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Results for: “Guru Ramdas Ashram (Montague, Mass.)” (436 collections)SCUA

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Montague (Mass.) Nuclear Power Station

Finding aid

Montague Nuclear Power Station Environmental Report, 1975.

1 box (1 linear feet).
Call no.: MS 061

Planning for construction of a nuclear power plant in Montague, Mass., in 1973, Northeast Utilities was required to conduct an environmental impact survey of the site, building a 500-foot tall weather monitoring tower to gather data. Their plans, however, were thwarted by the rise of a powerful antinuclear opposition, symbolized by a renowned act of civil disobedience in February 1974. On Washington’s Birthday, a member of the Montague Farm commune, Sam Lovejoy, took down the tower using simple farm tools, turning himself in to the police immediately afterward. The ensuing trial, the effective organizing by his colleagues, and the success of their effort to prevent construction of the power plant is often regarded as a formative moment in the history of the modern antinuclear movement.

This environmental report for the proposed Montague Nuclear Power Station includes an accounting of the purpose of the facility, its environmental, archaeological, and social impact, and an analysis of the costs and benefits of operation.

Subjects

  • Antinuclear movement--United States
  • Lovejoy, Sam
  • Montague (Mass.)--History
  • Northeast Utilities
  • Nuclear power plants--Massachusetts

Josephs, Stephen

DigitalFinding aid

Stephen Josephs Photograph Collection, 1972-1978.

13 images
Call no.: PH 013
Stephen Josephs
Stephen Josephs

The Guru Ram Das Ashram was founded in Montague, Massachusetts, in 1972 by Steve Josephs under the inspiration of Yogi Bhajan. Affiliated with the 3HO (Healthy Happy Holy Organization) and the Sikh Dharma Brotherhood, the ashram provided instruction in Kundalini Yoga and Tantric meditation, and at one point, there were as many as 21 residents of the house. Yogi Bhajan married Josephs and his wife Alice in an arranged marriage in 1972, and the couple (then called Gurushabd Singh and Gurushabd Kaur) left the ashram in 1983.

The Josephs Collection includes 13 digital images depicting the Montague ashram and its residents. The collection includes images of Yogi Bhajan and the Josephs.

Subjects

  • Ashrams--Massachusetts
  • Guru Ramdas Ashram (Montague, Mass.)
  • Josephs, Stephen
  • Montague (Mass.)--Photographs

Types of material

  • Photographs

Girls Club of Greenfield (Mass.)

Finding aid

Girls Club of Greenfield Records, 1895-1995.

21 boxes (27 linear feet).
Call no.: MS 379

Founded in 1895, the Girls Club of Greenfield provides high quality early care and educational services to the girls of Franklin County, Massachusetts, and advocates for the rights of children and their families. During the school year, the Club offers diverse programming, ranging from an infant room and preschool to after school activities that promote teamwork, community spirit, social skills, and confidence. Since 1958, they have also operated a summer camp, Lion Knoll, in Leyden.

The records of the Girls Club of Greenfield include by-laws, annual reports, reports and meeting minutes of the Board of Directors, correspondence, and ledgers and account books. Also contains program files for daycare, summer camp, education worker programs, and others, personnel records, membership and committee lists, newsletters, press releases, ledgers, account books, scrapbooks, news clippings, photographs, slides, and artifacts.

Subjects

  • Girls--Massachusetts--Greenfield--Social conditions
  • Girls--Massachusetts--Greenfield--Social life and customs
  • Girls--Massachusetts--Greenfield--Societies and clubs--History
  • Greenfield (Mass.)--Social conditions
  • Greenfield (Mass.)--Social life and customs

Contributors

  • Girls Club of Greenfield (Greenfield, Mass.)

Types of material

  • Account books
  • Photographs
  • Scrapbooks

Westhampton (Mass. : Town)

Finding aid

Westhampton Town Records, 1779-1900.

