Results for: “Germany, East--Social life and customs” (674 collections)SCUA

  1. Pages:
  2. 1
  3. 2
  4. 3
  5. 4
  6. 5
  7. 6
  8. 7
  9. ...
  10. 68

Social Change Colloquium

Student holding academic gown adorned with Black Power symbol, 1970
Barn

Each fall, the Department of Special Collections and University Archives sponsors a colloquium focusing on a topic in social change. Like SCUA’s collections, these colloquia cover a broad terrain, touching on a variety of issues in social justice, equality, and democracy.

Colloquia are free and open to the public.

Colloquium 2014, Tenth Anniversary (Monday, November 3rd)
A Long and Winding Road: The legacy of the back-to-the-land communes of the 1960s

November 3, 2014, from 4:00 p.m. to 5:30 p.m., Lower Level, W.E.B. Du Bois Library
“A Long and Winding Road: The legacy of the back-to-the-land communes of the 1960s,” will explore the nearly forty year history of some of the region’s best known communes: Montague Farm and Wendell Farms nearby in Massachusetts, and Packer Corners and Tree Frog Farms in neighboring southern Vermont. All were partners in the back-to-the-land movement of the late 1960s and early 1970s; all have survived into the current era. The colloquium’s four speakers, who have each spent much of the intervening years on or near one of the four farms, represent each of these idealistic enterprises, as well as offering their own specific views. What have they learned from their long years in service to their ideals? Was the altruism of the counterculture era borne out in the experiences they faced later? Would they recommend the route of alternative life to the youth and radicals of today?

The sources of inspiration that led to the creation of these communities and the evidence of their later influence are documented by SCUA. The Famous Long Ago archive was formed to collect, preserve, and make available materials relating to the communes at Montague Farm, Packer Corners, Johnson Pasture, Wendell Farm, and Tree Frog Farm. Collections range from from the papers of writers Steve Diamond, Raymond Mungo, and Jonathan Maslow to those of anti-war activists Randy Kehler and Betsy Corner; from the records of the Liberation News Service, the organization that spawned the farms, to the Alternative Energy Coalition, and Musicians United for Safe Energy, later enterprises of the region’s communal farmer-activists. It also includes the photographic collections of farm parent Roy Finestone, photojournalist Lionel Delevingne, and former head of a neighboring Montague ashram, Stephen Josephs.

Panel:
Daniel Keller, filmmaker, farmer: Wendell Farm, Green Mountain Post Films
Verandah Porche, writer, teacher: Packer Corners Farm, Monteverdi Artists Collaborative
John Scagliotti, filmmaker, LGBT activist: Tree Frog Farm, Kopkind Colony
Susan Mareneck, artist, teacher, social worker: Early resident and longtime neighbor of Montague Farm, Montague Catholic Social Ministries

Moderator:
Timothy Miller, University of Kansas, scholar of intentional communities, author of The Hippies and American Values (1991), The Quest for Utopia in Twentieth-Century America (1998), The Sixties Communes: Hippies and Beyond (1999)

Participant bios

Verandah Porche
Verandah Porche

Verandah Porche, a forty-year resident of Packer Corners Farm (known to the reading public, through the works of Ray Mungo and others, as Total Loss Farm) works as a poet-in-residence, performer, and writing partner. Based in rural Vermont since 1968, she has published three volumes of poetry – Sudden Eden (Verdant Books), The Body’s Symmetry (Harper and Row) and Glancing Off (See Through Books) – and has pursued an alternative literary career, creating collaborative writing projects in nontraditional settings: literacy and crisis centers, hospitals, factories, nursing homes, senior centers, a 200 year-old Vermont tavern, and an urban working class neighborhood. Broad Brook Anthology, a play for voices, honors the lives of elders in her home town of Guilford, Vermont. Listening Out Loud documents her residency with Real Art Ways in Hartford, Connecticut. Come Over is a CD of songs written with her neighbor Patty Carpenter, performed by the Dysfunctional Family Jazz band. She has read her work on NPR stations, in the Vermont State House, and at the Guggenheim Museum. In 1998 the Vermont Arts Council presented her with its Award of Merit, and Marlboro College, in 2012, an honorary Doctor of Humane Letters.

