Results for: “Playbills” (10 collections)SCUA

Ellis, James, 1935-

James Ellis Theatre Collection, 1700-2005.

ca.8,000 vols.
Call no.: MS 779

During a long career as Professor of English at Mount Holyoke College, James Ellis wrote on the Victorian stage and the work of Gilbert and Sullivan. A founding member of the Valley Light Opera Company, he was also an actor and director of theatricals in the Pioneer Valley.

The Ellis Collection contains approximately 8,000 published works on the Anglo-American stage, 1750-1915, including individual plays and anthologies of English and American playwrights; biographical works on performers; works on the theatre in London, the provinces, and America; periodicals, playbills, prints, broadsides, and ephemera; and works that provide cultural context for interpreting the stage. Although the collection includes some works from the 18th century, it is deepest for the English stage in the period 1850-1900.

Subjects

  • Actors--Great Britain
  • Actors--United States
  • Amateur theater--Great Britain--19th century
  • Theater--Great Britain--19th century
  • Theater--United States--19th century

Contributors

  • Ellis, James, 1935-

Types of material

  • Broadsides
  • Lithographs
  • Photographs

Greenbie, Barrie B.

Barrie B. Greenbie Papers, 1934-1997.

17 boxes (19.5 linear feet).
Call no.: FS 142
Barrie Greenbie with g-frame model
Barrie Greenbie with g-frame model

Barrie Barstow Greenbie was a key member of the Department of Landscape Architecture and Urban Planning at UMass Amherst from 1970-1989. In a long and remarkably diverse career, Greenbie worked as an artist with the Works Progress Administration, as a soldier and journalist, as a professor of theater, an architect, inventor, author, and landscape planner. After earning a BA in drama from the University of Miami (1953),he worked for several years in the theatre program at Skidmore College. While there, he added architecture to his array of talents, designing the East 74th Street Theater in New York in 1959, and founded a company to produce a “self-erecting” building designed to substitute for summer tent theaters. Two years after joining the faculty at UMass in 1970, he completed a doctorate in urban affairs and regional planning at the University of Wisconsin and continued with a characteristically broad array of creative pursuits, designing the William Smith Clark Memorial, among other things, and conducting an extensive aerial survey of the landscapes of the Connecticut River Valley. In monographs such as Design for Diversity and Spaces: Dimensions of the Human Landscape, Greenbie examined the interactions between humans and nature. He died at his home on South Amherst in 1998.

The Greenbie Papers document a long career as academic, writer, artist, architect, and theatrical designer. Of particular note is the extensive and engrossing correspondence, which extends from Greenbie’s years as a student at the Taft School in the late 1930s through his World War II service with the Sixth Army in the South Pacific and Japan, to his tenure at UMass Amherst (1970-1989). The collection also includes a small, but interesting correspondence between Greenbie’s parents (1918-1919).

Subjects

  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Landscape Architecture and Regional Planning
  • World War, 1939-1945

Contributors

  • Greenbie, Barrie B

Heath, Gordon, 1918-1991

Gordon Heath Papers, 1913-1992.

44 boxes (22.75 linear feet).
Call no.: MS 372 and 372 bd
Gordon Heath, Paris
Gordon Heath, Paris

A multi-talented performer, the African American expatriate Gordon Heath was variously a stage and film actor, musician, director, producer, founder of the Studio Theater of Paris, and co-owner of the Parisian nightclub L’Abbaye. Born in New York City, Heath became involved in acting as a teenager and enjoyed a career that spanned post-World War II Broadway to the Black Arts Movement of the 1970s. In addition to his many roles on film and stage, he and his partner Lee Payant enjoyed success as recording artists in the 1950s and 1960s.

The Heath collection includes personal and professional correspondence, scrapbooks containing photos and clippings from assorted television and film productions in addition to songs, poetry, and reviews of plays or playbills from productions he attended. The Papers also contain art work, sheet music, personal and production photographs, and drafts of his memoirs.

