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Jenks, Margaret R.

Margaret R. Jenks Collection
1983-1994
2 boxes (1 linear feet)
Call no.: MS 689

Margaret R. Jenks has been a family genealogist since 1964 and a cemetery transcriber since 1978. A prolific writer, she has published books listing all the cemetery inscriptions of the twenty-seven towns in Rutland County, Vermont, and of Granville, Washington County, New York, and she has conducted research on the stonecarvers of Rutland County. She served six years as a trustee of the Association for Gravestone Studies.

The Jenks collection is comprised of eighteen volumes containing exhaustive documentation of gravestone inscriptions from the following cemeteries in Vermont: Benson, Brandon, Castleton, Chittenden, Clarendon, Danby, Fair Haven, Granville (Washington County), Hubbardston, Ira, Mendon, Middleton, Mount Holly, Mt. Tabor, Pawlet, Pittsfield, Pittsford, Poultney, Proctor, Putney, Rutland, Sherburne, Shrewsbury, Sudbury, Tinmouth, Wallingford, Wells, West Haven, West Rutland.

Subjects
  • Gravestones--Vermont
Contributors
  • Jenks, Margaret R.

Holt, Margaret

Margaret Holt Collection
1983-1991
10 boxes (15 linear feet)
Call no.: MS 450

A peace activist since the 1960s, Margaret Goddard Holt not only demonstrated against war, she led efforts to educate others about the effects of war. A member of the Gray Panthers of the Pioneer Valley and a co-founder along with her husband, Lee Holt, of the Amherst Vigil for a Nuclear Free World, she was sent as a delegate to Rome, Italy to visit Pope John XXIII advocating for a world without war. In addition to her dedication to peace and nuclear disarmament, Holt’s concern for prisoners developed into an involvement in prison-related issues.

The Holt collection of publications, brochures, news clippings, and correspondence reveals her interests and documents her role as a community activist during the 1980s.

Subjects
  • Activists--Massachusetts
  • Pacifists--Massachusetts
  • Peace movements--Massachusetts
Contributors
  • Holt, Margaret

Association for Gravestone Studies

Association for Gravestone Studies Collection
1975-2008

Founded in 1977, the Association for Gravestone Studies (AGS) is an international organization dedicated to the study and preservation of gravestones of all periods and styles. Based in Greenfield, Mass., the AGS sponsors conferences, workshops and exhibits, and publishes an annual journal, Markers, and quarterly bulletin. Their mission is to promote the study of gravestones from historical and artistic perspectives, expand public awareness of the significance of historic grave markers, and encourage individuals and groups to record and preserve gravestones.

The AGS Collection consists of the central records of the organization plus a growing number of photographic archives of gravestone art donated by members and associates. Offering critical documentation of gravestones, tombs, and cemeteries throughout the country, but especially New England.

Collections include:

Or View all

Gift of the Association for Gravestone Studies, 2009-2017
Connect to another siteThe AGS publications, Markers
and Newsletter of the AGS are digitized and available online through Credo
Subjects
  • Sepulchral monuments
  • Stone carving
Contributors
  • Association for Gravestone Studies

Amherst Disarmament Coalition. Vigil for Peace and Justice

Amherst Disarmament Coalition Collection
1979-1987.
1 box (0.25 linear feet)
Call no.: MS 165

Vigil for Peace and Justice group that peacefully protested the Vietnam War, nuclear weapons, and government policy in Central America and the Middle East by organizing a weekly vigil in downtown Amherst, Massachusetts. Includes handouts and news clippings.

Subjects
  • Amherst (Mass.)--Social conditions--20th century
  • Anti-imperialist movements--Massachusetts--Amherst
  • Antinuclear movement--Massachusetts
  • Nuclear Moratorium Vigil (Amherst, Mass.)
  • Peace movements--Massachusetts--Amherst
  • Social movements--Massachusetts--Amherst
  • Vigil for Peace and Justice (Amherst, Mass.)
Contributors
  • Amherst Disarmament Coalition (Amherst, Mass.)
  • Crowe, Frances, 1919-
Types of material
  • Handbills

Artwork

Artwork Collection
ca.1645-2003
ca.100 items
Call no.: MS 597
Image of Ernst Toller, portrait by Lydia Gibson Minor
Ernst Toller, portrait by Lydia Gibson Minor

Over the years, SCUA has become home to both two-dimensional and three-dimensional works of art pertaining to three of its key thematic collecting areas: the University of Massachusetts Amherst, New England, and social change.

