Valley Peace Center Records, 1965-1973.
28 boxes (13.5 linear feet).
Call no.: MS 301
In the summer of 1967, members of University of Massachusetts Amherst campus groups, such as the Faculty Group on War and Peace and the Students for Political Action, joined with individuals from other area colleges and from the community at large to form the Valley Peace Center of Amherst for the purposes of opposing the Vietnam War, providing draft counseling, eliciting pledges from the government to avoid first use of nuclear and biological weapons, and reduction of the power of the “military-industrial complex”. The Center was active for more than five and a half years, drawing its financial support largely from the community and its human resources from student and community volunteers.
Correspondence, minutes, volunteer and membership lists, financial records, newsletters, questionnaires, notes, petitions, clippings, posters, circulars, pamphlets, periodicals, other printed matter, and memorabilia. Includes material relating to alternative service, boycotts, war tax resistance, prison reform, environmental quality, and political candidates.
- Amherst (Mass.)--Social conditions--20th century
- Draft--United States--History
- Peace movements--Massachusetts--Amherst
- Social movements--Massachusetts--Amherst
- Vietnam War, 1961-1975--Protest movements--Massachusetts--Amherst
- Westover Air Force Base (Mass.)--History--20th century
- Valley Peace Center (Amherst, Mass.)
Types of material
Westhampton Congregational Church Records, 1817-1970.
17 vols. (1.5 linear feet).
Call no.: MS 806
The Congregational Church in Westhampton, Mass., was formally organized on Sept. 1, 1779, with the installation of a young graduate of Yale, Enoch Hale, brother of the patriot Nathan Hale. At the end of Hale’s fifty years in the Westhampton pulpit, the church experienced a crisis that resulted in the separation of a portion of the membership as the Union Church, led by the charismatic evangelical preacher John Truair. The churches were reunited in 1850.
The records of the Westhampton Congregational Church document nearly two hundreds of religious life in a rural western Massachusetts community. Beginning with the founding of the church in 1779, the collection include a nearly unbroken record of church activities including thorough records of membership, transfers, marriages, baptisms, deaths, and church discipline, and for the latter century, a complete record of church finances. Of particular note is a volume recording the activities of the secessionist Union Church, 1829-1849.
- Congregational churches--Massachusetts--Westhampton
- Hale, Enoch, 1753-1837
- Second Great Awakening
- Truair, John, 1780-1845
- Westhampton (Mass.)--Religious life and customs
- Union Church (Westhampton, Mass.)
Types of material
Worthington (Mass.) Tavern Account Book, 1826-1854.
1 vol. (0.2 linear feet).
Call no.: MS 421 bd
By the turn of the nineteenth century, the Hampshire County town of Worthington, Massachusetts, was a significant crossroads on the Boston-Albany Turnpike, belying its small size. The population in Worthington peaked at barely over 1,000 in 1810, and declined slowly thereafter, although it remained an active stopover on the road for many years.
This standard double column account book provides a concentrated record of financial and other transactions in the antebellum period, probably associated with a tavern in Worthington, Mass. Although the ledger’s keeper is unidentified, it records an assortment of odd jobs filing saws, smoking meat, lending horses, carting, pasturing cattle, and tending sheep, along with the sale of significant quantities of beer and cider and a regular stream of hard brandy and rum. There are records as well of providing meals and, in one instance, caring for prisoners and their keepers overnight (p. 21). Most of the clients who can be positively identified were residents of Worthington (e.g., Persis Knapp, Chauncy B. Rising, Nathan Searl, Shubal Parish, Elisha H. Brewster, Addison D. Perry, Merritt Hall, and Otis Boies), however others are noted as wayfarers, passing through from towns such as Whately or Hadley. Clients settled their accounts with a motley mixture of cash, goods, and labor.
- Taverns (Inns)--Massachusetts--Worthington
- Worthington (Mass.)--Economic conditions--19th century
Types of material
Association for Gravestone Studies Book Collection, 1812-2005.