10 boxes (5 linear feet).
Call no.: MS 799
Close-up of records from 1779
Close-up of records from 1779

Originally settled by Europeans in 1762, the town of Westhampton, Massachusetts, was separated from adjacent Northampton and incorporated in September 1778. Situated in the western reaches of Hampshire County, it was principally an agricultural town until the later twentieth century, producing apples, other fruit, and maple sugar, with only minor industry. The town still retains its rural character: a century after incorporation, the population had grown to just over 500, and nearly 1,500 by 2000.

The Westhampton collection provides an extensive record of public life and local governance in a typical small Hampshire County town. Spanning from 1779, just after the date of incorporation, through the turn of the twentieth century, the collection includes extensive records of town meetings, including warrants, agendas, and summaries; records of the Overseers of Poor, the schools, militia service, and parish; materials on roads and highways; and a large quantity of financial records.

Subjects

  • Churches--Massachusetts--Westhampton
  • Poor--Massachusetts--Westhampton
  • Roads--Massachusetts--Westhampton
  • Town meetings--Massachusetts--Westhampton

Social change colloquia past

Colloquium 2014, Tenth Anniversary (Monday, November 3rd)

A Long and Winding Road: The legacy of the back-to-the-land communes of the 1960s

November 3, 2014, from 4:00 p.m. to 5:30 p.m., Lower Level, W.E.B. Du Bois Library
“A Long and Winding Road: The legacy of the back-to-the-land communes of the 1960s,” will explore the nearly forty year history of some of the region’s best known communes: Montague Farm and Wendell Farms nearby in Massachusetts, and Packer Corners and Tree Frog Farms in neighboring southern Vermont. All were partners in the back-to-the-land movement of the late 1960s and early 1970s; all have survived into the current era. The colloquium’s four speakers, who have each spent much of the intervening years on or near one of the four farms, represent each of these idealistic enterprises, as well as offering their own specific views. What have they learned from their long years in service to their ideals? Was the altruism of the counterculture era borne out in the experiences they faced later? Would they recommend the route of alternative life to the youth and radicals of today?

The sources of inspiration that led to the creation of these communities and the evidence of their later influence are documented by SCUA. The Famous Long Ago archive was formed to collect, preserve, and make available materials relating to the communes at Montague Farm, Packer Corners, Johnson Pasture, Wendell Farm, and Tree Frog Farm. Collections range from from the papers of writers Steve Diamond, Raymond Mungo, and Jonathan Maslow to those of anti-war activists Randy Kehler and Betsy Corner; from the records of the Liberation News Service, the organization that spawned the farms, to the Alternative Energy Coalition, and Musicians United for Safe Energy, later enterprises of the region’s communal farmer-activists. It also includes the photographic collections of farm parent Roy Finestone, photojournalist Lionel Delevingne, and former head of a neighboring Montague ashram, Stephen Josephs.

Panel:
Daniel Keller, filmmaker, farmer: Wendell Farm, Green Mountain Post Films
Verandah Porche, writer, teacher: Packer Corners Farm, Monteverdi Artists Collaborative
John Scagliotti, filmmaker, LGBT activist: Tree Frog Farm, Kopkind Colony
Susan Mareneck, artist, teacher, social worker: Early resident and longtime neighbor of Montague Farm, Montague Catholic Social Ministries

Moderator:
Timothy Miller, University of Kansas, scholar of intentional communities, author of The Hippies and American Values (1991), The Quest for Utopia in Twentieth-Century America (1998), The Sixties Communes: Hippies and Beyond (1999)

Participant bios

Verandah Porche
Verandah Porche

Verandah Porche, a forty-year resident of Packer Corners Farm (known to the reading public, through the works of Ray Mungo and others, as Total Loss Farm) works as a poet-in-residence, performer, and writing partner. Based in rural Vermont since 1968, she has published three volumes of poetry – Sudden Eden (Verdant Books), The Body’s Symmetry (Harper and Row) and Glancing Off (See Through Books) – and has pursued an alternative literary career, creating collaborative writing projects in nontraditional settings: literacy and crisis centers, hospitals, factories, nursing homes, senior centers, a 200 year-old Vermont tavern, and an urban working class neighborhood. Broad Brook Anthology, a play for voices, honors the lives of elders in her home town of Guilford, Vermont. Listening Out Loud documents her residency with Real Art Ways in Hartford, Connecticut. Come Over is a CD of songs written with her neighbor Patty Carpenter, performed by the Dysfunctional Family Jazz band. She has read her work on NPR stations, in the Vermont State House, and at the Guggenheim Museum. In 1998 the Vermont Arts Council presented her with its Award of Merit, and Marlboro College, in 2012, an honorary Doctor of Humane Letters.