Susan Mareneck
Susan Mareneck

Susan Mareneck arrived in the Pioneer Valley in the mid 1960s, and spent her college years engaged in civil rights and anti-war activities, majoring Art and Political Science. After experiencing Montague Farm for several months in its early days, she settled into an unrenovated 18th century farmhouse in nearby Leverett, a building without heat or running water. Improving it slowly but concertedly over the years, she returned regularly to the house for vacations and summers, and has remained a neighbor of Montague Farm and a member of its extended family ever since. Decamping after several years for a graduate degree in art, and finally a move to New York, she spent 30 years making art and teaching it at the Spence School and the Convent of the Sacred Heart, on New York’s upper east side, before returning to western Massachusetts in 2009 to work full time with families in Turners Falls as Executive Director at Montague Catholic Social Ministries. Living three blocks from Ground Zero, Susan saw her world change forever on 9/11. Her turn from education to social work reflects her long interest in non-profits and the role of faith in social change. Her work in that area has included projects directed toward employment, racism, educational policy, and prisons. She has exhibited, lectured, and published in the visual arts and historic preservation, and remains active in organizing the local history of her town, North Leverett, Mass.

John Scagliotti
John Scagliotti

John Scagliotti is an Emmy Award-winning American film director, producer, and radio broadcaster. He has received honors for his work on documentaries about LGBT issues including Before Stonewall and After Stonewall. During the 1970s, Scagliotti was the News and Public Affairs Director of the pioneering radio station WBCN-FM in Boston. For his work in radio, he was awarded two Major Armstrong Awards. In the early 1980s, he attended New York University Film School and went on to create In the Life for PBS, the first gay and lesbian national television series in the United States. The Scagliotti-produced documentary film Before Stonewall (1985) won the Audience Award at L.A. Outfest and two Emmies. Scagliotti directed a companion piece, After Stonewall, which won a Golden Eagle and the Audience Award at the Los Angeles Gay and Lesbian Film Festival. Scagliotti is openly gay. His partner for 24 years was the late, highly regarded journalist Andrew Kopkind. Together they produced the radio show The Lavender Hour. Scagliotti is a longtime resident of the Kopkind Colony, an activist community housed at Tree Frog Farm, a close neighbor to Packer Corners Farm in Guilford, Vermont. The Kopkind Colony holds an educational summer residency program for nonpartisan, independent journalists and community organizers. In addition, the Colony fosters public education through publication of its lectures and the hosting of open forums on contemporary issues held at Tree Frog Farm and in other educational centers around the country.

Daniel Keller
Daniel Keller

Daniel Keller, a founder of Wendell Farm, in Wendell Massachusetts, has lived there, keeping it a working organic farm, since its inception in 1969. In collaboration with Charles Light, a former communard of the Johnson Pasture and Montague Farm, Keller’s Green Mountain Post Films, with offices in nearby Turners Falls, has produced and distributed award-winning films for more than twenty-five years. GMP’s first documentary Lovejoy’s Nuclear War, released in 1975, about Montague Farm activist Sam Lovejoy, was one of the first films to question the nuclear energy policy of the United States. Since then GMP Films has continued to produce movies that explore social issues, Its films have been used as educational and organizational tools for activists working on peace, veteran, nuclear, environmental, and other related issues. GMP films include: The Last Resort (1978), and Save the Planet (1979), both on nuclear issues; The Secret Agent (1983), on Agent Orange; and Unknown Secrets (1990), on the reaction of artists and writers to the arrest, trial, and execution of accused spies Julius and Ethel Rosenberg. For Vietnam Experience Keller and Light teamed up with musician Country Joe McDonald to bring viewers closer to the reality of the Vietnam War. Cannabis Rising is an early investigation into the issues surrounding marijuana today so much in the news.

