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Abbe, Edward H.

Edward H. Abbe Papers, 1828-2004
22 boxes (28.5 linear feet)
Call no.: MS 736
Edward H. Abbe Papers image
Ed Abbe in Bora Bora, 1987

Born in Syracuse, N.Y., in 1915 and raised largely in Hampton, Va., Edward Abbe seemed destined to be an engineer. The great nephew of Elihu Thomson, an inventor and founding partner in General Electric, and grandson of Edward Folger Peck, an early employee of a precursor of that firm, Abbe came from a family with a deep involvement in electrification and the development of street railways. After prepping at the Rectory and Kent Schools, Abbe studied engineering at the Sheffield School at Yale, and after graduation in 1938, accepted a position with GE. For 36 years, he worked in the Industrial Control Division in New York and Virginia, spending summers at the family home on Martha’s Vineyard. After retirement in 1975, he and his wife Gladys traveled frequently, cruising both the Atlantic and Pacific.

Ranging from an extensive correspondence from his high school and college days to materials relating to his family’s involvement in engineering, the Abbe collection offers an in depth perspective on an educated family. An avid traveler and inveterate keeper, Ed Abbe gathered a diverse assemblage of letters, diaries, and memorabilia relating to the history of the Abbe, Peck, Booth, Gifford, and Boardman families. The collection is particularly rich in visual materials, including albums and photographs, depicting homes, travel, and family life over nearly a century.

Gift of Edward Abbe, Mar. 2012
Subjects
  • Abbe family
  • Boardman family
  • Booth family
  • Electrical engineers
  • General Electric
  • Gifford family
  • Kent School--Students
  • Peck family
  • Rectory School--Students
  • Yale University--Students
Contributors
  • Abbe, Edward H
  • Abbe, Gladys Howard
  • Abbe, William Parker
  • Peck, Edward F
  • Peck, Mary Booth
Types of material
  • Diaries
  • Letters (Correspondence)
  • Photographs

Finkelstein, Sidney Walter, 1909-1974

Sidney Finkelstein Papers, 1914-1974
11 boxes (5.5 linear feet)
Call no.: MS 128

Noted critic of music, literature, and the arts, as well as a writer and an active member of the Communist Party U.S.A. Includes letters to and from Mr. Finkelstein; original manuscripts of reviews, articles, essays, and books; legal documents, educational, military, and personal records, financial papers, contracts, photographs, and lecture and course notes.

Subjects
  • Art criticism--United States--History--20th century
  • Communism--United States--History
  • Communist Party of the United States of America--History--20th century
  • Communist aesthetics--History--Sources
  • Culture--Study and teaching--United States--History--20th century
  • Music--History and criticism
  • Musical criticism--United States--History
  • Socialist realism--History--Sources
Contributors
  • Cohen, R. S. (Robert Sonné)
  • Finkelstein, Sidney Walter, 1909-1974
  • Gorton, Sally Kent, 1915-2000
  • Hille, Waldemar, 1908-
  • Kent, Rockwell, 1882-1971
  • Lawson, John Howard, 1894-
  • Richmond, Al, 1913-1987
  • Selsam, Millicent Ellis, 1912-
  • Siegmeister, Elie, 1909-
  • Thomson, Virgil, 1896-
  • Veinus, Abraham
Types of material
  • Letters (Correspondence)
  • Photographs

George & Kent

George and Kent Records, 1887-1890
1 box (0.25 linear feet)
Call no.: MS 888

Late in the nineteenth century, George and Kent was one among many firms in Barre, Vt., specializing in the supply of granite for grave markers and monuments. Under senior partner William L. George, the firm was located on Seminary Street in the 1880s, supplying a clientele that reached as far away as Iowa. Although the firm was listed in city directories from at least 1883 to 1890, further details are scant.

This small collection consists of receipts and correspondence relating to George and Kent’s trade in granite memorials. Concentrated in a narrow window, mostly 1887-1888, the collection includes three sketches for memorials to be produced by the firm.

Subjects
  • Granite industry and trade--Vermont
  • Gravestones--Vermont
Contributors
  • George, William L.
Types of material
  • Design drawings

Lenson, Michael, 1903-1971

Michael Lenson Collection, 1969-1970
12 items (0.1 linear feet)
Call no.: MS 745

Born in Russia in 1903, the realist painter Michael Lenson emigrated to the United States at the age of eight, and from early in life, took an interest in art. While a student at the National Academy of Design in 1928, Lenson was awarded the Chaloner Paris Prize, enabling him to spend four years of study in Europe and leading to his first three one man shows. With the Great Depression in full effect upon his return to America, he accepted a position as director of mural projects for the Works Progress Administration in New Jersey, through which he built a reputation as one of the most important muralists in the eastern states. Exhibited widely, he was productive as both an artist and critic until his death in 1971. His works are included in the collections of the RISD Museum, the Maier Museum of Art, the Johnson Museum of Art, the Newark Museum, the Montclair Art Museum, and the Wolfsonian Collection, among others.