Susan Mareneck
Susan Mareneck

Susan Mareneck arrived in the Pioneer Valley in the mid 1960s, and spent her college years engaged in civil rights and anti-war activities, majoring Art and Political Science. After experiencing Montague Farm for several months in its early days, she settled into an unrenovated 18th century farmhouse in nearby Leverett, a building without heat or running water. Improving it slowly but concertedly over the years, she returned regularly to the house for vacations and summers, and has remained a neighbor of Montague Farm and a member of its extended family ever since. Decamping after several years for a graduate degree in art, and finally a move to New York, she spent 30 years making art and teaching it at the Spence School and the Convent of the Sacred Heart, on New York’s upper east side, before returning to western Massachusetts in 2009 to work full time with families in Turners Falls as Executive Director at Montague Catholic Social Ministries. Living three blocks from Ground Zero, Susan saw her world change forever on 9/11. Her turn from education to social work reflects her long interest in non-profits and the role of faith in social change. Her work in that area has included projects directed toward employment, racism, educational policy, and prisons. She has exhibited, lectured, and published in the visual arts and historic preservation, and remains active in organizing the local history of her town, North Leverett, Mass.

John Scagliotti
John Scagliotti

John Scagliotti is an Emmy Award-winning American film director, producer, and radio broadcaster. He has received honors for his work on documentaries about LGBT issues including Before Stonewall and After Stonewall. During the 1970s, Scagliotti was the News and Public Affairs Director of the pioneering radio station WBCN-FM in Boston. For his work in radio, he was awarded two Major Armstrong Awards. In the early 1980s, he attended New York University Film School and went on to create In the Life for PBS, the first gay and lesbian national television series in the United States. The Scagliotti-produced documentary film Before Stonewall (1985) won the Audience Award at L.A. Outfest and two Emmies. Scagliotti directed a companion piece, After Stonewall, which won a Golden Eagle and the Audience Award at the Los Angeles Gay and Lesbian Film Festival. Scagliotti is openly gay. His partner for 24 years was the late, highly regarded journalist Andrew Kopkind. Together they produced the radio show The Lavender Hour. Scagliotti is a longtime resident of the Kopkind Colony, an activist community housed at Tree Frog Farm, a close neighbor to Packer Corners Farm in Guilford, Vermont. The Kopkind Colony holds an educational summer residency program for nonpartisan, independent journalists and community organizers. In addition, the Colony fosters public education through publication of its lectures and the hosting of open forums on contemporary issues held at Tree Frog Farm and in other educational centers around the country.

Daniel Keller
Daniel Keller

Daniel Keller, a founder of Wendell Farm, in Wendell Massachusetts, has lived there, keeping it a working organic farm, since its inception in 1969. In collaboration with Charles Light, a former communard of the Johnson Pasture and Montague Farm, Keller’s Green Mountain Post Films, with offices in nearby Turners Falls, has produced and distributed award-winning films for more than twenty-five years. GMP’s first documentary Lovejoy’s Nuclear War, released in 1975, about Montague Farm activist Sam Lovejoy, was one of the first films to question the nuclear energy policy of the United States. Since then GMP Films has continued to produce movies that explore social issues, Its films have been used as educational and organizational tools for activists working on peace, veteran, nuclear, environmental, and other related issues. GMP films include: The Last Resort (1978), and Save the Planet (1979), both on nuclear issues; The Secret Agent (1983), on Agent Orange; and Unknown Secrets (1990), on the reaction of artists and writers to the arrest, trial, and execution of accused spies Julius and Ethel Rosenberg. For Vietnam Experience Keller and Light teamed up with musician Country Joe McDonald to bring viewers closer to the reality of the Vietnam War. Cannabis Rising is an early investigation into the issues surrounding marijuana today so much in the news.

