You searched for: "“Katanka, Michael”" (page 1 of 8)

Katanka, Michael

Katanka-Fraser Political Music Collection

1885-1975
10 boxes 7 linear feet
Call no.: MS 552

The author, publisher, and radical bookseller Michael Katanka (1922-1983) was a staunch Socialist and historian of British labor. Beginning with his 1868: Year of Unions in 1968, Katanka wrote or edited a series of books and articles on Fabianism, satirical caricature, and trade unionism.

The Katanka-Fraser Political Music Collection consists of audio recordings, sheet music, and songbooks of politically-inspired music in a variety of languages. The works range from the English and German Socialist press of the 1880s to the antiwar movement of the 1960s and 1970s, touching upon labor agitation, proletarian songs, student protest, the anti-imperialist and anti-capitalist struggles, the Spanish Civil War, and Communism and Socialism. The collection also includes a few books and sound recordings from the extreme right in Nazi Germany.

Gift of James and Sibylle Fraser, June 2007

Subjects

  • Communists--Music
  • International Workers of the World--Music
  • Political ballads and songs
  • Protest songs
  • Radicalism--Songs and music
  • Socialists--Music
  • Working class--Music

Contributors

  • Fraser, James
  • Katanka, Michael
Arbib, Michael A.

Michael A. Arbib Papers

1960-1985
26 boxes 76 linear feet
Call no.: FS 188
Image of Arbib at his desk in the UMass Amherst Dept. of Computer Science, ca. 1985
Arbib at his desk in the UMass Amherst Dept. of Computer Science, ca. 1985

The founding director of UMass Amherst’s Computer Science Department, Michael Arbib’s research on neuroscience and computing has been significantly influential and led to work on early neural networks and advances in both our understanding of the brain and artificial intelligence and computing. Born in 1940, Arbib was raised and educated in New Zealand and Australia, earning a BSc in 1960 at the University of Sydney. He then came to the US, earning his PhD at MIT and working closely with Warren McCulloch. Arbib was an assistant professor at Stanford University for five years before joining the University of Massachusetts Amherst, where he helped found the Computer and Information Science Department. He left UMass in 1986 for the University of Southern California, where he is currently the Fletcher Jones Professor of Computer Science. Arbib has been prolific, publishing almost forty books and hundreds of articles and continues to do research on the coordination of perception and action in both human cognition and machine vision, neural networks, and robotics.

The Michael Arbib Papers are a rich documentation of Arbib’s work while at Stanford and the University of Massachusetts, including his complete professional correspondence during that period, research files and notes, manuscript drafts of his publications, and the records of his administration of the Computer Science Department at UMass.

Subjects

  • Cybernetics
  • Machine theory
  • Neural networks (biology)
  • Neural networks (computing)
  • University of Massachusetts Amherst--Faculty

Contributors

  • University of Massachusetts Amherst . Department of Computer Science
Bernhard, Michael H.

Michael H. Bernhard Solidarity Collection

ca.1975-1989
3 boxes 4.5 linear feet
Call no.: MS 575

A member of the Department of Political Science at Penn State University, Michael Bernhard specializes in the comparative history of institutional change in East Central Europe and the political economy of democratic survival and breakdown. Since receiving his doctorate from Columbia University in 1988, Bernhard has written extensively on various aspects of the democratic transition in Poland and East Germany.

The Bernhard Collection contains photocopies and some original materials of underground publications by the Solidarity Movement in Poland, most of which were crudely published and illegally distributed. The collection also includes a series of posters for Solidarity candidates during the first post-Communist election.

Language(s): Polish

Subjects

  • NSZZ "Solidarność" (Labor organization)
  • Poland--History--1945-
  • Underground press publications--Poland

Contributors

  • Bernhard, Michael H
Bianchi, Michael H.

Michael H. Bianchi Collection

1993-2015
4 boxes 6 linear feet
Call no.: MS 915

Since the early 1990s, Michael Bianchi has been involved in the community of electric vehicle developers and enthusiasts and is a key figure in documenting the history of the Northeast Sustainable Energy Association’s annual American Tour de Sol Electric Vehicle Challenge. A resident of northern New Jersey and a developer of software management and operations support systems with Bellcore and other companies, Bianchi became interested in alternatives to petroleum-fueled vehicles in the early 1990s, attending his first Tour de Sol in 1993. Since that time he has served as announcer for the Tour and documented each contest with photographs, oral histories with participants, and highly detailed summary reports (1994-2009). For many years, Bianchi drove his own electric vehicle, beginning with a Solectria Force, and he continues to write on the development of electric vehicles.

