You searched for: "“Kislo, Michael Z., 1896-1978”" (page 2 of 29)

Bernhard, Michael H.

Michael H. Bernhard Solidarity Collection

ca.1975-1989
3 boxes 4.5 linear feet
Call no.: MS 575

A member of the Department of Political Science at Penn State University, Michael Bernhard specializes in the comparative history of institutional change in East Central Europe and the political economy of democratic survival and breakdown. Since receiving his doctorate from Columbia University in 1988, Bernhard has written extensively on various aspects of the democratic transition in Poland and East Germany.

The Bernhard Collection contains photocopies and some original materials of underground publications by the Solidarity Movement in Poland, most of which were crudely published and illegally distributed. The collection also includes a series of posters for Solidarity candidates during the first post-Communist election.

Language(s): Polish

Subjects

  • NSZZ "Solidarność" (Labor organization)
  • Poland--History--1945-
  • Underground press publications--Poland

Contributors

  • Bernhard, Michael H
Bianchi, Michael H.

Michael H. Bianchi Collection

1993-2015
4 boxes 6 linear feet
Call no.: MS 915

Since the early 1990s, Michael Bianchi has been involved in the community of electric vehicle developers and enthusiasts and is a key figure in documenting the history of the Northeast Sustainable Energy Association’s annual American Tour de Sol Electric Vehicle Challenge. A resident of northern New Jersey and a developer of software management and operations support systems with Bellcore and other companies, Bianchi became interested in alternatives to petroleum-fueled vehicles in the early 1990s, attending his first Tour de Sol in 1993. Since that time he has served as announcer for the Tour and documented each contest with photographs, oral histories with participants, and highly detailed summary reports (1994-2009). For many years, Bianchi drove his own electric vehicle, beginning with a Solectria Force, and he continues to write on the development of electric vehicles.

The Bianchi collection contains reports, photographs, and ephemera associated with the American Tour De Sol, along with an assortment of scarce newsletters and magazines on electric vehicles. Of special note are interviews (on microcassette) with Tour participants.

Subjects

  • American Tour de Sol
  • Electric Cars

Types of material

  • Audiocassettes
  • Oral histories
Cornish, Michael

Michael Cornish Photograph Collection

ca.1975-2005
20 boxes 20.5 linear feet
Call no.: PH 035

Michael Cornish first became interested in gravemarkers while writing a senior thesis at the Massachusetts College of Art, and since that time, he has prepared numerous exhibitions of his photographic work and conducted important research on colonial markers. Widely known for his work on the carver Joseph Barbur of West Medway, Mass., and a group of “tendril carvers” in southeastern Massachusetts, Cornish speaks frequently to historical societies around Massachusetts, delivering slide shows tailored to the particular area. An inventory photographer for the City of Boston’s Historic Burying Ground Initiative, he has also consulted for several towns regarding the preservation and rehabilitation of their burying grounds. As a member of the AGS Board of Directors, Cornish has worked in various capacities and played an active role in organizing and participating in the annual conventions, programs, exhibits, and tours.

The Cornish Collection includes many thousands of photographs and direct rubbings of early New England gravestones, primarily in Massachusetts and Connecticut, focusing on their beauty and artistic merit. Originally inspired by the work of Harriette Merrifield Forbes, and encouraged by Dan and Jessie Farber, Cornish photographed in a variety of formats, including Kodachrome transparencies, black-and-white negatives, and black-and-white prints. The collection also includes research notes relating to his work on Barbur and other stonecarvers.

Subjects

  • Gravestones--Connecticut
  • Gravestones--Massachusetts
  • Stone carving--Connecticut
  • Stone carving--Massachusetts

Contributors

  • Association for Gravestone Studies
  • Cornish, Michael

Types of material

  • Photographs
Hagar, Joseph A. (Joseph Archibald), 1896-1989

Joseph A. Hagar Papers

1897-1976 Bulk: 1930-1965
6 boxes 7.92 linear feet
Call no.: MS 743
Image of Hudsonian godwit hatchlings
Hudsonian godwit hatchlings

An ornithologist and conservationist for the Commonwealth of Massachusetts, Joseph A. “Archie” Hagar’s career was rooted in the generation of naturalists such as William Brewster, Edward Howe Forbush, and Arthur Cleveland Bent. Born in Lawrence, Mass., on May 13, 1896, Hagar’s undergraduate career at Harvard was interrupted by service in the First World War, after which he completed his studies at the Massachusetts Agricultural College, graduating with the class of 1921. An expert field biologist and ecologist, he was appointed State Ornithologist in the Department of Fish and Game in November 1934 serving in that position for almost twenty five years. A specialist in waterfowl and raptors, Hagar was deeply involved in early conservation efforts in New England, noted for his work on wetland conservation and for linking the use of DDT with eggshell thinning in peregrine falcons, and he was famously at the center of a dispute with the U.S. Fish and Wildlife Service over the design of the Parker River Wildlife Refuge. Never a prolific writer, he was an active member of the American Ornithological Union, the Nuttall Ornithological Club, the Wildlife Society, and other professional organizations, and after retirement, he was specially cited for his work in waterfowl conservation by Ducks Unlimited. Active until late in life, he died at home in Marshfield Hills on Dec. 17, 1989.