Timothy Miller
Timothy Miller

Timothy Miller is a longtime student of communal living, professor of religious studies at the University of Kansas, and author of The Hippies and American Values (1991), The Quest for Utopia in Twentieth-Century America (1998), The Sixties Communes: Hippies and Beyond (1999). His course offerings include a history of intentional communities in America; American religious history; and an overview of new and alternative religious movements in the United States. Miller’s major research focus is the history of intentional communities in America, especially in the twentieth century. For his work in this area, Professor Miller has been recognized by the Communal Studies Association as a distinguished scholar. Additional areas of research interest include American religious history, new and alternative religious movements in the United States, and religion in Kansas. Professor Miller also coordinates the Religion in Kansas Oral History Project. His most recent publications include The Encyclopedic Guide to American Intentional Communities (Richard Couper Press), Spiritual and Visionary Communities: Out to Save the World (Ashgate Publishing), as well as the second edition of The Hippies and American Values (University of Tennessee Press), and the second edition of Following In His Steps: A Biography of Charles M. Sheldon (University of Tennessee Press). Through Miller’s work on American communes, he has long been familiar with the extended farm family at the center of the current symposium. In a recent book review, taking in the larger field in which he is involved, he wrote, “…it can be safely said that Montague Farm has the best published record of any of the communes.”

Colloquium 2013 (Tue. March 5)

Peace and War: Assessing the Legacies of Sixties Activism Today

Author Tom Fels and media artist Mark Tribe will speak on Tuesday, March 5, 2013, from 4:00 p.m. to 6:00 p.m., in Room 2601 on Floor 26, of the Du Bois Library at UMass Amherst. The event, “Peace and War: Assessing the Legacies of Sixties Activism Today,” marks the completion of the eighth annual Social Change Colloquium.

Longtime independent writer and researcher Tom Fels’ new book Buying the Farm: Peace and War on a Sixties Commune (UMass Press, 2012) explores the long history of Montague Farm, north of Amherst, one of the era’s iconic experiments in social change. Before drawing his own conclusions about it in the book, he recounts the farm’s many early contributions to the counterculture, and later the farm’s devolution at the hands of competing farm-family factions, inviting us to question the balance between idealism and effectiveness. “For today’s young,” says Tom Hayden, author of The Long Sixties, “the economic future is far more bleak and global warming an unprecedented threat. Out of necessity, many will be searching for meaningful forms of communal self-sufficiency, healthful food, and renewable energy. Tom Fels’ captivating and profound reflection on one earlier commune, Montague Farm, founded in the 1960s, offers hard-learned reflections, some practical, some eternal, from a time when communes were the chosen path of many.” In the first hour of the colloquium Fels will read from Buying the Farm. There will be a question and answer period following the reading.

Mark Tribe is part of the next generation to be inspired by sixties activism. His Port Huron Project (2006-2009) is a series of reenactments of protest speeches from the New Left movements of the Vietnam era. Enacted at the site of the original event, each speech was delivered by an actor or performance artist. Videos of these performances have been screened on campuses, exhibited in art spaces, and distributed online as open-source media. As Julia Bryan-Wilson wrote in Artforum, in January 2008, “More than just recovering the past, these re-speaking projects use archival speeches to ask questions about the current place of stridency and forceful dissent, and the possibilities of effective, galvanizing political discourse.” In bringing the words of Cesar Chavez, Angela Davis, Stokely Carmichael, and others to the public through contemporary media, Tribe, in this portion of his work, creatively recycles earlier activism to relate it to issues of today. In the second hour of the colloquium, Tribe will show and discuss some of his work.

Colloquium 2012: Part I (Tue. Oct. 2)

Anna Gyorgy and Lionel Delevingne: To the Village Square: Reflections on an Experiment in American Democracy

Delevingne will discuss the mass media’s role in the nuclear power issue and his own responsibility before and after the Three Mile Island accident and Chernobyl disaster. Anna Gyorgy will discuss citizen action and democracy, with international examples based on her work with the Clamshell Alliance, and, more recently, with the strong German anti-nuclear/pro-solar movements.