Timothy Miller
Timothy Miller

Timothy Miller is a longtime student of communal living, professor of religious studies at the University of Kansas, and author of The Hippies and American Values (1991), The Quest for Utopia in Twentieth-Century America (1998), The Sixties Communes: Hippies and Beyond (1999). His course offerings include a history of intentional communities in America; American religious history; and an overview of new and alternative religious movements in the United States. Miller’s major research focus is the history of intentional communities in America, especially in the twentieth century. For his work in this area, Professor Miller has been recognized by the Communal Studies Association as a distinguished scholar. Additional areas of research interest include American religious history, new and alternative religious movements in the United States, and religion in Kansas. Professor Miller also coordinates the Religion in Kansas Oral History Project. His most recent publications include The Encyclopedic Guide to American Intentional Communities (Richard Couper Press), Spiritual and Visionary Communities: Out to Save the World (Ashgate Publishing), as well as the second edition of The Hippies and American Values (University of Tennessee Press), and the second edition of Following In His Steps: A Biography of Charles M. Sheldon (University of Tennessee Press). Through Miller’s work on American communes, he has long been familiar with the extended farm family at the center of the current symposium. In a recent book review, taking in the larger field in which he is involved, he wrote, “…it can be safely said that Montague Farm has the best published record of any of the communes.”

Collection policy

Frank Waugh's doves
Garden (white fan tailed doves in bird bath) by Frank Waugh, ca.1920

“… there must come vast social change in the United States; a change not violent, but by the will of the people certain and inexorable; carried out ‘with malice toward none but charity for all’; with meticulous justice to the rich and complete sympathy for the poor, the sick and the ignorant; with freedom and democracy for America, and on earth Peace, Good Will toward men.”

W.E.B. Du Bois, Chicago, June 29, 1951

In keeping with our mission, the Department of Special Collections and University Archives collects materials of enduring historical and cultural value relating to four major thematic areas: the history and experience of social change in America; the histories and cultures of New England with an emphasis on Massachusetts; innovation and entrepreneurship; and the broad community associated with the University of Massachusetts Amherst. Our collections are tightly integrated and span all formats, including personal papers and organizational records, books and periodicals, maps, photographs, audio and video recordings, and digital materials of all kinds, and they currently include over 35,000 printed items, approximately 30,000 linear feet of manuscript and archival materials, tens of thousands of photographs, and a burgeoning array of digital assets.

While not comprehensive, the following includes a brief synopsis of some of the primary focal points for SCUA’s collections:

Our approach to collecting

Following in the footsteps of W.E.B. Du Bois, we recognize the inherent interconnectedness of a broad range of issues in social justice and collect original materials that document the organizational, intellectual, and individual ties that unite disparate struggles for social equality, human dignity, and justice. In adopting social change as a primary collecting focus, we hope to move beyond viewing social and political movements in isolation and toward a vision that acknowledges the connections between and among them. Ultimately, we wish to lay a foundation for examining the larger histories of social engagement in America and the broader experience of social change that is difficult to encapsulate within a single social movement.

A distinctive feature of SCUA’s approach to collecting is our effort to include “whole lives and whole communities,” to provide a robust basis for interpreting the background of the persons and organizations we document, their influences, interests, and the communities in which they operate.

Social change

Emphasizing the cross-fertilization between several social movements and centers of activist energy, including peace, social and racial justice, agricultural reform, environmentalism, sustainability, labor activism, gay activism, antinuclear activism, and intentional communities, but branching out to include antifluoridation activism, campaigns for voting rights and clean elections, community and charitable organizations, and the history of revolutionary-era Europe (1789-1848).