The Artwork Collection is comprised of miscellaneous works visual art, realia, and decorative arts, relating primarily to figures in UMass or to leftist or proletarian artists. Among the artists represented are Michael Russo, Cook Glassgold, Lydia Gibson Minor, Laura Wheeler Waring, Daniel Chester French, and Laurence Bradshaw. For reference purposes, we have cross-listed paintings belonging to other SCUA collections.

Subjects
  • Portraits
Types of material
  • Oil paintings
  • Prints (Visual works)
  • Sculpture (Visual works)

Bascom, Eric

Eric Bascom Collection of Jazz Recordings
ca. 1940-1950
ca. 500 phonograph records (10 linear feet)
Call no.: MS 882
Image of David Stone Martin cover for Slim Gaillard and Bam Brown's 'Opera in Vout'
David Stone Martin cover for Slim Gaillard and Bam Brown's 'Opera in Vout'

When he was fifteen or sixteen, Eric Bascom’s life changed forever when he saw renowned jazz guitarist Wes Montgomery perform. Though Bascom had been playing guitar himself since he was young, seeing Montgomery opened his eyes to a completely new way of playing guitar and a completely new approach to music. Since that time, Bascom has been an avid listener, collector, and practitioner of jazz. He is currently performing as the Eric Bascom Trio with Ed Brainerd and Genevieve Rose.

The Eric Bascom Collection of Jazz Recordings consists of hundreds of jazz 78 rpm records from the 1940s and 1950s, including a number of 78 books with beautifully illustrated covers. In addition to the records are player piano rolls, several of which were punched by Fats Waller, and a portable Walters Conley Phonola 78 record player.

Subjects
  • Bop (Music)
  • Jazz musicians
Contributors
  • Basie, Count, 1904-1984
  • Christian, Charlie, 1916-1942
  • Fitzgerald, Ella
  • Parker, Charlie, 1920-1955
Types of material
  • 78 rpm records
  • Piano rolls

Blackington, Alton H.

Alton H. Blackington Photograph Collection
1898-1943
15 boxes (4 linear feet)
Call no.: PH 061
Image of Fortune teller, ca.1930
Fortune teller, ca.1930

A native of Rockland, Maine, Alton H. “Blackie” Blackington (1893-1963) was a writer, photojournalist, and radio personality associated with New England “lore and legend.” After returning from naval service in the First World War, Blackington joined the staff of the Boston Herald, covering a range of current events, but becoming well known for his human interest features on New England people and customs. He was successful enough by the mid-1920s to establish his own photo service, and although his work remained centered on New England and was based in Boston, he photographed and handled images from across the country. Capitalizing on the trove of New England stories he accumulated as a photojournalist, Blackington became a popular lecturer and from 1933-1953, a radio and later television host on the NBC network, Yankee Yarns, which yielded the books Yankee Yarns (1954) and More Yankee Yarns (1956).

This collection of glass plate negatives was purchased by Robb Sagendorf of Yankee Publishing around the time of Blackington’s death. Reflecting Blackington’s photojournalistic interests, the collection covers a terrain stretching from news of public officials and civic events to local personalities, but the heart of the collection is the dozens of images of typically eccentric New England characters and human interest stories. Most of the images were taken by Blackington on 4×5″ dry plate negatives, however many of the later images are made on flexible acetate stock and the collection includes several images by other (unidentified) photographers distributed by the Blackington News Service.

Gift of Yankee Publishing, Mar. 2012
Subjects
  • Coolidge, Calvin, 1872-1933--Photographs
  • Earhart, Amelia, 1897-1937--Photographs
  • Maine--Social life and customs--Photographs
  • Massachusetts--Social life and customs--Photographs
  • New England--Social life and customs--Photographs
  • New Hampshire--Social life and customs--Photographs
  • Roosevelt, Franklin D. (Franklin Delano), 1882-1945--Photographs
  • Sacco-Vanzetti Trial, Dedham, Mass., 1921--Photographs
Types of material
  • Photographs

Boarding House (Swift River Valley, Mass.?)