New England was an epicenter of the antinuclear movement of the 1970s and 1980s. Sparked by the proposed construction of nuclear power plants in Montague, Massachusetts, and Seabrook, New Hampshire, a grass-roots movement blossomed in the region, drawing on a long tradition of non-violent political protest. Shortly after arriving in the United States from his native France in 1975, the photojournalist Lionel Delevingne began covering the antinuclear movement, including the history of civil disobedience and occupation at Seabrook, the aftermath of the Three Mile Island disaster, and other protests from New York to South Carolina and Europe.
Delevingne is the co-author of Drylands, a Rural American Saga (University of Nebraska Press, 2011); Northampton: Reflections on Paradise (Nouveau Monde Press, 1988); and Franco-American Viewpoints (Nouveau Monde Press/Wistariahurst Museum, 1988). His work has been exhibited frequently in the U.S. and abroad and published widely in the mainstream and alternative press, including the New York Times, Newsweek, Mother Jones, Vanity Fair, Le Figaro Magazine, and Die Zeit. Delevingne has participated in many award-winning projects sponsored by National Endowment of the Arts/Humanities (NEA), Massachusetts Endowment for the Humanities, University & College Designers Association (UCDA), University Professional & Continuing Education Association (UPCEA), and Council for Advancement and Support of Education (CASE).

Anna Gyorgy was active in the early movement against nuclear power, and is the author-editor of the classic work NO NUKES: Everyone’s Guide to Nuclear Power (South End Press, 1979/1981). She is in the process of returning to the U.S. after 25 years abroad, where she has since 1999 coordinated the multi-lingual website project: “Women and Life on Earth” (www.wloe.org).

The related exhibit “To the Village Square” includes some of the movement’s most memorable images, shot by Delevingne, along with materials drawn from the rich anti-nuclear collections held in the UMass Amherst Libraries’ Department of Special Collections and University Archives.

Colloquium 2011

Tom Weiner: “Stories of the Vietnam Draft and War:
Why These Stories Need to be Told in their Variety, their Intensity and their Honesty” (Nov. 10)

Social justice activist Tom Weiner will give a talk on his recently published book Called to Serve: Stories of Men and Women Confronted by the Vietnam War Draft. The book is the fruit of years of extensive interviews with chapters for people who made different choices among the available options: to serve, to resist, to leave the country, to become a conscientious objector, or to find a way around the draft altogether as well as a chapter for those who loved, counseled and supported. His presentation will include several of his interview subjects who will share parts of their testimonies. Weiner recently donated the tapes of the interviews and the transcripts to Special Collections and University Archives.

Colloquium 2010: Part I (Fri. Oct. 1, 1.30 pm)

Steve Lerner: Sacrifice Zones: The Front Lines of Toxic Chemical Exposure in the United States
Lerner book cover

On Friday, October 1, Steve Lerner will talk about his new book Sacrifice Zones: The Front Lines of Toxic Chemical Exposure in the United States. The event will be held from 1.30-3pm in the Gordon Hall, 418 N. Pleasant Street, Amherst.

Across the United States, thousands of people, most of them in low-income or minority communities, live next to heavily polluting industrial sites. Many of them reach a point at which they say “Enough is enough.” In Sacrifice Zones, published by MIT Press in 2010, Steve Lerner tells the stories of twelve communities, from Brooklyn to Pensacola, that rose up to fight the industries and military bases causing disproportionately high levels of chemical pollution.

Steve Lerner is research director of Commonweal and the author of Eco-Pioneers: Practical Visionaries Solving Today’s Environmental Problems.

This event is co-sponsored by the Political Economy Research Institute’s Environmental Working Group and Special Collections & University Archives

Colloquium 2010: Part II (Thurs. Oct. 28, 6pm)

Amy Bass: Whose Broad Stripes and Bright Stars? The 1968 Olympics and the Creation of the Black Athlete.

On Thurs. October 28, Amy Bass will talk on “Whose Broad Stripes and Bright Stars? The 1968 Olympics and the Creation of the Black Athlete,” in Room 803, Campus Center, UMass Amherst. The event is co-sponsored by the Feinberg Family Lecture Series organized by the UMass Amherst Department of History, and is free and open to the public.