  • African and African American history and culture: The history of race and ethnicity in America, with particular emphasis on the struggle for racial equality and social justice.
  • Agriculture, horticulture, botany: Including agricultural science and practice, horticulture, animal husbandry, natural history, organic farming, sustainable living, and heritage breeds.
  • Antinuclear movement: SCUA holds numerous collections documenting grassroots opposition to nuclear power and nuclear weaponry.
  • Arts management and arts administration:
    In partnership with the UMass Amherst Arts Extension Service, the National Endowment for the Arts, Americans for the Arts, and several other arts agencies, SCUA documents the history of arts administration in America. Collecting the records of state and national arts agencies, we will provide a foundation for research into the evolution of arts policy, strategies for supporting the arts, and the economic and cultural impact of the arts on our communities.
  • Cold War Culture: The culture of the Cold War, with an emphasis upon East Germany, Poland, and Yugoslavia. Among other areas, SCUA has a strong interest in the Solidarity movement and in partnership with the DEFA Film Library, in East German cinema and graphic arts.
  • Disability: Organizational records and collections of personal papers documenting the history of disability and disability rights in the United States.
  • Gay, Lesbian, Bisexual, and Transgender issues: Materials relating to the history and experience of the LGBTQ community and liberation struggles.
  • Labor, work, and industry: Organized labor, industrialization, manufacturing, business history, and the experience and culture of labor and working people.
  • Peace: Materials relating to the peace and antiwar movements and non-violence, with an emphasis on New England.
Innovation and entrepreneurship

Materials that document innovative and entrepreneurial activities, and particularly social entrepreneurship. The collections in SCUA include the papers of Mark H. McCormack (a pioneer in sport and entertainment marketing), Carl C. Harris (inventor and President of Rodney Hunt Co.), and numerous collections that document our region’s distinctive history of innovation in manufacturing and technology.

New England history and culture

The social, political, cultural, intellectual, literary, and economic life, with an emphasis upon western New England. The department houses thousands of books on New England cookery, with a particular emphasis on charitable and community cookbooks and cookbooks and ephemera published by corporations and the food industry.

  • Cookery and culinary history
    SCUA has thousands of cookbooks and other materials on New England regional cuisine, including community and charitable cookbooks, commercial cookbooks by New England authors, corporate cookbooks, and culinary ephemera.
  • Literature and the arts
    Emphasizing poets and writers, playwrights, and the performing arts in New England.
  • Politics and political culture
    SCUA has rich collections documenting the history and politics of the Commonwealth, including the papers of Congressmen Silvio O. Conte and John Olver, State Senator Stanley Rosenberg, and State rep John Clark and the records of the Hampshire Council of Governments and several individual towns.
University Archives interests

Serving as the memory of the University of Massachusetts Amherst, the University Archives collects, preserves, and makes available official and non-official records documenting the policies, programs, facilities, and activities of the campus community, including its administration, departments and programs, faculty, and staff. The Archives also avidly collects materials that reflect the lives and experiences of its students and alumni.

SCUA makes an effort to document the histories of the entire UMass community. Our holdings include the comprehensive official records of the University since its founding in 1863, papers of faculty, staff, and students, official and unofficial publications, oral histories, and a wide range of other collections that reflect on our history as the Commonwealth’s land grant institution.

Other areas

SCUA has developed depth in a handful of other collecting areas, including:

  • American Study of Japan and Asia
    American relations with Japan from the Meiji period to the present, and connections with China and other Asian countries.
  • Protistology
    Records of the scholarly study of the protista (protozoans).

Abbe, Edward H.

Edward H. Abbe Papers, 1828-2004.

22 boxes (28.5 linear feet).
Call no.: MS 736
Ed Abbe in Bora Bora, 1987
Ed Abbe in Bora Bora, 1987

Born in Syracuse, N.Y., in 1915 and raised largely in Hampton, Va., Edward Abbe seemed destined to be an engineer. The great nephew of Elihu Thomson, an inventor and founding partner in General Electric, and grandson of Edward Folger Peck, an early employee of a precursor of that firm, Abbe came from a family with a deep involvement in electrification and the development of street railways. After prepping at the Rectory and Kent Schools, Abbe studied engineering at the Sheffield School at Yale, and after graduation in 1938, accepted a position with GE. For 36 years, he worked in the Industrial Control Division in New York and Virginia, spending summers at the family home on Martha’s Vineyard. After retirement in 1975, he and his wife Gladys traveled frequently, cruising both the Atlantic and Pacific.