Subjects

  • Abbaye (Nightclub : Paris, France)
  • African American actors--France--Paris--History
  • African American singers--France--Paris--History
  • African Americans in the performing arts--History
  • African-American theater--History--20th century
  • Baldwin, James, 1924-
  • Chametzky, Jules
  • Dodson, Owen, 1914-
  • Expatriate musicians--France--Paris--History
  • Hughes, Langston, 1902-1967
  • Musicians--United States--History
  • Nightclubs--France--Paris--History
  • Paris (France)--Intellectual life--20th century
  • Payant, Lee--Correspondence
  • Primus, Pearl
  • Rive gauche (Paris, France)--Intellectual life--20th century
  • Studio Theater of Paris
  • Theater--Production and direction--France--Paris--History

Contributors

  • Abramson, Doris E
  • Heath, Gordon, 1918-1991

Types of material

  • Photographs
  • Scrapbooks
  • Scripts
  • Sheet music
  • Sketches

Jones, Richard

Richard Jones Papers, ca.1970-1991.

2 boxes (1 linear feet).
Call no.: FS 006

Over the course of his esteemed dance career, Richard Jones performed with Eleo Pomare Company, the Miguel Godreau Dance Company, and the Xochipillian Dance Group. Jones was appointed to the staff of the University of Massachusetts on September 1, 1973, and remained with the department until his death in 1991. While at the University, Jones was the founding artistic director of the Amdans Theater, and was the artistic director of the University Dancers from 1979 to 1991.

The Jones Papers are a collection of photographs and reviews of Jones’s choreography during the 1970s and 1980s. A copy of Jones’s original essay, “Costuming for Three Styles of Dance,” (circa 1975) appears in the collection, as do photographs, playbills, posters, Amdans Theatre and University Dancers reviews. The Papers also contain letters to Jones from the Boston Ballet and the American College Dance Festival, as well as reviews of Jones’s choreography for professional companies outside the University.

Subjects

  • Admans Theatre
  • Dance
  • University Dancers (University of Massachusetts Amherst)
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Music and Dance

Contributors

  • Jones, Richard

Types of material

  • Photographs

Kraus, Karl

Karl Kraus Papers, 1880-1962 (Bulk: 1930-1962).

2 boxes (1 linear feet).
Call no.: MS 470
Karl Krauss
Karl Krauss

Known for his bitingly satirical poetry, plays, and essays, the Austrian writer Karl Kraus was born in what is today Jicin, Czech Republic. At the age of three, Kraus and his family moved to Vienna, where he remained for the rest of his life. He is best known as editor of the literary journal Die Fackel (The Torch), which he founded in 1899 and to which he was the sole contributor from 1911 until his death in 1936.

Gabriel Rosenrauch, a lawyer from Chernivtsi, Ukraine, collected materials about Kraus and his career, including newspaper articles and essays in German, Yiddish, Hebrew, English, and French written between 1914 and 1962. A few of these were written by well-known authors such as Hermann Hesse and Werner Kraft. The collection features personal photographs of Kraus from throughout his life, as well as photographs of his apartment in Vienna. Also of note are the indexes to Kraus’ journal Die Fackel that were composed by Rosenrauch, whose personal correspondence with Kraus archivist Helene Kann is part of the collection.

Subjects

  • Kokoschka, Oskar, 1886-1980
  • Kraft, Werner, 1896-1991
  • Vienna (Austria)--History--20th century
  • World War, 1939-1945

Contributors

  • Kraus, Karl, 1874-1936
  • Rosenrauch, Gabriel

Types of material

  • Letters (Correspondence)

Murray, Samuel E., 1906-1989

Samuel E. Murray Papers, ca.1945-1989.

14 boxes (7 linear feet).
Call no.: MS 568
Samuel Murray, 1966
Samuel Murray, 1966

One of the pioneers in the ephemera trade, Samuel E. Murray (1906-1989) was a long time antiquarian bookman, based at his home in Wilbraham, Mass. Born on Christmas Day, 1906, Murray interrupted his college studies to go to sea, but after the Depression left him unemployed, he landed a position as sales representative for McGraw-Hill and, later, G. & C. Merriam and other firms. Always an avid book collector, Murray left the publishing industry in 1970 to become a full time bookseller. Without ever advertising or issuing catalogs, he developed a wide reputation among dealers and collectors for his keen eye and perspicacity with rare and uncommon books. A generalist by trade, Murray had a particular fondness for colorplate books and travel literature, but was renowned both for his extensive reference library and for recognizing early on the value of ephemera. After a lengthy bout with myelofibrosis, Murray died at home on June 4, 1989.

