Results for: “Interior designers” (22 collections)SCUA

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Delevingne, Lionel

Lionel Delevingne Photograph Collection, ca.1975-1995.

2 boxes (1 linear feet).
Call no.: PH 047
Joan of Seabrook
Joan of Seabrook

Born and raised in France, the photojournalist Lionel Delevingne studied education at l’Ecole Normale in Paris, but settled permanently in the United States in 1975. Based at first in Northampton, Mass., he became a prolific photographer of American social movements while working for the Valley Advocate and other publications, covering the early years of the Clamshell Alliance and the antinuclear movement in considerable depth. His work has been exhibited frequently and published widely in the mainstream and alternative press, including the New York Times, Le Figaro Magazine, Die Zeit, Newsweek, Washington Post Magazine, Mother Jones, and Vanity Fair.

The Delevingne collection includes remarkable visual documentation of the antinuclear movement of the 1970s and beyond, including some of the its most iconic images. Beginning with coverage of the Seabrook occupation, Delevingne covered the movement as it spread throughout the northeastern U.S. and internationally. The collection includes exhibition prints, prints for publication, and digitized images ranging in date from the mid-1970s through 1990s. Copyright in the images has been retained by Delevingne.

Subjects

  • Antinuclear movement--United States
  • Clamshell Alliance
  • Photojournalists
  • Seabrook Nuclear Power Plant (N.H.)

Contributors

  • Delevingne, Lionel

Types of material

  • Photographs

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Brooks, Burt V.

Burt V. Brooks Photograph Collection, 1889-1934.

3 boxes (1.5 linear feet).
Call no.: PH 060

The artist Burt Vernon Brooks was one of the outstanding chroniclers of daily life in the Swift River Valley before it was inundated to create the Quabbin Reservoir. Born in Brimfield, Mass., in 1849 and raised in Monson, Brooks moved to Greenwich with his family in the 1870s, where he worked on the family farm. At some unclear point before he turned 40, Brooks became active as an artist, painting local homes and scenery and taking photographs of the landscape, residents, and daily life in the Quabbin region. A prolific photographer, he was, in the words of historian Donald W. Howe, “hardly ever seen without his camera strapped to his back,” remaining active for decades. Three years after following his second wife to the west, Brooks died in Los Angeles in 1934.

The great majority of the 92 photographs in this collection are 5×7″ dry plate glass negatives taken by Brooks in the earliest years of the twentieth century, documenting the houses and people of Greenwich. Brooks’ work includes landscapes, houses, and a significant series of images of the Hillside School, but some of his best works are studio portraits, images of people at home or with their carriages, and posed scenes of children at play or at work. The collection also includes eight images by Brooks at Enfield, Greenwich, and Dana that are the property of the Swift River Valley Historical Society, and six images taken by Chetwynd and Pike in the Quabbin region to document properties slated for removal.

Subjects

  • Agriculture--Massachusetts--Greenwich--Photographs
  • Carriages and carts--Massachusetts--Greenwich--Photographs
  • Children--Massachusetts--Greenwich--Photographs
  • Dana (Mass.)--Photographs
  • Dwellings--Massachusetts--Greenwich--Photographs
  • Enfield (Mass.)--Photographs
  • Greenwich (Mass.)--Photographs
  • Hillside School (Marlborough, Mass.)
  • Horses--Massachusetts--Greenwich--Photographs
  • New Salem (Mass.)--Photographs
  • Plowing--Massachusetts--Greenwich--Photographs
  • Prescott (Mass.)--Photographs

Types of material

  • Dry plate gelatin negatives
  • Gelatin silver negatives
  • Photographs

Civilian Conservation Corps (U.S.)

Civilian Conservation Corps in Massachusetts Photograph Collection, ca.1930-1939.

1 box (0.5 linear feet).
Call no.: PH 015

Relief program established for unemployed men by President Franklin D. Roosevelt whose main work in Massachusetts through the 1930s and early 1940s was tree planting, fire fighting, insect control, and tree and plant disease control. Contains photographs arranged alphabetically by forest name that depict road building, tree planting, and other developments in the state forests. Includes some images of workers.

