itemizes engagement dates and locations, and membership (including recent immigrants), and includes information about rehearsals, business meetings, and payment.

Subjects

  • American Watch Company--Employees--Recreation
  • American Watch Company--Employees--Social life and customs
  • American Watch Company--History
  • Brass bands--Massachusetts--Waltham
  • Industrial recreation--Massachusetts--Waltham
  • Waltham (Mass.)--Social conditions--19th century

Contributors

  • American Watch Company. Band
  • South Side Brass Band (Waltham, Mass.)

Types of material

  • Appointment books

Bascom, Eric

Finding aid

Eric Bascom Collection of Jazz Recordings, ca. 1940-1950.

ca. 500 phonograph records (10 linear feet).
Call no.: MS 882
David Stone Martin cover for Slim Gaillard and Bam Brown's 'Opera in Vout'
David Stone Martin cover for Slim Gaillard and Bam Brown's 'Opera in Vout'

When he was fifteen or sixteen, Eric Bascom’s life changed forever when he saw renowned jazz guitarist Wes Montgomery perform. Though Bascom had been playing guitar himself since he was young, seeing Montgomery opened his eyes to a completely new way of playing guitar and a completely new approach to music. Since that time, Bascom has been an avid listener, collector, and practitioner of jazz. He is currently performing as the Eric Bascom Trio with Ed Brainerd and Genevieve Rose.

The Eric Bascom Collection of Jazz Recordings consists of hundreds of jazz 78 rpm records from the 1940s and 1950s, including a number of 78 books with beautifully illustrated covers. In addition to the records are player piano rolls, several of which were punched by Fats Waller, and a portable Walters Conley Phonola 78 record player.

Subjects

  • Bop (Music)
  • Jazz musicians

Contributors

  • Basie, Count, 1904-1984
  • Christian, Charlie, 1916-1942
  • Fitzgerald, Ella
  • Parker, Charlie, 1920-1955

Types of material

  • 78 rpm records
  • Piano rolls

Bent, Arthur Cleveland, 1866-1954

Finding aid

Arthur Cleveland Bent Collection, 1880-1942.

8 boxes (5.5 linear feet).
Call no.: MS 413
A.C. Bent, 1929
A.C. Bent, 1929

An avid birder and eminent ornithologist, Arthur Cleveland Bent was born in Taunton, Massachusetts, on November 25, 1866. After receiving his A.B. from Harvard in 1889, bent was employed as an agent for the Safety Pocket Company and from 1900 to 1914, he was General Manager of Mason Machine Works. His passion, however, was birds. An associate in Ornithology at the Museum of Comparative Zoology at Harvard University, Bent became a collaborator at the Smithsonian and president (1935-1937) of the American Ornithologists’ Union. The culmination of his research was the massive, 26 volume Life Histories of North American Birds (1919-1968).

The Bent collection is a glimpse into the birding life of a remarkable amateur ornithologist. It contains the field notebooks of his collaborator, Owen Durfee (1880-1909), his own journals (1887-1942), photographs and negatives (1896-1930), correspondence concerning the photographs (1925-1946), and mimeographed and printed material. Bent’s records cover nest observations, egg measurements, bird sightings, and notes on specimens provided to organizations such as the Massachusetts Audubon Society, the Bristol County Agricultural School, and the United States National Museum.

Subjects

  • American Ornithologists' Union
  • Bent, Arthur Cleveland, 1866-1954. Life Histories of North American Birds
  • Birds
  • Birds--Eggs
  • Birds--Eggs--Photographs
  • Birds--Nests
  • Birds--Nests--Photographs
  • Birds--Photographs
  • Bristol County Agricultural School (Bristol County, Mass.)
  • Massachusetts Audubon Society
  • Ornithologists--Massachusetts
  • United States National Museum

Contributors

  • Bent, Arthur Cleveland, 1866-1954
  • Durfee, Owen

Types of material

  • Field notes
  • Photographs

Brinley Family

Finding aid

Brinley Family Papers, 1643-1950.