Amy Bass is professor of history at the College of New Rochelle. She is the author of Not the Triumph But the Struggle: 1968 Olympics and the Making of the Black Athlete and Those About Him Remained Silent: The Battle over W. E. B. Du Bois. She is the editor of In the Game: Race, Identity, and Sports in the Twentieth Century. Bass has an M.A. and a Ph.D. in history from Stony Brook University. Her research interests include African American history, modern American culture, identity politics, and historical theory and methodology. She has served as research supervisor for the NBC Olympic unit at the Atlanta, Sydney, Salt Lake, Athens, and Torino Olympic Games.

Dr. Bass’s talk will explore the black power protest at the Mexico City Olympic Games by Americans Tommie Smith and John Carlos in 1968. Their moment on the victory dais effectively linked American sports and racial politics in the U.S. She will examine how the black power protest in Mexico became the defining image of the 1968 Olympics. She will also explore how the Olympic Project for Human Rights mobilized black athletes to assume a new set of responsibilities alongside their athletic prowess, forcing Americans, and the world, to reconsider the role of sports within civil rights movements.

2009 (Oct. 29): A Conversation

Raymond Mungo, 1968
Raymond Mungo
Raymond Mungo was a key figure in the literary world of the late 1960s counterculture. A founder of the Liberation News Service — an alternative press agency that distributed news reflecting a left-oriented, antiwar, countercultural perspective — Mungo moved to Vermont during the summer of 1968 and settled on a commune. A novelist and writer, his first book, Famous Long Ago: My Life and Hard Times With Liberation News Service (1970) is considered a classic account of the countercultural left, and his follow-up Total Loss Farm (1971), based on his experiences on the Packer Corners commune, was nominated for the Pulitzer Prize. Mungo has written several novels, screenplays, dozens of essays, and hundreds of newspaper and magazine articles during a literary career of more than four decades. For the past ten years, he has worked as a social worker in Los Angeles, tending primarily to AIDS patients and the severely mentally ill.
Todd Gitlin
While a college student in the early 1960s, Todd Gitlin rose to national prominence as a writer and theorist of the New Left. A president of Students for a Democratic Society in 1963-1964, he was a central figure in the civil rights and antiwar movements, helping to organize the first national mobilization against the war in Vietnam, the March on Washington of 1965. After receiving degrees from the University of Michigan and the University of California Berkeley, Gitlin joined the faculty at Columbia University, where he is currently Professor of Journalism and Sociology and Chair of the doctoral program in Communications. Over the past thirty years, he has written extensively on mass communication, the media, and journalism. The author of twelve books, Gitlin is today a noted public intellectual and prominent critic of both the left and right in American politics, arguing that pragmatic coalition building should replace ideological purity and criticizing the willingness of those on both sides to use violence to reach ends to power.

Talk II:

Thurs, Oct. 29, 2009, 4 p.m., span class=”bold”>Blake Slonecker
Assistant Professor of History at Waldorf College, will present a talk, “Living the Moment: Liberation News Service, Montague Farm, and the New Left, 1967-1981.

2008 (Oct. 30): Then and Now: Sixties Activism and New Realities

Junius Williams
Writer and activist.
Parker Donham
Journalist and former press secretary for Eugene McCarthy

2007 (Oct. 30): Fifty Years of Radical Activism: An Evening with Tom Hayden

Tom Hayden
Fmr President of Students for a Democratic Society
For nearly fifty years, Tom Hayden’s name has been synonymous with social change. As a founding member of the Students for a Democratic Society in 1961, he was author of its visionary call, the Port Huron Statement, the touchstone for a generation of activists. As a Freedom Rider in the Deep South in the early 1960s, he was arrested and beaten in rural Georgia and Mississippi. As a community organizer in Newark’s inner city in 1964, he was part of an effort to create a national poor people’s campaign for jobs and empowerment.
When the Vietnam War invaded American lives, Hayden became a prominent voice in opposition, organizing teach-ins and demonstrations, writing, and making one of the first trips to Hanoi in 1965 to meet with the other side. One of the leaders of the street demonstrations against the war at the 1968 Chicago Democratic Convention, he was one of eight organizers indicted — and eventually acquitted — on charges of conspiracy and incitement.
After the political system opened in the 1970s, Hayden organized the grass-roots Campaign for Economic Democracy in California, which won dozens of local offices and shut down a nuclear power plant through a referendum for the first time. He was elected to the California state assembly in 1982, and the state senate ten years later, serving eighteen years in all, and he has twice served on the national platform committee of the Democratic Party.