Ranging from an extensive correspondence from his high school and college days to materials relating to his family’s involvement in engineering, the Abbe collection offers an in depth perspective on an educated family. An avid traveler and inveterate keeper, Ed Abbe gathered a diverse assemblage of letters, diaries, and memorabilia relating to the history of the Abbe, Peck, Booth, Gifford, and Boardman families. The collection is particularly rich in visual materials, including albums and photographs, depicting homes, travel, and family life over nearly a century.

Subjects

  • Abbe family
  • Boardman family
  • Booth family
  • Electrical engineers
  • General Electric
  • Gifford family
  • Kent School--Students
  • Peck family
  • Rectory School--Students
  • Yale University--Students

Contributors

  • Abbe, Edward H
  • Abbe, Gladys Howard
  • Abbe, William Parker
  • Peck, Edward F
  • Peck, Mary Booth

Types of material

  • Diaries
  • Letters (Correspondence)
  • Photographs

Brinley Family

Brinley Family Papers, 1643-1950.

(4.75 linear feet).
Call no.: MS 161
Deborah Brinley and infant son Francis, 1729<br />Copy by Charles U. Bond (1830)<br />after John Smibert
Deborah Brinley and infant son Francis, 1729
Copy by Charles U. Bond (1830)
after John Smibert

A prosperous family of merchants and landowners, the Brinleys were well ensconced among the social and political elite of colonial New England. Connected by marriage to other elite families in Rhode Island and Massachusetts — the Auchmutys, Craddocks, and Tyngs among them — the Brinleys were refined, highly educated, public spirited, and most often business-minded. Although many members of the family remained loyal to the British cause during the Revolution, the family retained their high social standing in the years following.

The Brinley collection includes business letters, legal and business records, wills, a fragment of a diary, documents relating to slaves, newspaper clippings, and a small number of paintings and artifacts. A descendent, Nancy Brinley, contributed a quantity of genealogical research notes and photocopies of Brinley family documents from other repositories. Of particular note in the collection is a fine nineteenth century copy of a John Smibert portrait of Deborah Brinley (1719), an elegant silver tray passed through the generations, and is a 1713 list of the library of Francis Brinley, which offers a foreshadowing of the remarkable book collection put together in the later nineteenth century by his descendant George Brinley.

Subjects

  • American loyalists--Massachusetts
  • Book collectors--United States--History--19th century
  • Brinley family
  • Brinley, George, 1817-1875--Library
  • Businessmen--Massachusetts--History
  • Businessmen--Rhode Island--History
  • Craddock family
  • Landowners--Massachusetts--History
  • Landowners--Rhode Island--History
  • Libraries--Rhode Island--18th century
  • Massachusetts--Economic conditions--18th century
  • Massachusetts--Politics and government--19th century
  • Rhode Island--Economic conditions--18th century
  • Rhode Island--Genealogy
  • Rhode Island--Politics and government--19th century
  • Slavery--United States--History
  • Tyng family
  • United Empire Loyalists

Types of material

  • Deeds
  • Realia

Broadside Press

Broadside Press Collection, 1965-1984.

1 box, 110 vols. (3.5 linear feet).
Call no.: MS 571
Broadside 6
Broadside 6

A significant African American poet of the generation of the 1960s, Dudley Randall was an even more significant publisher of emerging African American poets and writers. Publishing works by important writers from Gwendolyn Brooks to Haki Madhubuti, Alice Walker, Etheridge Knight, Audre Lorde, Amiri Baraka, Nikki Giovanni, and Sonia Sanchez, his Broadside Press in Detroit became an important contributor to the Black Arts Movement.