The Hagar Papers are a deep and valuable resource for the study of New England birds and the growth of modern conservation biology. With abundant professional correspondence, field notes on shorebirds and raptors, and drafts of articles, the collection documents the full range of Hagar’s activities as State Ornithologist, including a particularly thick run of material for the controvery over the Parker River Wildlife Refuge. Hagar also acquired a set of field notes, 1897-1921, from the Harvard ornithologist John E. Thayer.

Subjects

  • Birds--Massachusetts
  • Black duck
  • Conservationists--Massachusetts
  • Massachusetts Agricultural College--Alumni and alumnae
  • Ornithologists--Massachusetts
  • Parker River National Wildlife Refuge

Contributors

  • Hagar, Joseph A. (Joseph Archibald), 1896-1989

Types of material

  • Field notes
  • Letters (Correspondence)
  • Photographs
Haley, Michael

Michael Haley Papers

1968-2003
18 boxes 27 linear feet
Call no.: MS 670
Image of Mike Haley
Mike Haley

An actor and motion picture assistant director and producer, Michael Haley was born in Pittsfield, Mass., in 1942. While an undergraduate student at UMass Amherst, Haley became involved in theater, joining the avant garde Buffalo Meat Company that performed original works in Massachusetts and New York City. Following a chance call from a producer looking for local help in 1969, Haley worked on his first film, the low-budget crime drama, Honeymoon Killers. After work on several other film and television productions, Haley was among ten people selected for the Directors Guild of America’s Assistant Directors Training Program. During his forty year career, Haley’s credits have included work with a number of noted directors, including Sidney Lumet, Barry Levinson, and Penny Marshall, and he has enjoyed a particularly long and productive association with Mike Nichols. His films have included The Taking of Pelham One Two Three, The Stepford Wives, Biloxi Blues, True Colors, A League of Their Own, Groundhog Day, Primary Colors, and Closer. He was the recipient of two Humanitas Prizes (for Wit and Angels in America), and among others awards, the Christopher Award (for Wit), the Directors Guild of America award, Producers Guild of America award, and an Emmy (for Angels in America), a Directors Guild of America plaque (Working Girl), and the Berkshire International Film Festival Life-Time Achievement Award. He was named Artist of the Year at UMass and has been selected for a Bateman Fellowship.

Reflecting a diverse career in film, the Haley collection consists of scripts, photographs, memorabilia, and diaries, with a small quantity of notes and correspondence. The scripts, approximately 110 of them, are from films ranging from the Godfather II to Charlie Wilson’s War and Angels in America, may include several drafts. The photographs are both numerous and particularly rich, including some particularly interesting candid shots taken on film sets, as well as official shots taken by photographers such as Mary Ellen Mark.

Subjects

  • Actors
  • Motion picture producers and directors
  • Motion pictures
  • Nichols, Mike

Contributors

  • Haley, Michael

Types of material

  • Photographs
  • Screenplays
Katanka, Michael

Katanka-Fraser Political Music Collection

1885-1975
10 boxes 7 linear feet
Call no.: MS 552

The author, publisher, and radical bookseller Michael Katanka (1922-1983) was a staunch Socialist and historian of British labor. Beginning with his 1868: Year of Unions in 1968, Katanka wrote or edited a series of books and articles on Fabianism, satirical caricature, and trade unionism.

The Katanka-Fraser Political Music Collection consists of audio recordings, sheet music, and songbooks of politically-inspired music in a variety of languages. The works range from the English and German Socialist press of the 1880s to the antiwar movement of the 1960s and 1970s, touching upon labor agitation, proletarian songs, student protest, the anti-imperialist and anti-capitalist struggles, the Spanish Civil War, and Communism and Socialism. The collection also includes a few books and sound recordings from the extreme right in Nazi Germany.

Gift of James and Sibylle Fraser, June 2007

Subjects

  • Communists--Music
  • International Workers of the World--Music
  • Political ballads and songs
  • Protest songs
  • Radicalism--Songs and music
  • Socialists--Music
  • Working class--Music

Contributors

  • Fraser, James
  • Katanka, Michael
Lenson, Michael, 1903-1971

Michael Lenson Collection

1969-1970
12 items 0.1 linear feet
Call no.: MS 745

Born in Russia in 1903, the realist painter Michael Lenson emigrated to the United States at the age of eight, and from early in life, took an interest in art. While a student at the National Academy of Design in 1928, Lenson was awarded the Chaloner Paris Prize, enabling him to spend four years of study in Europe and leading to his first three one man shows. With the Great Depression in full effect upon his return to America, he accepted a position as director of mural projects for the Works Progress Administration in New Jersey, through which he built a reputation as one of the most important muralists in the eastern states. Exhibited widely, he was productive as both an artist and critic until his death in 1971. His works are included in the collections of the RISD Museum, the Maier Museum of Art, the Johnson Museum of Art, the Newark Museum, the Montclair Art Museum, and the Wolfsonian Collection, among others.