269 items (14 linear feet).
Call no.: RB 004
Founded in 1977, the Association for Gravestone Studies (AGS) is an international organization dedicated to furthering the study and preservation of gravestones. Based in Greenfield, Mass., the Association promotes the study of gravestones from historical and artistic perspectives. To raise public awareness about the significance of historic gravemarkers and the issues surrounding their preservation, the AGS sponsors conferences and workshops, publishes both a quarterly newsletter and annual journal, Markers, and has built an archive of collections documenting gravestones and the memorial industry.
The AGS Books Collection contains scarce, out of print, and rare printed works on cemeteries and graveyards, epitaphs and inscriptions, and gravemarkers, with an emphasis on North America. The AGS Books Collection also includes the AGS publication, Markers. The collection is divided into three series: Series 1 (Monographs and Offprints), Series 2 (Theses and Dissertations), and Series 3 (Markers).
- Sepulchral monuments
- Association for Gravestone Studies
Brinley Family Papers, 1643-1950.
(4.75 linear feet).
Call no.: MS 161
A prosperous family of merchants and landowners, the Brinleys were well ensconced among the social and political elite of colonial New England. Connected by marriage to other elite families in Rhode Island and Massachusetts — the Auchmutys, Craddocks, and Tyngs among them — the Brinleys were refined, highly educated, public spirited, and most often business-minded. Although many members of the family remained loyal to the British cause during the Revolution, the family retained their high social standing in the years following.
The Brinley collection includes business letters, legal and business records, wills, a fragment of a diary, documents relating to slaves, newspaper clippings, and a small number of paintings and artifacts. A descendent, Nancy Brinley, contributed a quantity of genealogical research notes and photocopies of Brinley family documents from other repositories. Of particular note in the collection is a fine nineteenth century copy of a John Smibert portrait of Deborah Brinley (1719), an elegant silver tray passed through the generations, and is a 1713 list of the library of Francis Brinley, which offers a foreshadowing of the remarkable book collection put together in the later nineteenth century by his descendant George Brinley.
- American loyalists--Massachusetts
- Book collectors--United States--History--19th century
- Brinley family
- Brinley, George, 1817-1875--Library
- Businessmen--Rhode Island--History
- Craddock family
- Landowners--Rhode Island--History
- Libraries--Rhode Island--18th century
- Massachusetts--Economic conditions--18th century
- Massachusetts--Politics and government--19th century
- Rhode Island--Economic conditions--18th century
- Rhode Island--Genealogy
- Rhode Island--Politics and government--19th century
- Slavery--United States--History
- Tyng family
- United Empire Loyalists
Types of material
Burt V. Brooks Photograph Collection, 1889-1934.
3 boxes (1.5 linear feet).
Call no.: PH 060
The artist Burt Vernon Brooks was one of the outstanding chroniclers of daily life in the Swift River Valley before it was inundated to create the Quabbin Reservoir. Born in Brimfield, Mass., in 1849 and raised in Monson, Brooks moved to Greenwich with his family in the 1870s, where he worked on the family farm. At some unclear point before he turned 40, Brooks became active as an artist, painting local homes and scenery and taking photographs of the landscape, residents, and daily life in the Quabbin region. A prolific photographer, he was, in the words of historian Donald W. Howe, “hardly ever seen without his camera strapped to his back,” remaining active for decades. Three years after following his second wife to the west, Brooks died in Los Angeles in 1934.
The great majority of the 92 photographs in this collection are 5×7″ dry plate glass negatives taken by Brooks in the earliest years of the twentieth century, documenting the houses and people of Greenwich. Brooks’ work includes landscapes, houses, and a significant series of images of the Hillside School, but some of his best works are studio portraits, images of people at home or with their carriages, and posed scenes of children at play or at work. The collection also includes eight images by Brooks at Enfield, Greenwich, and Dana that are the property of the Swift River Valley Historical Society, and six images taken by Chetwynd and Pike in the Quabbin region to document properties slated for removal.