The Broadside Press Collection includes approximately 200 titles published by Randall’s press during its first decade of operation, the period of its most profound cultural influence. The printed works are divided into five series, Broadside poets (including chapbooks, books of poetry, and posters), anthologies, children’s books, the Broadside Critics Series (works of literary criticism by African American authors), and the Broadsides Series. . The collection also includes a selection of items used in promoting Broadside Press publications, including a broken run of the irregularly published Broadside News, press releases, catalogs, and fliers and advertising cards.

Subjects

  • African American poets
  • African American writers
  • Black Arts Movement
  • Poetry

Contributors

  • Broadside Press
  • Brooks, Gwendolyn, 1917-2000
  • Emanuel, James A
  • Giovanni, Nikki
  • Knight, Etheridge
  • Madhubuti, Haki R., 1942-
  • Randall, Dudley, 1914-
  • Sanchez, Sonia, 1934-

Types of material

  • Broadsides
  • Ephemera
  • Posters

Conte, Silvio O. (Silvio Oltavio), 1921-1991

Silvio O. Conte Papers, 1950-1991.

389 boxes (583.5 linear feet).
Call no.: MS 371

Massachusetts State Senator for the Berkshire District, 1950-1958, and representative for Massachusetts’s First District in the United States Congress for 17 terms, 1959-1991, where he made significant contributions in the areas of health and human services, the environment, education, energy, transportation, and small business.

Spanning four decades and eight presidents, the papers offer an extraordinary perspective on the major social, economic, and cultural changes experienced by the American people. Includes correspondence, speeches, press releases, bill files, his voting record, committee files, scrapbooks, travel files, audio-visual materials and over 5,000 photographs and slides.

Subjects

  • Massachusetts--Politics and government--1951-
  • Massachusetts. Senate
  • United States--Politics and government--20th century
  • United States. Congress. House

Contributors

  • Conte, Silvio O. (Silvio Oltavio), 1921-1991

Types of material

  • Photographs
  • Scrapbooks
  • Sound recordings

Crouch, Rebecca

Rebecca Crouch Papers, ca.1936-1986.

1 box (0.5 linear feet).
Call no.: MS 602

In the late 1870s, a middle-aged farmer from Richmond, Minnesota, Samuel Crouch, married a woman eleven years his junior and asked her to relocate to the northern plains. Possessed of some solid self-confidence, Rebecca left behind her family a friends and set out to make a life for herself, adjusting to her new role as step-mother and community member, as well as the familiar role of family member at a distance.

The Crouch Papers includes approximately 225 letters offering insight into life in Minnesota during the late 1870s and early 1880s, and into the domestic and social life of a woman entering into a new marriage with an older man. Rebecca’s letters are consumed with the ebb and flow of daily life, her interactions with other residents of the community at church or in town, the weather, and chores from cooking to cleaning, farming, gardening, writing, going to town, or rearranging furniture.

Subjects

  • Farmers--Minnesota
  • Minnesota--Social life and customs--19th century
  • Women--Minnesota

Contributors

  • Crouch, Rebecca
  • Jones, Sarah
  • Loomis, Emma

Types of material

  • Letters (Correspondence)

Delevingne, Lionel

Lionel Delevingne Photograph Collection, ca.1975-1995.

2 boxes (1 linear feet).
Call no.: PH 047
Joan of Seabrook
Joan of Seabrook

Born and raised in France, the photojournalist Lionel Delevingne studied education at l’Ecole Normale in Paris, but settled permanently in the United States in 1975. Based at first in Northampton, Mass., he became a prolific photographer of American social movements while working for the Valley Advocate and other publications, covering the early years of the Clamshell Alliance and the antinuclear movement in considerable depth. His work has been exhibited frequently and published widely in the mainstream and alternative press, including the New York Times, Le Figaro Magazine, Die Zeit, Newsweek, Washington Post Magazine, Mother Jones, and Vanity Fair.