2007 (Oct. 30): The Sixties: The Way We Really Were

Johnny Flynn, Tim Koster, Sheila Lennon, Karen Smith
As part of its annual Colloquium on Social Change, the Department of Special Collections and University Archives of UMass Amherst presents a panel discussion and readings from a new book, Time it Was: American Stories from the Sixties, a set of short memoirs written by people who participated in a wide variety of Sixties-era movements and events. Join us for speakers Johnny Flynn (American Indian Movement), Sheila Lennon (Woodstock), Tim Koster (Draft Lottery “Winner” and Conscientious Objector), and Karen Manners Smith, who spent five years in a religious cult.
For students, the readings and discussion provide an opportunity to hear stories that move beyond Sixties mythology towards an appreciation of the real — but no less exciting — experiences of young people in that tumultuous era. Non-students and members of the Five College and surrounding communities will find this panel discussion a chance to reconnect with their own memories of the period.

2006: Building the Left in the Age of the Right: Developing a Lifetime Commitment

Eric Mann and Lian Hurst Mann
Labor/Community Strategy Center, Los Angeles
Flier announcing the event (pdf)

2005: Crossroads: A Colloquium on Social Change

Carl Oglesby
Writer, antiwar activist, former President of SDS
Tom Fels
Curator, writer, fmr resident of Montague Farm Commune
Catherine Blinder
Activist, writer, fmr resident of Tree Frog Farm Commune
Flier announcing the event (pdf)

Clapp, Charles Wellington

Charles Wellington Clapp Papers, 1882-1886.

1 box (0.25 linear feet).
Call no.: RG 050 C53

Born on Jan. 4, 1863, and raised in Montague, Mass., Charles Wellington Clapp entered Massachusetts Agricultural College as a freshman during the fall 1882. Shouldering the standard coursework in agriculture and engineering, Clapp graduated with the class of 1886 and went on to a career as a civil engineer in Greenfield, Mass.

Written by Clapp to his sister Mary during his undergraduate years at MAC, the 31 letters in this collection provide a lighthearted and engaging glimpse into the academic work and extra-curricular activities of a typical early student at Mass Aggie. Noteworthy among these letters are early references to football being played at the college and an effective hand-drawn map of campus, both from 1882.

Subjects

  • Massachusetts Agricultural College--Students

Contributors

  • Clapp, Charles Wellington

Types of material

  • Letters (Correspondence)
  • Maps

Torrey, Ray Ethan, 1887-

Finding aid

Ray Ethan Torrey Papers, 1832-1983.

13 boxes (5.5 linear feet).
Call no.: FS 121
Ray Ethan Torrey. Photo by Frank A. Waugh
Ray Ethan Torrey. Photo by Frank A. Waugh

A plant morphologist and member of the Botany Department at Massachusetts Agricultural College, Ray Ethan Torrey was among the college’s most charismatic faculty members during the early twentieth century. Born in Leverett, Mass., and educated in the local public schools, Torrey graduated from MAC with the class of 1912, earning his PhD at Harvard six years later. After serving on the faculty of Grove City College and Wesleyan, he returned to his alma mater in 1919, where he remained for more than 36 years. A specialist in plant morphology and author or two widely used textbooks and numerous articles, Torrey’s introductory course in botany was among the most popular in the college. He was best known, however, for taking a broader, philosophical approach to science that encouraged students to explore the connections between philosophy, science, religion, and the humanities. Torrey died of leukemia in Boston on Jan. 16, 1956.

Correspondence, chiefly with former students and colleagues at other institutions; lecture notes and outlines; 27 pen and ink drawings; published writings and drawings; biographical material; class and laboratory notes taken by students; family and educational records (1832-1956); photographs, and other papers.