The Bianchi collection contains reports, photographs, and ephemera associated with the American Tour De Sol, along with an assortment of scarce newsletters and magazines on electric vehicles. Of special note are interviews (on microcassette) with Tour participants.

Subjects

  • American Tour de Sol
  • Electric Cars

Types of material

  • Audiocassettes
  • Oral histories
Cornish, Michael

Michael Cornish Photograph Collection

ca.1975-2005
20 boxes 20.5 linear feet
Call no.: PH 035

Michael Cornish first became interested in gravemarkers while writing a senior thesis at the Massachusetts College of Art, and since that time, he has prepared numerous exhibitions of his photographic work and conducted important research on colonial markers. Widely known for his work on the carver Joseph Barbur of West Medway, Mass., and a group of “tendril carvers” in southeastern Massachusetts, Cornish speaks frequently to historical societies around Massachusetts, delivering slide shows tailored to the particular area. An inventory photographer for the City of Boston’s Historic Burying Ground Initiative, he has also consulted for several towns regarding the preservation and rehabilitation of their burying grounds. As a member of the AGS Board of Directors, Cornish has worked in various capacities and played an active role in organizing and participating in the annual conventions, programs, exhibits, and tours.

The Cornish Collection includes many thousands of photographs and direct rubbings of early New England gravestones, primarily in Massachusetts and Connecticut, focusing on their beauty and artistic merit. Originally inspired by the work of Harriette Merrifield Forbes, and encouraged by Dan and Jessie Farber, Cornish photographed in a variety of formats, including Kodachrome transparencies, black-and-white negatives, and black-and-white prints. The collection also includes research notes relating to his work on Barbur and other stonecarvers.

Subjects

  • Gravestones--Connecticut
  • Gravestones--Massachusetts
  • Stone carving--Connecticut
  • Stone carving--Massachusetts

Contributors

  • Association for Gravestone Studies
  • Cornish, Michael

Types of material

  • Photographs
Haley, Michael

Michael Haley Papers

1968-2003
18 boxes 27 linear feet
Call no.: MS 670
Image of Mike Haley
Mike Haley

An actor and motion picture assistant director and producer, Michael Haley was born in Pittsfield, Mass., in 1942. While an undergraduate student at UMass Amherst, Haley became involved in theater, joining the avant garde Buffalo Meat Company that performed original works in Massachusetts and New York City. Following a chance call from a producer looking for local help in 1969, Haley worked on his first film, the low-budget crime drama, Honeymoon Killers. After work on several other film and television productions, Haley was among ten people selected for the Directors Guild of America’s Assistant Directors Training Program. During his forty year career, Haley’s credits have included work with a number of noted directors, including Sidney Lumet, Barry Levinson, and Penny Marshall, and he has enjoyed a particularly long and productive association with Mike Nichols. His films have included The Taking of Pelham One Two Three, The Stepford Wives, Biloxi Blues, True Colors, A League of Their Own, Groundhog Day, Primary Colors, and Closer. He was the recipient of two Humanitas Prizes (for Wit and Angels in America), and among others awards, the Christopher Award (for Wit), the Directors Guild of America award, Producers Guild of America award, and an Emmy (for Angels in America), a Directors Guild of America plaque (Working Girl), and the Berkshire International Film Festival Life-Time Achievement Award. He was named Artist of the Year at UMass and has been selected for a Bateman Fellowship.

Reflecting a diverse career in film, the Haley collection consists of scripts, photographs, memorabilia, and diaries, with a small quantity of notes and correspondence. The scripts, approximately 110 of them, are from films ranging from the Godfather II to Charlie Wilson’s War and Angels in America, may include several drafts. The photographs are both numerous and particularly rich, including some particularly interesting candid shots taken on film sets, as well as official shots taken by photographers such as Mary Ellen Mark.

Subjects

  • Actors
  • Motion picture producers and directors
  • Motion pictures
  • Nichols, Mike

Contributors

  • Haley, Michael

Types of material

  • Photographs
  • Screenplays
Kislo, Michael Z., 1896-1978

Michael Z. Kislo Notebooks

1954-1974
3 boxes 1.25 linear feet
Call no.: MS 246

After emigrating from Dzieciekowo, Poland, Michael Kislo found work in a Northampton basket shop and later as a machinist at International Silver Company. He was a resident of Florence, Mass.

The Kislo collection contains nine volumes of Kislo’s writing (mostly in Polish and thematically religious, patriotic, personal, and autobiographical) and artwork (drawings and paintings with religious allusions, Polish costumes, weapons, imaginary animals and fanciful landscapes).