Boarding House Register
1850
1 vol. (0.25 linear feet)
Call no.: MS 098

Twenty-four page register kept by unnamed person, possibly from a Quabbin town, listing boarders by name, payment received, and employee accounts. Payments noted in detail from February to October, 1850. Boarders included several doctors and L.S. Hills, possibly Leonard S. Hills of the Amherst, Massachusetts hat factory. Employee accounts list many women with Irish surnames, including Ellen O’Leary, Ellen Callahan, and Margaret Murphy.

Subjects
  • Boardinghouses--Massachusetts--19th century
  • Irish American women--History--19th century
Types of material
  • Account books

Broadside Press

Broadside Press Collection
1965-1984
1 box, 110 vols. (3.5 linear feet)
Call no.: MS 571
Image of Broadside 6
Broadside 6

A significant African American poet of the generation of the 1960s, Dudley Randall was an even more significant publisher of emerging African American poets and writers. Publishing works by important writers from Gwendolyn Brooks to Haki Madhubuti, Alice Walker, Etheridge Knight, Audre Lorde, Amiri Baraka, Nikki Giovanni, and Sonia Sanchez, his Broadside Press in Detroit became an important contributor to the Black Arts Movement.

The Broadside Press Collection includes approximately 200 titles published by Randall’s press during its first decade of operation, the period of its most profound cultural influence. The printed works are divided into five series, Broadside poets (including chapbooks, books of poetry, and posters), anthologies, children’s books, the Broadside Critics Series (works of literary criticism by African American authors), and the Broadsides Series. . The collection also includes a selection of items used in promoting Broadside Press publications, including a broken run of the irregularly published Broadside News, press releases, catalogs, and fliers and advertising cards.

Gift of the Friends of the W.E.B. Du Bois Libraries, Aug. 2008
Subjects
  • African American poets
  • African American writers
  • Black Arts Movement
  • Poetry
Contributors
  • Broadside Press
  • Brooks, Gwendolyn, 1917-2000
  • Emanuel, James A
  • Giovanni, Nikki
  • Knight, Etheridge
  • Madhubuti, Haki R., 1942-
  • Randall, Dudley, 1914-
  • Sanchez, Sonia, 1934-
Types of material
  • Broadsides
  • Ephemera
  • Posters

Brooks, Burt V.

Burt V. Brooks Photograph Collection
1889-1934
3 boxes (1.5 linear feet)
Call no.: PH 060
Image of

The artist Burt Vernon Brooks was one of the outstanding chroniclers of daily life in the Swift River Valley before it was inundated to create the Quabbin Reservoir. Born in Brimfield, Mass., in 1849 and raised in Monson, Brooks moved to Greenwich with his family in the 1870s, where he worked on the family farm. At some unclear point before he turned 40, Brooks became active as an artist, painting local homes and scenery and taking photographs of the landscape, residents, and daily life in the Quabbin region. A prolific photographer, he was, in the words of historian Donald W. Howe, “hardly ever seen without his camera strapped to his back,” remaining active for decades. Three years after following his second wife to the west, Brooks died in Los Angeles in 1934.

The great majority of the 92 photographs in this collection are 5×7″ dry plate glass negatives taken by Brooks in the earliest years of the twentieth century, documenting the houses and people of Greenwich. Brooks’ work includes landscapes, houses, and a significant series of images of the Hillside School, but some of his best works are studio portraits, images of people at home or with their carriages, and posed scenes of children at play or at work. The collection also includes eight images by Brooks at Enfield, Greenwich, and Dana that are the property of the Swift River Valley Historical Society, and six images taken by Chetwynd and Pike in the Quabbin region to document properties slated for removal.

Gift of Friends of Quabbin through Gene Theroux, Paul Godfrey, and Les Campbell, June 2014
Subjects
  • Agriculture--Massachusetts--Greenwich--Photographs
  • Carriages and carts--Massachusetts--Greenwich--Photographs
  • Children--Massachusetts--Greenwich--Photographs
  • Dana (Mass.)--Photographs
  • Dwellings--Massachusetts--Greenwich--Photographs
  • Enfield (Mass.)--Photographs
  • Greenwich (Mass.)--Photographs
  • Hillside School (Marlborough, Mass.)
  • Horses--Massachusetts--Greenwich--Photographs
  • New Salem (Mass.)--Photographs
  • Plowing--Massachusetts--Greenwich--Photographs
  • Prescott (Mass.)--Photographs
Types of material
  • Dry plate gelatin negatives
  • Gelatin silver negatives
  • Photographs
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