Subjects

  • Botany--Study and teaching
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Botany Department

Contributors

  • Torrey, Ray Ethan, 1887-

Types of material

  • Pen and ink drawings

Waugh, Frank A. (Frank Albert), 1869-1943

DigitalFinding aid

Frank A. Waugh Papers, 1896-1983.

Frank A Waugh with flute
Frank A Waugh with flute

Born in Wisconsin but raised and educated in Kansas, Frank Waugh got his first teaching job at Oklahoma State University. He went on to teach at the University of Vermont and finally settled down in Amherst, as a professor at Massachusetts Agricultural College. While at Mass Aggie, he became well know for establishing the second landscape gardening department in the country, later the department of landscape architecture. At a time when the field of landscape architecture was still taking root, Waugh’s influence was significant in shaping the profession. His contributions include numerous articles and books, the designs he planned and implemented, and the many students he taught and mentored. A natural offshoot of his work as a landscape architect, Waugh pursued other artistic avenues as well, most notably photography and etching. He served at MAC, later Massachusetts State College, for nearly forty years before retiring in 1939.

The collection includes an extensive representation of Waugh’s published articles along with biographical materials. The centerpiece, however, is the large number of photographs, lantern slides, and etchings. While his publications reveal the mind of a pioneer in his field, together these images portray the heart and soul of Waugh as an artist.

Subjects

  • Landscape architecture--United States--History
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Horticulture

Contributors

  • Waugh, Frank A. (Frank Albert), 1869-1943

Types of material

  • Etchings
  • Lantern slides
  • Photographs

American Express Company. Florence (Mass.) Office

Finding aid

American Express Company Florence Office Records, 1867-1890.

3 boxes (3 linear feet).
Call no.: MS 298

Records of express agent Watson L. Wilcox of Simsbury, Connecticut and Florence, Massachusetts documenting Wilcox’s work for the American Express Company and the evolution of the company from a small shipping business to a delivery organization whose services contributed to the growth of the local and regional economy. Records consist of agent books, receipt books, and waybills listing accounts of local companies and residents for the sending, receiving and delivery of freight, telegraph messages, express cash, goods and packages.

Subjects

  • American Merchant's Union Express Company
  • Express service--Massachusetts--Florence--History
  • Florence (Mass.)--Economic conditions
  • Florence Manufacturing Company
  • Florence Sewing Machine Company
  • Hill, Samuel L
  • Industries--Massachusetts--Florence--History
  • New York, New Haven, and Hartford Railroad Company
  • Nonotuck Silk Company
  • Parsons, I. S
  • Simsbury (Conn.)--Economic conditions
  • Williston, A. L

Contributors

  • American Express Company (Florence, Mass.)
  • Wilcox, Watson L., 1832 or 3-1896

Black Mass Communications Project

Black Mass Communications Project Collection, ca.1970-1985.

10 boxes (15 linear feet).
Call no.: RG 045/30 B4

The Black Mass Communications Project was founded as an educational and informational outlet for Black students at UMass Amherst in 1968 and authorized in the following year as a Registered Student Organization. Over the years, BCMP played varied roles on campus, hosting cultural events, lectures, workshops, and social gatherings as to help keep black music alive. Many of its early members were also affiliated with the student radio station WMUA, and throughout the 1970s, the organization played a prominent role in providing programming to the station, offering programming highlighting African American music and current affairs.

The BCMP collection consists of many dozens of reel to reel audiotapes of radio broadcasts aired over WMUA during the 1970s and early 1980s by and for the university’s African American community. Included is a range of locally-produced public affairs, cultural, and music programming, with some content licensed from around the country. A few of the tapes are associated with the Five College’s National Public Radio affiliate, WFCR.

Subjects

  • African American college students
  • African American music
  • College radio stations--Massachusetts
  • WFCR (Radio station : Amherst, Mass.)
  • WMUA (Radio station : Amherst, Mass.)

Types of material

  • Sound recordings
  1. Pages:
  2. 1
  3. 2
  4. 3
  5. 4
  6. 5
  7. 6
  8. 7
  9. ...
  10. 44

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