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Illustrated Sheet Music

Illustrated Sheet Music Collection

1896-1946
1 box 0.25 linear feet
Call no.: MS 960
Image of Waiting for the Robert E. Lee
Waiting for the Robert E. Lee

Advances in color printing technologies combined with decreasing costs of publication led to a flowering of illustrated sheet music between 1890 and the 1920s.

This small collection is comprised of illustrated sheet music dating primarily from the first quarter of the twentieth century. Representing a cross-section of popular music at the time from minstrel tunes to patriotic marches, most of the songs were selected either for their representation of African Americans (usually in stereotypical and racist caricature) or as examples of pro-war propaganda during the First World War.

Subjects

  • African Americans--Pictorial works
  • World War, 1914-1918--Pictorial works

Types of material

  • Scores
  • Sheet music
Bestor, Charles

Charles Bestor Papers

1971-2002
2 boxes 0.75 linear feet
Call no.: FS 126

A composer, Professor of Composition, and Director of the Electronic and Computer Music Studios at the University of Massachusetts Amherst, Charles Bestor has also taught at Juilliard School of Music and other universities, won international awards for his music, and collaborated with contemporary installation artists.

The Bestor Papers includes scores and sound recordings for two of his compositions, Suite for Alto Saxophone and Percussion and In the Shell of the Ear, as well as correspondence, concert programs, and reviews, all relating to the publication and performance of the works.

Gift of Charles Bestor, Mar.-Apr. 2004

Subjects

  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Music and Dance

Contributors

  • Bestor, Charles
Barbershop music

Barbershop Music Collection

1952-1985
1 box 0.5 linear feet
Call no.: MS 893

Founded in 1938, the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America was one of the earliest organziation devoted to promoting barbershop harmony singing.

Mostly undated, the dozens of printed SPEBSQSA songbooks and sheet music in this collection appear to have been printed between the early 1950s and mid-1980s.

Gift of William R. Lenville, Oct. 2013

Subjects

  • Barbershop (Music)

Types of material

  • Sheet music
  • Songbooks
Hapgood, Beth

Beth Hapgood Papers

1789-2005
67 boxes 35 linear feet
Call no.: MS 434
Image of Beth Hapgood and members of the Brotherhood, ca.1969
Beth Hapgood and members of the Brotherhood, ca.1969

Daughter of a writer and diplomat, and graduate of Wellesley College, Beth Hapgood has been a spiritual seeker for much of her life. Her interests have led her to become an expert in graphology, a student in the Arcane School, an instructor at Greenfield Community College, and a lecturer on a variety of topics in spiritual growth. Beginning in the mid-1960s, Hapgood befriended Michael Metelica, the central figure in the Brotherhood of the Spirit (the largest commune in the eastern states during the early 1970s) as well as Elwood Babbitt, a trance medium, and remained close to both until their deaths.

The Hapgood Papers contain a wealth of material relating to the Brotherhood of the Spirit and the Renaissance Community, Metelica, Babbitt, and other of Hapgood’s varied interests, as well as 4.25 linear feet of material relating to the Hapgood family.

Subjects

  • Brotherhood of the Spirit
  • Channeling (Spiritualism)
  • Communal living--Massachusetts
  • Graphology
  • Hapgood family--Correspondence
  • Massachusetts--Social life and customs--20th century
  • Mediums--Massachusetts
  • Nineteen sixties--Social aspects
  • Occultism--Social aspects
  • Popular culture--History--20th century
  • Renaissance Community
  • Rock music--1971-1980
  • Warwick (Mass.)--History

Contributors

  • Babbitt, Elwood, 1922-
  • Boyce, Neith, 1872-1951
  • Hapgood, Beth--Correspondence
  • Hapgood, Charles H
  • Hapgood, Elizabeth Reynolds
  • Hapgood, Hutchins, 1869-1944
  • Hapgood, Norman, 1868-1937
  • Metelica, Michael
Bascom, Eric

Eric Bascom Collection of Jazz Recordings

ca. 1940-1950
ca. 500 phonograph records 10 linear feet
Call no.: MS 882
Image of David Stone Martin cover for Slim Gaillard and Bam Brown's 'Opera in Vout'
David Stone Martin cover for Slim Gaillard and Bam Brown's 'Opera in Vout'

When he was fifteen or sixteen, Eric Bascom’s life changed forever when he saw renowned jazz guitarist Wes Montgomery perform. Though Bascom had been playing guitar himself since he was young, seeing Montgomery opened his eyes to a completely new way of playing guitar and a completely new approach to music. Since that time, Bascom has been an avid listener, collector, and practitioner of jazz. He is currently performing as the Eric Bascom Trio with Ed Brainerd and Genevieve Rose.

The Eric Bascom Collection of Jazz Recordings consists of hundreds of jazz 78 rpm records from the 1940s and 1950s, including a number of 78 books with beautifully illustrated covers. In addition to the records are player piano rolls, several of which were punched by Fats Waller, and a portable Walters Conley Phonola 78 record player.

Subjects

  • Bop (Music)
  • Jazz musicians

Contributors

  • Basie, Count, 1904-1984
  • Christian, Charlie, 1916-1942
  • Fitzgerald, Ella
  • Parker, Charlie, 1920-1955

Types of material

  • 78 rpm records
  • Piano rolls
Blake, Ella Dot Martin

Ella Dot Martin Blake Sheet Music Collection

1902-1941
3 boxes 3.0 linear feet
Call no.: RB 015
Image of I'm forever blowing bubbles
I'm forever blowing bubbles

A native of Waterloo, Quebec, Ella Dot Martin Blake emigrated to Worcester County, Mass., in about 1927. She and her husband Sydney farmed and raised two sons. Ella Blake died in 1987.

