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Henry, Diana Mara

Diana Mara Henry Collection (20th Century Photographer)
1934-2014
(75 linear feet)
Call no.: PH 051
Image of Diana Mara Henry at the Harvard Crimson, 1967<br/>Photo by Charles Hagen
Diana Mara Henry at the Harvard Crimson, 1967
Photo by Charles Hagen

Recognized for her coverage of historic events and personalities, the photographer Diana Mara Henry took the first steps toward her career in 1967 when she became photo editor for the Harvard Crimson. After winning the Ferguson History Prize and graduating from Harvard with a degree in government in 1969, Henry returned to New York to work as a researcher with NBC News and as a general assignment reporter for the Staten Island Advance, but in 1971 she began to work as a freelance photographer. Among many projects, she covered the Democratic conventions of 1972 and 1976 and was selected as official photographer for both the National Commission on the Observance of International Women’s Year and the First National Women’s Conference in 1977, and while teaching at the International Center for Photography from 1974-1979, she developed the community workshop program and was a leader in a campaign to save the Alice Austen House. Her body of work ranges widely from the fashion scene in 1970s New York and personal assignments for the family of Malcolm Forbes and other socialites to political demonstrations, cultural events, and photoessays on one room schoolhouses in Vermont and everyday life in Brooklyn, France, Nepal, and Bali. Widely published and exhibited, her work is part of permanent collections at institutions including the Schlesinger Library, the Library of Congress, Smithsonian, and the National Archives.

The Henry collection is a rich evocation of four decades of political, social, and cultural change in America beginning in the late 1960s as seen through the life of one photojournalist. This diverse body of work is particularly rich in documenting the women’s movement, second wave feminism, and the political scene in the 1970s. Henry left a remarkable record of women in politics, with dozens of images of Bella Abzug, Elizabeth Holtzman, Shirley Chisholm, Liz Carpenter, Betty Friedan, Jane Fonda, and Gloria Steinem. The collection includes images of politicians at all levels of government, celebrities, writers, and scholars, and coverage of important events including demonstrations by Vietnam Veterans Against the War, the Women’s Pentagon Action, and marches for the ERA. The many hundreds of exhibition and working prints in the collection are accompanied by the complete body of Henry’s photographic negatives and slides, along with an array of ephemera, correspondence, and other materials relating to her career.

Connect to another siteSee the exhibit Photographer: DMH
Subjects
  • Abzug, Bella S., 1920-1998--Photographs
  • Chisholm, Shirley, 1924-2005--Photographs
  • Democratic National Convention (1972 : Miami Beach, Fla.)--Pictorial works
  • Democratic National Convention (1976 : New York, N.Y.)--Pictorial works
  • Feminism--Photographs
  • Harvard University--Students--Photographs
  • International Women's Year, 1975--Pictorial works
  • National Women’s Conference--Photographs
Types of material
  • Clippings (information artifacts)
  • Exhibition catalogs
  • Negatives (photographic)
  • Photographs
  • Political posters
  • Press releases
  • Slides (photographs)
Restrictions: Copyright for Henry's images are retained by her until 2037.

Reinsch, Henry Gustave

Henry Gustave Reinsch Papers
1942-1960
1 box (0.25 linear feet)
Call no.: MS 527

Born in Germany in 1888, Henry Gustave Reinsch became an American citizen in 1912, serving in the military during the First World War, marrying an American girl, and starting a family. In 1942, however, two FBI agents showed up at Reinsch’s office, and a year later, Reinsch’s citizenship was revoked when he was accused by the U.S. government of living a double life — publicly loyal to America, privately loyal to Germany. Reinsch appealed the ruling to the Ninth Circuit Court and won. His citizenship was reinstated in 1945.

The Reinsch Papers contains newspaper clippings, personal and business correspondence, and official documents pertaining to both citizenship trials, that tell of uncommon wartime experiences.