Subjects

  • Civilian Conservation Corps (U.S.)--Massachusetts--History
  • Civilian Conservation Corps (U.S.)--Photographs
  • Forest roads--Massachusetts--Design and construction--Photographs
  • Forests and forestry--Massachusetts--Photographs
  • New Deal, 1933-1939--Massachusetts--History
  • Tree planting--Massachusetts--Photographs

Contributors

  • Civilian Conservation Corps (U.S.)

Types of material

  • Photographs

Conte, Silvio O. (Silvio Oltavio), 1921-1991

Silvio O. Conte Papers, 1950-1991.

389 boxes (583.5 linear feet).
Call no.: MS 371

Massachusetts State Senator for the Berkshire District, 1950-1958, and representative for Massachusetts’s First District in the United States Congress for 17 terms, 1959-1991, where he made significant contributions in the areas of health and human services, the environment, education, energy, transportation, and small business.

Spanning four decades and eight presidents, the papers offer an extraordinary perspective on the major social, economic, and cultural changes experienced by the American people. Includes correspondence, speeches, press releases, bill files, his voting record, committee files, scrapbooks, travel files, audio-visual materials and over 5,000 photographs and slides.

Subjects

  • Massachusetts--Politics and government--1951-
  • Massachusetts. Senate
  • United States--Politics and government--20th century
  • United States. Congress. House

Contributors

  • Conte, Silvio O. (Silvio Oltavio), 1921-1991

Types of material

  • Photographs
  • Scrapbooks
  • Sound recordings

Enfield (Mass.)

Enfield (Mass.) Collection, 1800-1939.

8 boxes (4 linear feet).
Call no.: MS 010
Birdseye view of Enfield, ca.1915
Birdseye view of Enfield, ca.1915

Situated at the confluence of the east and west branches of the Swift River in western Massachusetts, Enfield was the largest and southernmost of the four towns inundated in 1939 to create the Quabbin Reservoir. Incorporated as a town in 1816, Enfield was relatively prosperous in the nineteenth century on an economy based on agriculture and small-scale manufacturing, reaching a population of just over 1,000 by 1837. After thirty years of seeking a suitably large and reliable water supply for Boston, the state designated the Swift River Valley as the site for a new reservoir and with its population relocated, Enfield was officially disincorporated on April 28, 1938.

The records of the town of Enfield, Mass., document nearly the entire history of the largest of four towns inundated to create the Quabbin Reservoir. The core of the collection consists of records of town meetings and of the activities of the town Selectmen, 1804-1938, but there are substantial records for the Enfield Congregational Church. The School Committee, Overseers of the Poor, the town Library Association, and groups such as the local chapter of the Daughters of the American Revolution and the Bethel Masonic Lodge.

Subjects

  • Enfield (Mass.)--History
  • Enfield (Mass.)--Politics and government
  • Enfield (Mass.)--Religious life and customs
  • Enfield (Mass.)--Social life and customs
  • Quabbin Reservoir Region (Mass.)--History
  • Quabbin Reservoir Region (Mass.)--Social life and customs
  • Women--Societies and clubs

Contributors

  • Daughters of the American Revolution. Captain Joseph Hooker Chapter (Enfield, Mass.)
  • Enfield (Mass. : Town)
  • Enfield (Mass. : Town). Overseers of the Poor
  • Enfield (Mass. : Town). Prudential Committee
  • Enfield (Mass. : Town). School Committee
  • Enfield Congregational Church (Enfield, Mass.)
  • Enfield Congregational Church (Enfield, Mass.). Women's Auxiliary
  • Enfield Congregational Church (Enfield, Mass.). Women's Missionary Society

Types of material

  • Account books
  • Church records
  • Photographs
  • Sermons

Friedmann, Arnold

Arnold Friedmann Papers, ca.1890-2007.

1 box (1.5 linear feet).
Call no.: FS 130

A professor of design in the Department of Art, Architecture, and Art History, Arnold Friedmann worked throughout his career to professionalize interior design and enhance the quality of daily life through good design. Born into a “gut Buergerlich” Jewish family in Nuremberg, Germany, in 1925, and raised in comfortable circumstances, Friedmann’s life was deflected by the political turmoil of the twentieth century. After Kristallnacht drove home the political realities of the Nazi era, Friedmann’s father used connections to secure permission for the family to emigrate to Palestine, where, impoverished and with his education disrupted, Arnold apprenticed to a cabinetmaker. Following service in the British army and later the Israeli army, Friedmann resumed his education, entering the Pratt Institute to study interior design. Earning both his bachelors and masters degrees (his doctorate from the Union Institute followed in 1976), Friedmann freelanced in interior design and furniture design while teaching at Pratt, eventually becoming chair of his Department. From 1972 until his retirement in 1990, Friedmann served as Professor of Design at UMass Amherst. A founding member of the Interior Design Educators Council, Friedmann was recognized within the profession as an honorary fellow of the Design Institute of Australia (1985) and as a recipient of the IKEA Award (1989).