Consisting of pencil portraits of poets, each approximately 12 x 18″, the Lenson Collection contains twelve late works by Michael Lenson that were included in an exhibition held at the Montclair Art Museum in 1970. The subjects of the portraits include William Blake, Robert Browning, George Gordon Lord Byron, Robert Burns, Geoffrey Chaucer, John Donne, T.S. Eliot, John Keats, John Milton, Sean O’Casey, Alexander Pope, and Percy Bysshe Shelley.

Subjects
  • Blake, William , 1757-1827
  • Browning, Robert, 1812-1889
  • Burns, Robert, 1759-1796
  • Byron, George Gordon Byron, Baron, 1788-1824
  • Chaucer, Geoffrey, d. 1400
  • Donne, John, 1572-1631
  • Eliot, T. S. (Thomas Stearns), 1888-1965
  • Keats, John, 1795-1821
  • Milton, John, 1608-1674
  • O'Casey, Sean, 1880-1964
  • Pope, Alexander, 1688-1744
  • Shelley, Percy Bysshe, 1792-1822
Contributors
  • Lenson, Michael, 1903-1971
Types of material
  • Drawings (Visual works)

Amalgamated Clothing Workers of America. Boston Joint Board

ACWA Boston Joint Board Records, 1926-1979
(8 linear feet)
Call no.: MS 002

The Amalgamated Clothing Workers of America originated from a split in the United Garment Workers in 1914 and quickly became the dominant force for union in the men’s clothing industry, controlling shops in Boston, Baltimore, Chicago, and New York. The Boston Joint Board formed at the beginning of the ACWA and included locals from a range of ethnic groups and trades that comprised the industry. It coordinated the activities and negotiations for ACWA Locals 1, 12, 102, 149, 171, 172, 173, 174, 181,183, 267, and 335 in the Boston area. In the 1970s the Boston Joint Board merged with others to form the New England Regional Joint Board.

Records, including minutes, contracts, price lists, and scrapbooks, document the growth and maturity of the ACWA in Boston and the eventual decline of the industry in New England. Abundant contracts and price lists show the steady improvement of conditions for workers in the men’s clothing industry. Detailed minutes reflect the political and social influence of the ACWA; the Joint Board played an important role in local and state Democratic politics and it routinely contributed to a wide range of social causes including the Home for Italian Children and the United Negro College Fund. Minutes also document the post World War II development of industrial relations in the industry and include information relating to Joint Board decisions to strike. Minutes also contain information relating to shop grievances, arbitration, shop committees, and organizing. The records largely coincide with the years of leadership of Joseph Salerno, ACWA Vice President and New England Director from 1941 to 1972.

Subjects
  • Boston (Mass.)--Economic conditions--20th century
  • Clothing trade--Labor unions--Massachusetts
  • Labor unions--Massachusetts--Boston
  • Textile industry--Massachusetts
  • Textile workers--Labor unions--Massachusetts--Boston
  • Textile workers--Massachusetts--Economic conditions--20th century
Contributors
  • Amalgamated Clothing Workers of America. Boston Joint Board
  • Salerno, Joseph, fl. 1907-1972
Types of material
  • Contracts
  • Financial records
  • Minutes
  • Scrapbooks

Association for Gravestone Studies

Association for Gravestone Studies Book Collection, 1812-2005
269 items (14 linear feet)
Call no.: RB 004

Founded in 1977, the Association for Gravestone Studies (AGS) is an international organization dedicated to furthering the study and preservation of gravestones. Based in Greenfield, Mass., the Association promotes the study of gravestones from historical and artistic perspectives. To raise public awareness about the significance of historic gravemarkers and the issues surrounding their preservation, the AGS sponsors conferences and workshops, publishes both a quarterly newsletter and annual journal, Markers, and has built an archive of collections documenting gravestones and the memorial industry.

The AGS Books Collection contains scarce, out of print, and rare printed works on cemeteries and graveyards, epitaphs and inscriptions, and gravemarkers, with an emphasis on North America. The AGS Books Collection also includes the AGS publication, Markers. The collection is divided into three series: Series 1 (Monographs and Offprints), Series 2 (Theses and Dissertations), and Series 3 (Markers).