(4.75 linear feet).
Call no.: MS 161
Deborah Brinley and infant son Francis, 1729<br />Copy by Charles U. Bond (1830)<br />after John Smibert
Deborah Brinley and infant son Francis, 1729
Copy by Charles U. Bond (1830)
after John Smibert

A prosperous family of merchants and landowners, the Brinleys were well ensconced among the social and political elite of colonial New England. Connected by marriage to other elite families in Rhode Island and Massachusetts — the Auchmutys, Craddocks, and Tyngs among them — the Brinleys were refined, highly educated, public spirited, and most often business-minded. Although many members of the family remained loyal to the British cause during the Revolution, the family retained their high social standing in the years following.

The Brinley collection includes business letters, legal and business records, wills, a fragment of a diary, documents relating to slaves, newspaper clippings, and a small number of paintings and artifacts. A descendent, Nancy Brinley, contributed a quantity of genealogical research notes and photocopies of Brinley family documents from other repositories. Of particular note in the collection is a fine nineteenth century copy of a John Smibert portrait of Deborah Brinley (1719), an elegant silver tray passed through the generations, and is a 1713 list of the library of Francis Brinley, which offers a foreshadowing of the remarkable book collection put together in the later nineteenth century by his descendant George Brinley.

Subjects

  • American loyalists--Massachusetts
  • Book collectors--United States--History--19th century
  • Brinley family
  • Brinley, George, 1817-1875--Library
  • Businessmen--Massachusetts--History
  • Businessmen--Rhode Island--History
  • Craddock family
  • Landowners--Massachusetts--History
  • Landowners--Rhode Island--History
  • Libraries--Rhode Island--18th century
  • Massachusetts--Economic conditions--18th century
  • Massachusetts--Politics and government--19th century
  • Rhode Island--Economic conditions--18th century
  • Rhode Island--Genealogy
  • Rhode Island--Politics and government--19th century
  • Slavery--United States--History
  • Tyng family
  • United Empire Loyalists

Types of material

  • Deeds
  • Realia

Burgett-Irey family

DigitalFinding aid

Burgett-Irey Family Papers, 1832-2010 (Bulk: 1929-2008).

4 boxes (2 linear feet).
Call no.: MS 605

Born in 1908 to Louis and Sarah Kessel Burgett, Katherine grew up on the family farm outside of Oquawka, Illinois. In 1924 her parents purchased their own farm in Monmouth, which they later lost due to the devastating impact of the Depression on agriculture, and it was there that she first met her future husband, Kenneth Monroe Irey, a student at Monmouth College. The newlyweds moved to New Jersey in 1931 where Kenneth was transferred for work. As a chemical engineer, Kenneth enjoyed a successful career and comfortably supported his wife and two children. Retiring in 1970, he and Katherine spent their later years pursuing two passions: traveling and bird-watching. Kenneth and Katherine’s eldest daughter, June Irey Guild, spent most of her adult life in Massachusetts where she has married twice, raised six children, and operated her own business. During her retirement years, June focused on preserving her family’s history by collecting letters and recoding family narratives.

The Burgett-Irey Family Papers chronicle the changes that many twentieth-century American families experienced as the nation descended into an economic depression, entered into a world war, and emerged as one of the most powerful countries in the world. The collection, which will continue to grow, includes approximately 65 letters between Katherine Burgett Irey and her family. Most of the letters exchange family updates, particularly precious after Katherine relocated to New Jersey. Among the earliest letters is an account of Katherine and Kenneth’s first meeting described as “fast work,” since he asked her out on the spot. Also included are autobiographical writings by Kenneth describing his cross-country trip to California in 1927 and a brief history of his life and career.

Subjects

  • Bird watching
  • Burgett family
  • Irey family
  • Marriage--United States
  • Motherhood--United States--History--20th century
  • Mothers--United States--History--20th century
  • Women--United States--History--20th century

Contributors

  • Guild, June Irey
  • Irey, Katherine Burgett
  • Irey, Kenneth Monroe, 1905-1994

Types of material

  • Diaries
  • Letters (Correspondence)
  • Slides

Exhibits

Tulip poplar leaves
Tulip poplar leaf
Arthur Mange Collection

Drawing upon the unique materials under their care, the staff of the Department of Special Collections and University Archives organize two to three exhibits a year in their reading room and work regularly with their colleagues in the general library to prepare other exhibits for display on the Lower Level of the W.E.B. Du Bois Library.