- Carriages and carts--Massachusetts--Greenwich--Photographs
- Dana (Mass.)--Photographs
- Enfield (Mass.)--Photographs
- Greenwich (Mass.)--Photographs
- Hillside School (Marlborough, Mass.)
- New Salem (Mass.)--Photographs
- Prescott (Mass.)--Photographs
Types of material
- Dry plate gelatin negatives
- Gelatin silver negatives
Beth Hapgood Papers, 1789-2005.
67 boxes (35 linear feet).
Call no.: MS 434
Daughter of a writer and diplomat, and graduate of Wellesley College, Beth Hapgood has been a spiritual seeker for much of her life. Her interests have led her to become an expert in graphology, a student in the Arcane School, an instructor at Greenfield Community College, and a lecturer on a variety of topics in spiritual growth. Beginning in the mid-1960s, Hapgood befriended Michael Metelica, the central figure in the Brotherhood of the Spirit (the largest commune in the eastern states during the early 1970s) as well as Elwood Babbitt, a trance medium, and remained close to both until their deaths.
The Hapgood Papers contain a wealth of material relating to the Brotherhood of the Spirit and the Renaissance Community, Metelica, Babbitt, and other of Hapgood’s varied interests, as well as 4.25 linear feet of material relating to the Hapgood family.
- Brotherhood of the Spirit
- Channeling (Spiritualism)
- Communal living--Massachusetts
- Hapgood family--Correspondence
- Massachusetts--Social life and customs--20th century
- Nineteen sixties--Social aspects
- Occultism--Social aspects
- Popular culture--History--20th century
- Renaissance Community
- Rock music--1971-1980
- Warwick (Mass.)--History
- Babbitt, Elwood, 1922-
- Boyce, Neith, 1872-1951
- Hapgood, Beth--Correspondence
- Hapgood, Charles H
- Hapgood, Elizabeth Reynolds
- Hapgood, Hutchins, 1869-1944
- Hapgood, Norman, 1868-1937
- Metelica, Michael
Howes Brothers Photograph Collection, ca. 1882-1907.
1 box (0.5 linear feet).
Call no.: MS 313
Alvah, Walter, and George Howes brothers traveled the Pioneer Valley of Massachusetts in the last two decades of the 19th century, taking photographs of the residents and documenting the customs, fashions, architecture, industry, technology, and economic conditions of rural New England.
The Howes collection includes 200 study prints selected from 20,000 negatives held by the Ashfield Historical Society.
- Howes, Alvah
- Howes, George
- Howes, Walter
Types of material
Greenwich Town Records, 1782-1916.
2 reels (0.25 linear feet).
Call no.: MS 337 mf
Microfilm town records of Greenwich, Massachusetts consisting primarily of warrants for and minutes of town meetings as well as transcripts of meetings for state and national elections, militia lists, voter lists, and pew lists.
- Greenwich (Mass.)--History
Joseph Laurence Black History of the Book Collection, 1789-1964.
128 items (3 linear feet).
Call no.: RB 023
A scholar of early modern British literature, Joe Black received his BA and PhD from the University of Toronto and taught for several years at the University of Tennessee Knoxville before joining the English faculty at UMass Amherst in 1994. Rooted in the history of the book, his research on seventeenth-century literature has examined the intersection between writing and the material and social context of production as well as the dialogue between print and manuscript culture.
The Black collection is an eclectic assemblage of American imprints designed to assist study and instruction in the history of the book. The collection includes two long runs of pulp novels, Beadle’s Frontier Series and the American Revolution-inspired Liberty Boys of ’76, examples of almanacs, prompt books, and works form the early national period in publishers’ bindings.
- Books--History--United States
- Dime novels, American
Types of material