Gift of Vincent DiMarco, June 2007
Subjects
  • Citizenship, Loss of--United States
  • Fascists--United States
  • German Americans--Washington
  • Silver Shirts of America (Organization)
  • World War, 1939-1945--German Americans
Contributors
  • Reinsch, Bernice
  • Reinsch, Henry Gustave
Types of material
  • Letters (Correspondence)

Tragle, Henry I.

Henry I. Tragle Papers
1968-1978
3 boxes (4.5 linear feet)
Call no.: FS 021

Henry I. Tragle served in the United States Army from 1941 until his retirement in 1964. He was a company commander of the 8th Armored Division during World War II and earned a Bronze Star for singlehandedly capturing a German general and his staff. After his retirement from the Army, he earned a B.A. (1966), M.A. (1967), and Ph.D in history (1971) from the University of Massachusetts, where he became a professor of history and assistant dean of the graduate school. Tragle was born in Richmond, Virginia in 1914 and worked in the Virginia dairy industry before joining the Army. Tragle studied military history but wrote his dissertation on the slave revolt led by Nat Turner in 1831. Tragle continued his historical research after his retirement from the University in 1972, collecting material on General Douglas MacArthur as well as editing several of Jackdraw Publications’ history packets. Tragle died December 15, 1991.

The Henry I. Tragle Papers contain Tragle’s historical research from 1968 until 1978, which includes scrapbooks of photos, notes, and clippings, bound together by research topic. There are also several shrink wrapped editions of Jackdraw Publications packets that Tragle was likely to have edited.

Subjects
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of History
Contributors
  • Tragle, Henry I

Woodbury, Walter B. (Walter Bentley), 1834-1885

Walter B. Woodbury Photograph Collection
1865-1866
2 boxes (1.5 linear feet)
Call no.: PH 003
Image of Tanah Abang House, ca.1866
Tanah Abang House, ca.1866

In the late 1850s and early 1860s, the pioneering British photographer Walter Woodbury captured images of Java, and especially its capital city Batavia (modern day Jakarta). Working in partnership with James Page, the two established a photographic firm that continued to produce and sell images long after Woodbury’s return to England in 1863.

Consisting of 42 albumen prints, the Woodbury Collection includes numerous images of the landscape and colonial buildings in Batavia, Buitenzorg (Bogor), and Surabaya. A few photographs capture images of the European community in Java, and local Javanese residents.

Subjects
  • Bogor (Indonesia)--Photographs
  • Indonesia--Photographs
  • Jakarta (Indonesia)--Photographs
  • Java (Indonesia)--Photographs
  • Surabaya (Indonesia)--Photographs
Contributors
  • Woodbury & Page
  • Woodbury, Walter B. (Walter Bentley), 1834-1885
Types of material
  • Albumen prints
  • Photograps

Association for Gravestone Studies

Association for Gravestone Studies Book Collection
1812-2005
269 items (14 linear feet)
Call no.: RB 004

Founded in 1977, the Association for Gravestone Studies (AGS) is an international organization dedicated to furthering the study and preservation of gravestones. Based in Greenfield, Mass., the Association promotes the study of gravestones from historical and artistic perspectives. To raise public awareness about the significance of historic gravemarkers and the issues surrounding their preservation, the AGS sponsors conferences and workshops, publishes both a quarterly newsletter and annual journal, Markers, and has built an archive of collections documenting gravestones and the memorial industry.

The AGS Books Collection contains scarce, out of print, and rare printed works on cemeteries and graveyards, epitaphs and inscriptions, and gravemarkers, with an emphasis on North America. The AGS Books Collection also includes the AGS publication, Markers. The collection is divided into three series: Series 1 (Monographs and Offprints), Series 2 (Theses and Dissertations), and Series 3 (Markers).

Subjects
  • Cemeteries
  • Epitaphs
  • Gravestones
Contributors
  • Association for Gravestone Studies

Bates Family

Marcia Grover Church Bates Family Papers
1712-1999
11 boxes (5.5 linear feet)
Call no.: MS 424

Generations of the Bates and Church families based in North Amherst and Ashfield, Massachusetts. Papers include deeds, a will, correspondence, account books (recording day-to-day expenditures on food, clothing, postage, housekeeping supplies, and laborer’s wages), diaries, an oral history, photographs, genealogical notes, and memorabilia related to the family.