Current Exhibit

Through The Photographer’s Eyes: The Diana Mara Henry Collection (20th Century Photographer)

  • August 19, 2016-January 13, 2017
  • Location: SCUA and Learning Commons, Du Bois Library

The work of photojournalist Diana Mara Henry spans four decades of political, social, and cultural change in America. After graduating from Harvard with a degree in government in 1969, Henry returned to New York to work as a researcher with NBC News and as a general assignment reporter for the Staten Island Advance, but in 1971 she began to work as a freelance photographer. Among many projects, she covered the Democratic conventions of 1972 and 1976 and was selected as official photographer for both the National Commission on the Observance of International Women’s Year and the First National Women’s Conference in 1977, and while teaching at the International Center of Photography in Manhattan from 1974-1979, she developed its community workshop program and was a leader in a campaign to save the Alice Austen House. Her body of work ranges widely from the fashion scene in 1970s New York and personal assignments for the family of Malcolm Forbes and other socialites to political demonstrations, cultural events, and photoessays on one room schoolhouses in Vermont and Ulster County, NY, and everyday life in Brooklyn, France, Nepal, and Bali.

Henry’s photographs have appeared in government documents, magazines, books such as Newsweek’s Pictures of the Year 1977, and the 1989 Pulitzer and Tony award-winning play The Heidi Chronicles. They have been exhibited in many locations including a one-woman show at the Women’s Hall of Fame in Seneca Falls, NY; The Park Avenue Armory, NYC; and The American Civil War Center at Historic Tredegar, Richmond, VA. In addition to the UMass Amherst Libraries, Henry’s photographs are in the collection of the National Archives.

The exhibit features photographs taken by Henry along with a rich array of related materials—including speeches, press releases, brochures, and her own notes—collected over the years; taken together they document the political and cultural scene of the second half of the twentieth century. Items on display cover a wide range of topics from the Vietnam Veterans Against the War, The Women’s Pentagon Action, the McGovern campaign, the New York State Women’s Meeting and First National Women’s Conference to Permaculture, New York politics, and New York society.

Upcoming Exhibits

Coming soon!

Exhibits online
Arthur Mange100 photos: Arthur Mange

Photographs from the collection of Arthur Mange.
Diana Mara Henry PhotographsPhotographer: DMH

Photographs from the collection of Diana Mara Henry. An exhibit by Chuck Abel.
E.D. HudsonE.D. Hudson: an Abolitionist Life

An examination of social reform and antislavery in Antebellum New England. An exhibit by Charles Weisenberger.
Rhetoric or researchRhetoric or Research

interprets student protests against CIA recruitment at UMass Amherst during the 1980s through a selection of images taken by student photojournalists.
By Tom Hohenstein (ETHIR recipient, 2011).
Gordon HeathSource, History, Story: Teaching U.S. History in the Archives

A digital curriculum for teaching U.S. history using archival resources.
An exhibit by Emily Oswald (ETHIR recipient, 2011).
I see dead peopleBehold And See As You Pass By

An online exhibit on gravestones and mortuary art in Early New England drawn from the Association for Gravestones Studies Collections.
By Molly Campbell (ETHIR recipient, 2011)
Robot readerUncertain Futures

Science fiction readership in the Cold War and beyond.
An exhibit by Morgan Hubbard.
Letters homeFifteen letters

Conrad D. Totman’s letters home from Korea, 1954-1955.
An exhibit by Alex McKenzie.
Du Bois photographsDu Bois: The Activist Life

An online exhibit on the life and legacy of W.E.B. Du Bois based on his papers.
A scarab beetleHerbals and Insects

A selection of rare botanical and entomological books from the SCUA collections.
A beeApiculture and culture

Books on bees and beekeeping.
An exhibit by Richard A. Steinmetz.

 

 

  1. Pages:
  2. 1
  3. 2
  4. 3
  5. 4
  6. 5
  7. 6
  8. 7
  9. ...
  10. 51

Search

  • Collection areas

Browse collections

[ UMass ]