The Murray Papers contain correspondence between Murray and a range of his fellow booksellers and clients, as well as his extensive card files on fellow book dealers and wants lists. The collection offers insight into the operations of a well known antiquarian bookman during the 1970s and 1980s.

Subjects

  • Antiquarian booksellers--Massachusetts
  • Book collecting
  • Books--Want lists
  • Printed ephemera--Collectors and collecting--Massachusetts

Contributors

  • Antiquarian Booksellers Association of America
  • Ephemera Society of America
  • Murray, Samuel E., 1906-1989

Pollock, Robert J.

Robert J. Pollock Souvenir Collection, 1904-1954.

1 box (0.5 linear feet).
Call no.: MS 388

Brought together by Robert J. Pollock, this collection of souvenirs consists chiefly of playbills from New England and New York productions, and includes programs from ice skating shows, circuses, and musical revues.

Subjects

  • Theater--History--20th century

Contributors

  • Pollock, Robert J

Types of material

  • Playbills

Rand, Frank Prentice, 1889-

Frank Prentice Rand Papers, 1905-1976.

5 boxes (2.5 linear feet).
Call no.: FS 083
Frank Prentice Rand
Frank Prentice Rand

Playwright, poet, historian, student theater director and professor of English, University of Massachusetts.

Correspondence, speeches, lectures, drafts of writings, reviews, publicity material, programs and playbills, scrapbooks, grade books (1917-1959), newsclippings, memorabilia, and other papers, relating to Rand’s teaching career, his writing of poetry, plays, and history, and his activities, as a dramatic coach and director. Includes material relating to the dedication of Rand Theater.

Connect to another siteListen to oral history with Rand's wife:
Oral history, part 1
Oral history, part 2

Subjects

  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of History

Contributors

  • Rand, Frank Prentice, 1889-

Types of material

  • Oral histories
  • Scrapbooks

Uno, Roberta

Roberta Uno Collection of Asian American Women Playwrights' Scripts, 1924-2005.

25 boxes (9 linear feet).
Call no.: MS 345
Coconut masquerade postcard
Coconut masquerade postcard

Roberta Uno was the founder and long time artistic director of the New WORLD Theater at UMass Amherst, a theater in residence dedicated to the production of works by playwrights of color.

Established by Uno in 1993, the Asian American Women Playwrights Scripts Collection contains manuscripts of plays, but also production histories, reviews, and articles, along with biographies and audio and videotaped interviews with playwrights. Among the individuals represented are Brenda Wong Aoki, Jeannie Barroga, Marina Feleo Gonzales, Jessica Hagedorn, Velina Hasu Houston, Genny Lim, le thi diem thuy, Ling-Ai Li, Victoria Nalani Kneubuhl, Nobuko Miyamoto, Bina Sharif, and Diana Son.

Subjects

  • Asian American women authors
  • New WORLD Theater
  • Playwrights

Contributors

  • Uno, Roberta, 1956-

Types of material

  • Scripts (Documents)

Volbach, Walther R. (Walther Richard), 1897-

Walther R. Volbach Papers, 1897-1996.

2 boxes (1 linear feet).
Call no.: FS 087
Walther R. Volbach
Walther R. Volbach

Born in Mainz, Germany on December 24, 1897, the theater historian and stage director Walther R. Volbach began directing operas and plays at the age of 17. After his immigration to the United States in 1936, he worked for several colleges, coming to the University of Massachusetts Amherst for five years as a visiting professor following his retirement in 1965. Noted as a director of operas and plays and for his set design, Volbach was author of three books: The Problems of Opera Production (1953), Adolphe Appia : The Prophet of The Modern Theatre (1968), and Memoirs of Max Reinhardt’s Theaters (1972).

The Volbach collection includes personal and professional correspondence in English and German, mostly from Volbach’s later years, regarding family, publishing, lectures, and employment. The collection also includes photographs of set designs, an image of Volbach teaching a class, publications, and lecture and research notes on theater history.

Subjects

  • Appia, Adolphe, 1862-1928
  • Drama--Study and teaching
  • Set designers
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Theater

Contributors

  • Volbach, Walther R. (Walther Richard), 1897-
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