The Delevingne collection includes remarkable visual documentation of the antinuclear movement of the 1970s and beyond, including some of the its most iconic images. Beginning with coverage of the Seabrook occupation, Delevingne covered the movement as it spread throughout the northeastern U.S. and internationally. The collection includes exhibition prints, prints for publication, and digitized images ranging in date from the mid-1970s through 1990s. Copyright in the images has been retained by Delevingne.

Subjects

  • Antinuclear movement--United States
  • Clamshell Alliance
  • Photojournalists
  • Seabrook Nuclear Power Plant (N.H.)

Contributors

  • Delevingne, Lionel

Types of material

  • Photographs

Ebert, Siegried

Siegfried Ebert Papers, 1933-1986.

2 boxes (0.75 linear feet).
Call no.: MS 576
Ebert in his studio, ca.1965
Ebert in his studio, ca.1965

The graphic artist Siegfried Ebert had an important influence on the visual language of East German television and animated motion pictures. Born in Eibau on July 20, 1926, Ebert was drafted into the Luftwaffe in 1943, but shortly after going on active duty, he was severely wounded and taken prisoner by the English. After his release, Ebert shifted course in life, studying commercial art at the Kunstgewerbeschule Zittau and film at the Hochschule für bildende und angewandte Kunst in Wiessensee. He became one of the earliest artists to specialize in the new medium of television, working for Deutscher Fernsehfunk, doing graphic design and animation. A member of the Verband Bildender Künstler Deutschlands, he later worked on animated films for the DEFA studios. Suffering from ill health for the last several years of his life, Ebert suffered a heart attack in November 1985, and died at home shortly after his sixtieth birthday in 1986.

The Ebert Collection includes a small assortment of correspondence, awards, and biographical materials, along with examples of his graphic work for television and film. Among other unusual items in the collection are attractive handbills (small posters) for Progress and DEFA films, some original sketches, photographs and mockups of his artwork for television, and an assortment of personal and professional ephemera.

Subjects

  • Germany, East--Social life and customs
  • Graphic artists--Germany, East
  • Motion pictures--Germany, East
  • Prisoners of War--Germany
  • Television--Germany, East
  • World War, 1939-1945

Contributors

  • Ebert, Siegfried
  • Thorndike, Andrew

Types of material

  • Animation drawings
  • Ephemera
  • Handbills
  • Photographs
  • Posters

Finestone, Roy

Roy Finestone Photograph Collection, 1969-1990.

239 images
Call no.: PH 005
Nina, Smoky, Chuck, Janis (Smoky and Nina on bikes)
Nina, Smoky, Chuck, Janis (Smoky and Nina on bikes)

A wave of experimentation in communal living in New England reached a peak in the late 1960s and early 1970s, with dozens of communities spread across the landscape of western Massachusetts and Vermont. Nina Finestone joined the Johnson Pastures in Guilford , Vermont, in 1969, however after the main house there went up in flames on April 16, 1970, killing four people, she joined a number of its residents who moved to the nearby Montague Farm in Montague, Massachusetts. Nina married a fellow Montague farmer, Daniel Keller, and the couple moved to Wendell in 1980.

Providing exceptional visual documentation of life at Johnson Pasture, the Montague Farm, and Wendell Farm between 1969 and 1990, the Finestone collection is centered on the lives and family of Daniel and Nina Keller. All images were taken by Roy Finestone, Nina’s father, with a medium format camera using color transparency film.

Subjects

  • Communal living--Massachusetts
  • Communal living--Vermont
  • Johnson Pasture Community (Vt.)
  • Keller, Daniel
  • Keller, Nina
  • Montague Farm Community (Mass.)
  • Wendell Farm Community (Mass.)

Contributors

  • Finestone, Roy
  1. Pages:
  2. 1
  3. 2
  4. 3
  5. 4
  6. 5
  7. 6
  8. 7
  9. ...
  10. 68
Special Collections and University Archives logo