Consisting of pencil portraits of poets, each approximately 12 x 18″, the Lenson Collection contains twelve late works by Michael Lenson that were included in an exhibition held at the Montclair Art Museum in 1970. The subjects of the portraits include William Blake, Robert Browning, George Gordon Lord Byron, Robert Burns, Geoffrey Chaucer, John Donne, T.S. Eliot, John Keats, John Milton, Sean O’Casey, Alexander Pope, and Percy Bysshe Shelley.

Subjects

  • Blake, William , 1757-1827
  • Browning, Robert, 1812-1889
  • Burns, Robert, 1759-1796
  • Byron, George Gordon Byron, Baron, 1788-1824
  • Chaucer, Geoffrey, d. 1400
  • Donne, John, 1572-1631
  • Eliot, T. S. (Thomas Stearns), 1888-1965
  • Keats, John, 1795-1821
  • Milton, John, 1608-1674
  • O'Casey, Sean, 1880-1964
  • Pope, Alexander, 1688-1744
  • Shelley, Percy Bysshe, 1792-1822

Contributors

  • Lenson, Michael, 1903-1971

Types of material

  • Drawings (Visual works)
Morris, William, 1834-1896

William Morris, The friendship of Amis and Amile

ca.1894
1 item 0.1 linear feet
Call no.: MS 362 bd

A leader in the English Arts and Crafts movement, William Morris translated the ancient French romance, Amis and Amile, in 1894, one of a number of romances he published in his literary efforts to restore the middle ages.

This holograph copy of Morris’s short story was prepared for the Kelmscott Press in 1894 and printed in a run of 500. The first American edition appeared later that year, published by Thomas Bird Mosher.

Subjects

  • Kelmscott Press

Contributors

  • Morris, William, 1834-1896

Types of material

  • Holographs (Autographs)
Artwork

Artwork Collection

ca.1645-2003
ca.100 items
Call no.: MS 597
Image of Ernst Toller, portrait by Lydia Gibson Minor
Ernst Toller, portrait by Lydia Gibson Minor

Over the years, SCUA has become home to both two-dimensional and three-dimensional works of art pertaining to three of its key thematic collecting areas: the University of Massachusetts Amherst, New England, and social change.

The Artwork Collection is comprised of miscellaneous works visual art, realia, and decorative arts, relating primarily to figures in UMass or to leftist or proletarian artists. Among the artists represented are Michael Russo, Cook Glassgold, Lydia Gibson Minor, Laura Wheeler Waring, Daniel Chester French, and Laurence Bradshaw. For reference purposes, we have cross-listed paintings belonging to other SCUA collections.

Subjects

  • Portraits

Types of material

  • Oil paintings
  • Prints (Visual works)
  • Sculpture (Visual works)
Barghoorn, Elso S. (Elso Sterrenberg), 1915-1984

Elso S. Barghoorn Journals

1944-1984
2 boxes 1 linear feet
Call no.: MS 820
Image of Hoba West meterorite, Nov. 1971, 12 miles west of Grootfontein, South West Africa
Hoba West meterorite, Nov. 1971, 12 miles west of Grootfontein, South West Africa

The paleobotanist Elso Barghoorn exerted an enormous influence on the scientific understanding of the early evolution of life on earth. After receiving his doctorate at Harvard in 1941, Barghoorn taught briefly at Amherst College before returning to Havard five years later, eventually becoming the Richard A. Fisher Professor of Natural History. A pioneer in paleopalynology, he he and two colleagues announced the startling discovery of a well-preserved Archaean fossil flora in 1954, including the first solid record of fossil bacteria and cyanobacteria from the Gunflint chert of Ontario. Culminating in a landmark 1965 publication (with Stanley Tyler), his work demonstrated conclusively the existence of unicellular fossils and helped to revolutionize study of deep evolutionary time.

The Barghoorn collection consists of seven bound journals containing notes from trips to Panama (1944), Europe (1957-58); Ghana, South Africa, and Tonga (1971-1972); Europe (1972); Hawaii, the South Pacific, and Africa (1975); Greenland (1977); South Africa and Australia (1978); and Australia and the South Pacific (1981). Comprehensive typescripts are available for each journal.

Subjects

  • Harvard University--Faculty
  • Paleobotany
  • Palynology
  • Panama--Description and travel

Contributors

  • Margulis, Lynn, 1938-2011

Types of material

  • Diaries
  • Photographs