Subjects
  • Ashfield (Mass.)--History
  • Bates family
  • Church family
  • Farmers--Massachusetts--Ashfield
  • Hotelkeepers--Massachusetts--North Amherst
  • Libraries--Massachusetts--Boston
  • Massachusetts Agricultural College--Alumni and alumnae
  • Merchants--Massachusetts--North Amherst
  • North Amherst (Mass.)--History
  • Prescott (Mass.)--History
  • Public librarians--Massachusetts
  • Street-railroads--Massachusetts--Employees
  • Weather--Massachusetts--Ashfield
  • Women--Massachusetts--History
  • Worcester (Mass.)--History
Contributors
  • Bates, Marcia Church, 1908-2000
  • Church, Cornelia, 1906-1978
  • Church, Lucia Grover, 1877-1943
Types of material
  • Account books
  • Deeds
  • Diaries
  • Geneaologies
  • Photographs
  • Wills

Binet, Maurice Emmanuel Hippolyte, 1877-

Maurice Emmanuel Hippolyte Binet Collection
1784-1852 (Bulk: 1794-1814)
2 boxes (1 linear feet)
Call no.: MS 738
Image of

During the revolutionary era of 1789-1848, Belgium was ensnared in power politics on a continental scale, with all the drama and turbulence entailed. From the conquest of the region by French Republican forces under Napoleon in 1794 through the dissolution of French control in 1814, modern-day Belgium was divided into nine administrative departments, including the centrally-located Département de la Dyle, which included the key cities of Brussels, Louvain, and Nivelles.

Collected by Maurice Emmanuel Hippolyte Binet, this small collection of manuscripts is relatively tightly focused on the years of French Republican domination of Belgium (1794-1814), with a particular focus on the Département de la Dyle. The majority of the collection consists of letters received by the Central Administration in the Dyle, including letters to and from Napoleonic generals and French military hierarchy, civic authorities, administrators, and police. Many of the letters concern the challenges of asserting control over a subject population and the political fallout of the French Revolution, but the collection also reflects the greater tensions within a complex society changing rapidly during an age of revolution.

Language(s): French
Subjects
  • Belgium--History--1794-1814
  • Brabant (Belgium)--History
  • Dyle (Belgium)
  • France--History--1789-1815
  • France--History--Revolution, 1789-1799
  • Napoleonic Wars--1800-1815
  • Police--France--18th century
Contributors
  • Lambrechts, Charles Joseph Matthieu, 1753-1823
  • Mallarmé, François René Augustin, 1755-1831
Types of material
  • Letters (Correspondence)

Black, Joseph Laurence, 1962-

Joseph Laurence Black History of the Book Collection
1789-1964
128 items (3 linear feet)
Call no.: RB 023
Image of The Woman Trapper (1908)
The Woman Trapper (1908)

A scholar of early modern British literature, Joe Black received his BA and PhD from the University of Toronto and taught for several years at the University of Tennessee Knoxville before joining the English faculty at UMass Amherst in 1994. Rooted in the history of the book, his research on seventeenth-century literature has examined the intersection between writing and the material and social context of production as well as the dialogue between print and manuscript culture.

The Black collection is an eclectic assemblage of American imprints designed to assist study and instruction in the history of the book. The collection includes two long runs of pulp novels, Beadle’s Frontier Series and the American Revolution-inspired Liberty Boys of ’76, examples of almanacs, prompt books, and works form the early national period in publishers’ bindings.

Subjects
  • Books--History--United States
  • Dime novels, American
Types of material
  • Almanacs
  • Scrapbooks

Brinley Family

Brinley Family Papers
1643-1950
(4.75 linear feet)
Call no.: MS 161
Image of Deborah Brinley and infant son Francis, 1729<br />Copy by Charles U. Bond (1830)<br />after John Smibert
Deborah Brinley and infant son Francis, 1729
Copy by Charles U. Bond (1830)
after John Smibert

A prosperous family of merchants and landowners, the Brinleys were well ensconced among the social and political elite of colonial New England. Connected by marriage to other elite families in Rhode Island and Massachusetts — the Auchmutys, Craddocks, and Tyngs among them — the Brinleys were refined, highly educated, public spirited, and most often business-minded. Although many members of the family remained loyal to the British cause during the Revolution, the family retained their high social standing in the years following.