Acquired from Susan Kislo via Stanley Radosh, 1989
Language(s): Polish

Subjects

  • Art, Polish--Massachusetts--20th century
  • Florence (Mass.)--Biography
  • Immigrants--Massachusetts--Florence
  • Polish American artists--Massachusetts--Florence
  • Polish Americans--Massachusetts--Florence
  • United States. Federal Bureau of Investigation

Contributors

  • Kislo, Michael Z., 1896-1978

Types of material

  • Diaries
  • Notebooks
  • Watercolors (Paintings)
Lenson, Michael, 1903-1971

Michael Lenson Collection

1969-1970
12 items 0.1 linear feet
Call no.: MS 745

Born in Russia in 1903, the realist painter Michael Lenson emigrated to the United States at the age of eight, and from early in life, took an interest in art. While a student at the National Academy of Design in 1928, Lenson was awarded the Chaloner Paris Prize, enabling him to spend four years of study in Europe and leading to his first three one man shows. With the Great Depression in full effect upon his return to America, he accepted a position as director of mural projects for the Works Progress Administration in New Jersey, through which he built a reputation as one of the most important muralists in the eastern states. Exhibited widely, he was productive as both an artist and critic until his death in 1971. His works are included in the collections of the RISD Museum, the Maier Museum of Art, the Johnson Museum of Art, the Newark Museum, the Montclair Art Museum, and the Wolfsonian Collection, among others.

Consisting of pencil portraits of poets, each approximately 12 x 18″, the Lenson Collection contains twelve late works by Michael Lenson that were included in an exhibition held at the Montclair Art Museum in 1970. The subjects of the portraits include William Blake, Robert Browning, George Gordon Lord Byron, Robert Burns, Geoffrey Chaucer, John Donne, T.S. Eliot, John Keats, John Milton, Sean O’Casey, Alexander Pope, and Percy Bysshe Shelley.

Subjects

  • Blake, William , 1757-1827
  • Browning, Robert, 1812-1889
  • Burns, Robert, 1759-1796
  • Byron, George Gordon Byron, Baron, 1788-1824
  • Chaucer, Geoffrey, d. 1400
  • Donne, John, 1572-1631
  • Eliot, T. S. (Thomas Stearns), 1888-1965
  • Keats, John, 1795-1821
  • Milton, John, 1608-1674
  • O'Casey, Sean, 1880-1964
  • Pope, Alexander, 1688-1744
  • Shelley, Percy Bysshe, 1792-1822

Contributors

  • Lenson, Michael, 1903-1971

Types of material

  • Drawings (Visual works)
Artwork

Artwork Collection

ca.1645-2003
ca.100 items
Call no.: MS 597
Image of Ernst Toller, portrait by Lydia Gibson Minor
Ernst Toller, portrait by Lydia Gibson Minor

Over the years, SCUA has become home to both two-dimensional and three-dimensional works of art pertaining to three of its key thematic collecting areas: the University of Massachusetts Amherst, New England, and social change.

The Artwork Collection is comprised of miscellaneous works visual art, realia, and decorative arts, relating primarily to figures in UMass or to leftist or proletarian artists. Among the artists represented are Michael Russo, Cook Glassgold, Lydia Gibson Minor, Laura Wheeler Waring, Daniel Chester French, and Laurence Bradshaw. For reference purposes, we have cross-listed paintings belonging to other SCUA collections.

Subjects

  • Portraits

Types of material

  • Oil paintings
  • Prints (Visual works)
  • Sculpture (Visual works)
Association for Gravestone Studies

Association for Gravestone Studies Collection

1975-2008
25 collections
Call no.: MS 610

Founded in 1977, the Association for Gravestone Studies (AGS) is an international organization dedicated to the study and preservation of gravestones of all periods and styles. Based in Greenfield, Mass., the AGS sponsors conferences, workshops and exhibits, and publishes an annual journal, Markers, and quarterly bulletin. Their mission is to promote the study of gravestones from historical and artistic perspectives, expand public awareness of the significance of historic grave markers, and encourage individuals and groups to record and preserve gravestones.

The AGS Collection consists of the central records of the organization plus a growing number of photographic archives of gravestone art donated by members and associates. Offering critical documentation of gravestones, tombs, and cemeteries throughout the country, but especially New England.

Collections include:

Or View all

Gift of the Association for Gravestone Studies, 2009-2017
Connect to another siteThe AGS publications, Markers
and Newsletter of the AGS are digitized and available online through Credo

Subjects

  • Sepulchral monuments
  • Stone carving

Contributors

  • Association for Gravestone Studies