The Friedmann Papers contain a wealth of unpublished and published writings by Friedmann on design, stemming primarily from his years at UMass Amherst. A small sheaf of photographs depicting his design work, and a series of Department of Interior Design newsletters from Pratt, 1963-1967.

Subjects

  • Furniture designers
  • Interior designers
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Art, Architecture, and Art History

Contributors

  • Friedmann, Arnold

Hollister, Leonard D.

Leonard D. Hollister Collection, 1890-1966.

48 boxes, 94 items (56 linear feet).
Call no.: MS 688
Santa Clara figurative bowl (70.291)
Santa Clara figurative bowl (70.291)

Born in Denver, Colorado, in October 1884, Leonard D. Hollister was a collector of Southwestern Native American pottery and the son of Uriah S. Hollister, a prominent executive with the Continental Oil Company and author of The Navajo and His Blanket (1903), an early work on Navajo textiles.

The Hollister collection is a diverse assemblage of 94 works by Native American potters, representing a cross-section of southwestern cultures and pueblos. According to Fred A. Rosenstock, who purchased the collection after Hollister’s death, the pieces were acquired one or two at a time over several decades, often purchased directly from the artist. Hollister acquired examples from pueblos including Acoma, Cochiti, Hopi, Jemez, Laguna, Maricopa, Picuris, San Ildefonso, San Felipe, San Juan, Santa Clara, Santo Domingo, Taos, Tesusque, Zia, and Zuni. The signed pieces, over a quarter of the collection, includes works by some of the century’s most influential potters.

Subjects

  • Indian pottery--North America
  • Pueblo Indians--Industries

Types of material

  • Pottery (Object genre)

Howes Brothers

Howes Brothers Photograph Collection, ca. 1882-1907.

1 box (0.5 linear feet).
Call no.: MS 313

Alvah, Walter, and George Howes brothers traveled the Pioneer Valley of Massachusetts in the last two decades of the 19th century, taking photographs of the residents and documenting the customs, fashions, architecture, industry, technology, and economic conditions of rural New England.

The Howes collection includes 200 study prints selected from 20,000 negatives held by the Ashfield Historical Society.

Subjects

  • Massachusetts--History

Contributors

  • Howes, Alvah
  • Howes, George
  • Howes, Walter

Types of material

  • Photographs

Judice, Edward

Edward Judice Photograph Collection, 1973-2010.

281 digital images, 2 videos
Call no.: PH 046
Lathe operator, Rodney Hunt co., 1974
Lathe operator, Rodney Hunt co., 1974

Raised on Long Island, Ed Judice embarked on a path in photography at the age of 13 when he took a job sweeping floors in a local photo studio. After picking up work photographing locally and a stint in the army, he moved to New York city, Judice began doing commercial work for ad agencies and magazines and eventually with Polaroid. Through Polaroid, he began developing contacts in western Massachusetts, eventually moving to Wendell in the early 1970s. He maintains an active studio in Northampton.

The Judice collection consists of a series of 59 digital images relating to a photo documentation project at the Rodney Hunt factory in Orange, Mass., in 1973 and 1974; a series of photographs documenting the bicentennial of Wendell in 1981; and two video documentaries of the Three County Fair, Northampton, Mass., 2007, and “Benny and Joe: A friendship,” 2010.

Subjects

  • Foundry workers--Massachusetts--Orange
  • Northampton (Mass.)
  • Rodney Hunt Company
  • Serrazina, Joe
  • Shoemakers--Massachusetts--Northampton
  • Shu-Fix (Northampton, Mass.)
  • Strojny, Benny.
  • Wendell (Mass.)--Centennial celebrations, etc.

Contributors

  • Judice, Edward

Types of material

  • Digital images
  • Video recordings
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