The Brinley collection includes business letters, legal and business records, wills, a fragment of a diary, documents relating to slaves, newspaper clippings, and a small number of paintings and artifacts. A descendent, Nancy Brinley, contributed a quantity of genealogical research notes and photocopies of Brinley family documents from other repositories. Of particular note in the collection is a fine nineteenth century copy of a John Smibert portrait of Deborah Brinley (1719), an elegant silver tray passed through the generations, and is a 1713 list of the library of Francis Brinley, which offers a foreshadowing of the remarkable book collection put together in the later nineteenth century by his descendant George Brinley.

Subjects
  • American loyalists--Massachusetts
  • Book collectors--United States--History--19th century
  • Brinley family
  • Brinley, George, 1817-1875--Library
  • Businessmen--Massachusetts--History
  • Businessmen--Rhode Island--History
  • Craddock family
  • Landowners--Massachusetts--History
  • Landowners--Rhode Island--History
  • Libraries--Rhode Island--18th century
  • Massachusetts--Economic conditions--18th century
  • Massachusetts--Politics and government--19th century
  • Rhode Island--Economic conditions--18th century
  • Rhode Island--Genealogy
  • Rhode Island--Politics and government--19th century
  • Slavery--United States--History
  • Tyng family
  • United Empire Loyalists
Types of material
  • Deeds
  • Realia

Brooks, Burt V.

Burt V. Brooks Photograph Collection
1889-1934
3 boxes (1.5 linear feet)
Call no.: PH 060
Image of

The artist Burt Vernon Brooks was one of the outstanding chroniclers of daily life in the Swift River Valley before it was inundated to create the Quabbin Reservoir. Born in Brimfield, Mass., in 1849 and raised in Monson, Brooks moved to Greenwich with his family in the 1870s, where he worked on the family farm. At some unclear point before he turned 40, Brooks became active as an artist, painting local homes and scenery and taking photographs of the landscape, residents, and daily life in the Quabbin region. A prolific photographer, he was, in the words of historian Donald W. Howe, “hardly ever seen without his camera strapped to his back,” remaining active for decades. Three years after following his second wife to the west, Brooks died in Los Angeles in 1934.

The great majority of the 92 photographs in this collection are 5×7″ dry plate glass negatives taken by Brooks in the earliest years of the twentieth century, documenting the houses and people of Greenwich. Brooks’ work includes landscapes, houses, and a significant series of images of the Hillside School, but some of his best works are studio portraits, images of people at home or with their carriages, and posed scenes of children at play or at work. The collection also includes eight images by Brooks at Enfield, Greenwich, and Dana that are the property of the Swift River Valley Historical Society, and six images taken by Chetwynd and Pike in the Quabbin region to document properties slated for removal.

Gift of Friends of Quabbin through Gene Theroux, Paul Godfrey, and Les Campbell, June 2014
Subjects
  • Agriculture--Massachusetts--Greenwich--Photographs
  • Carriages and carts--Massachusetts--Greenwich--Photographs
  • Children--Massachusetts--Greenwich--Photographs
  • Dana (Mass.)--Photographs
  • Dwellings--Massachusetts--Greenwich--Photographs
  • Enfield (Mass.)--Photographs
  • Greenwich (Mass.)--Photographs
  • Hillside School (Marlborough, Mass.)
  • Horses--Massachusetts--Greenwich--Photographs
  • New Salem (Mass.)--Photographs
  • Plowing--Massachusetts--Greenwich--Photographs
  • Prescott (Mass.)--Photographs
Types of material
  • Dry plate gelatin negatives
  • Gelatin silver negatives
  • Photographs
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