Assembled by Ella Dot Martin Blake, this collection consists of eighty pieces of sheet music, more than half with illustrated covers. Dating from the early 1900s, the collection covers both World Wars as well as the rise of Broadway and Hollywood’s golden age. Selections include military sheet music, “Good-Bye, Little Girl, Good-Bye” (1904) and music from Hollywood films, such as “Daddy Long Legs” dedicated to Mary Pickford (1919), and “By a Waterfall” from Footlight Parade (1933).

Gift of Janice Blake, Oct. 2012

Subjects

  • Motion picture actors and actresses--Photographs
  • World War, 1939-1945--Songs and music

Types of material

  • Sheet music
Bezanson, Philip, 1916-1975

Philip Bezanson Papers

1946-1980
9 boxes
Call no.: FS 040

An influential educator and composer, Philip Bezanson helped guide the Department of Music at UMass Amherst through its period of rapid expansion in the late 1960s and early 1970s. After graduate study (PhD 1954) and appointment to the faculty at the University of Iowa, Bezanson was brought to UMass in 1964 to become Head of the Music Department and helped to expand and reorient the program, recruiting an increasingly accomplished faculty, including his former student Frederick Tillis.

The Bezanson papers include materials relating to the development, performance, and publication of much of Bezanson’s musical work, including scores and parts for 46 of his 47 instrumental and vocal compositions. The collection also includes a sampling of correspondence, programs and posters for performances, papers relating to the development of the opera Golden Child and his collaboration with Paul, the score of the opera Stranger in Eden (libretto by William A. Reardon), and one sound recording.

Subjects

  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Music and Dance

Contributors

  • Bezanson, Philip, 1916-1975
Steele, Ronald

Ronald Steele Papers

1956-2000
9 boxes 10 linear feet
Call no.: FS 164
Image of Ronald Steele
Ronald Steele

A native of New Jersey, Ronald Steele was devoted to both music and photography from an early age. After a tour of duty with the US Air Force Symphony Orchestra and graduate study in violin performance at the University of Michigan, Steele joined the faculty at the University of Massachusetts in 1963. Active as a conductor as well as a performer throughout his career, he was widely known on campus for his popular course, an introduction to music, which was transformed into an award-winning, nationally-syndicated radio show in the mid-1970s. A founder of the UMass Symphony Orchestra (1963) and the Five College Chamber Soloists, Steele resumed his passion for photography in the late 1970s, opening the Ron Steele Photography Studio, which became an increasing creative outlet after his retirement from the university in 1997.

The Steele collection consists of roughly three linear feet of records documenting his career, including corresponce, programs, notes, teaching materials, and photographs. Reflecting his dual creative interests in music and photography, Steele took dozens of photographs of performers and colleagues.

Subjects

  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Music and Dance

Types of material

  • Photographs
Stern, Robert, 1934-

Robert Stern Collection

1975-1981
1 box 0.5 linear feet
Call no.: FS 024
Image of Robert Stern
Robert Stern

The composer Robert Stern was Professor of Theory and Composition in the Department of Music at UMass Amherst from 1964 until his retirement in 2006. A native of Paterson, N.J., Stern studied at the University of Rochester and the Eastman School of Music before arriving in Amherst. Noted for his use of Jewish themes and subjects, he has been the recipient of numerous awards and honors, including fellowships from the MacDowell Colony, Yaddo, and the Millay Colony for the Arts.

The Stern collection includes six reel to reel audiotapes of performances of Stern’s work at UMass Amherst. These include music of Blood and Milk Songs (1975), music of Burrill Phillips (1975), the New Music Ensemble (1976), and the Pro Musica Moderna concerts (1979, 1980, and 1981).

Subjects

  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Music and Dance

Types of material

  • Audiotapes
Tillis, Frederick, 1930-

Frederick Tillis Papers

1970-2010
10 boxes 8 linear feet
Call no.: FS 156
Image of Fred Tillis, Nov. 23, 1977
Fred Tillis, Nov. 23, 1977

A composer, performer, poet, educator, and arts administrator, Fred Tillis was one of the major influences on the cultural life at UMass Amherst for forty years. Born in Galveston, Texas, in 1930, Tillis began playing jazz trumpet and saxophone even before his teens. A product of segregated schools, he graduated from Wiley College at the age of 19, and received his MA and PhD in music at the University of Iowa. As a performer and composer of unusual breadth, his work spans both the jazz and European traditions, and he has written for piano and voice, orchestra, choral pieces, chamber music, and in the African American spiritual tradition, drawing upon a wide range of cultural references. After teaching at Wiley, Grambling, and Kentucky State in the 1960s, Tillis was recruited to UMass in 1970 by his former adviser at Iowa, Philip Bezanson, to teach music composition and theory. Earning promotion to Professor in 1973, Tillis was appointed Director of the Fine Arts Center in 1978, helping to jump start some of the most successful arts initiatives the university has seen, including the the Afro American Music and Jazz program, the New World Theater, Augusta Savage Gallery, Asian Arts and Culture Program, and Jazz in July. Upon retirement from UMass in 1997, he was appointed Emeritus Director of the Fine Arts and remains active as a musician and poet.

The Tillis papers document an extraordinary career in the arts, focused on Fred Tillis’s work as a composer. Consisting primarily of musical scores along with an assortment of professional correspondence relating to his publishing and miscellaneous notes, the collection offers insight into the evolution of Tillis’s musical vision from the 1970s into the new millennium.

Subjects

  • African American composers
  • African American musicians
  • Fine Arts Center (University of Massachusetts Amherst)
  • Jazz
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Music and Dance

Contributors

  • Tillis, Frederick, 1930-

Types of material

  • Scores
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