Subjects
  • Cemeteries
  • Epitaphs
  • Gravestones
Contributors
  • Association for Gravestone Studies

Broadside Press

Broadside Press Collection, 1965-1984
1 box, 110 vols. (3.5 linear feet)
Call no.: MS 571
Broadside Press Collection image
Broadside 6

A significant African American poet of the generation of the 1960s, Dudley Randall was an even more significant publisher of emerging African American poets and writers. Publishing works by important writers from Gwendolyn Brooks to Haki Madhubuti, Alice Walker, Etheridge Knight, Audre Lorde, Amiri Baraka, Nikki Giovanni, and Sonia Sanchez, his Broadside Press in Detroit became an important contributor to the Black Arts Movement.

The Broadside Press Collection includes approximately 200 titles published by Randall’s press during its first decade of operation, the period of its most profound cultural influence. The printed works are divided into five series, Broadside poets (including chapbooks, books of poetry, and posters), anthologies, children’s books, the Broadside Critics Series (works of literary criticism by African American authors), and the Broadsides Series. . The collection also includes a selection of items used in promoting Broadside Press publications, including a broken run of the irregularly published Broadside News, press releases, catalogs, and fliers and advertising cards.

Subjects
  • African American poets
  • African American writers
  • Black Arts Movement
  • Poetry
Contributors
  • Broadside Press
  • Brooks, Gwendolyn, 1917-2000
  • Emanuel, James A
  • Giovanni, Nikki
  • Knight, Etheridge
  • Madhubuti, Haki R., 1942-
  • Randall, Dudley, 1914-
  • Sanchez, Sonia, 1934-
Types of material
  • Broadsides
  • Ephemera
  • Posters

Campbell, Sadie

Sadie Campbell Papers, 1812-2002
19 boxes (10.25 linear feet)
Call no.: MS 439
Sadie Campbell Papers image
Sadie Campbell and sons Harold and Robert Leslie

A housewife, mother and active community member, Sadie Campbell was born in 1881 and lived at 1 Depot Street in Cheshire, Massachusetts for most of her life until she died in 1971. Sadie was closely tied to the Cheshire community where she had a large circle of friends and acquaintances, and was active in a a number of organizations, such as: the Cheshire Ladies Reading Club, the Merry Wives of Cheshire Shakespeare Club, and the Cheshire Cash Tearoom.

The collection documents three generations of a western Massachusetts family. The variety and nature of the materials in this collection offer a good view into the local and social history of western Massachusetts through the lives of Sadie Campbell and her family.

Subjects
  • Cheshire (Mass.)--History
  • Cheshire Cash Tearoom
  • Family--Massachusetts--History--19th century
  • Family--Massachusetts--History--20th century
  • Housekeeping--Massachusetts--Cheshire
  • Housewives--Massachusetts--Cheshire
  • Massachusetts--Social life and customs--19th century
  • Merry Wives of Cheshire Shakespeare Club
  • Small business--Massachusetts
  • Tyrell, Augustus
  • Williams Manufacturing Company
  • Women--Societies and clubs--History--19th century
Contributors
  • Campbell, Sadie
Types of material
  • Account books
  • Invitations
  • Letters (Correspondence)
  • Pamphlets
  • Photographs
  • Recipes

Concordance to the Archives

Title Record group See and see also
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Field, William Franklin, 1922-

William F. Field Papers, 1948-1986
27 (13.5 linear feet)
Call no.: RG 030/2 F5
William F. Field Papers image
William F. Field relaxing on couch, ca. 1971

The University’s first Dean of Students, William F. Field held the post from 1961 until his retirement in 1988. The 27 years Field was Dean of Students was a critical time of growth and unrest, as the University’s student population more than tripled in size and the nation-wide movements for civil rights and against the Vietnam War were reflected through student activism and protest on the University’s campus. Responsible for ending student curfews and overseeing all dorms becoming co-ed, Field also worked with minority students and faculty to support the Black Arts Movement on campus and the founding of the W.E.B Du Bois Afro-American Studies Department.

The William F. Field Papers document Field’s career as an administrator at the University of Massachusetts and specifically his role as Dean of Students from 1961-1988. The correspondence, memoranda, reports, notes, and other official printed and manuscript documents are a rich resource for one of the most important and volatile eras in the University’s history. Of particular interest are extensive files on student protests and activism in the late 1960s and early 1970s and the growing diversity of the campus student population, flourishing of the Black Arts Movement on campus and the founding of the W.E.B. Du Bois Afro-American Studies Department.

Subjects
  • African American college students--Massachusetts
  • Field, William Franklin, 1922-
  • Race relations--United States
  • Universities and colleges--United States--Administration
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Dean of Students
  • University of Massachusetts Amherst. Department of Afro-American Studies
  • Vietnam War, 1961-1975--Protest movements--United States
Types of material
  • Correspondence
  • Memorandums
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