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Results for: “Enfield (Mass.)--Photographs” (570 collections)SCUA

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Davenport, Janina Smiertka

Janina Smiertka Davenport Papers, 1918-1990.

7 boxes (3 linear feet).
Call no.: MS 343
Janina Smiertka, 1934
Janina Smiertka, 1934

Raised in a Polish American family from Greenfield, Mass., Janina Smiertka Davenport was the epitome of a life-long learner. After graduating from Greenfield High School in 1933, Davenport received degrees from the Pratt Institute in Food Management and from the Franklin County Public School for Nurses (1937). In 1938, she began work as a nurse in the U.S. Navy, receiving two special commendations for meritorious service during the Second World War. She continued her formal and informal education later in life, receiving degrees from Arizona State University in 1958 and UMass Amherst in Russian and Eastern European Studies (1982). Davenport died in Greenfield in March 2002.

The Davenport Papers contain a thick sheaf of letters and documents pertaining to her Navy service before and during World War II, along with assorted biographical and genealogical data, materials collected during educational trips to Poland and elsewhere, and approximately one linear foot of family photographs and photo albums.

Subjects

  • Nurses--Massachusetts
  • Polish Americans--Massachusetts
  • United States. Navy
  • World War, 1939-1945

Contributors

  • Davenport, Janina Smiertka

Types of material

  • Photographs

Delevingne, Lionel

Finding aid

Lionel Delevingne Photograph Collection, ca.1975-1995.

2 boxes (1 linear feet).
Call no.: PH 047
Joan of Seabrook
Joan of Seabrook

Born and raised in France, the photojournalist Lionel Delevingne studied education at l’Ecole Normale in Paris, but settled permanently in the United States in 1975. Based at first in Northampton, Mass., he became a prolific photographer of American social movements while working for the Valley Advocate and other publications, covering the early years of the Clamshell Alliance and the antinuclear movement in considerable depth. His work has been exhibited frequently and published widely in the mainstream and alternative press, including the New York Times, Le Figaro Magazine, Die Zeit, Newsweek, Washington Post Magazine, Mother Jones, and Vanity Fair.

The Delevingne collection includes remarkable visual documentation of the antinuclear movement of the 1970s and beyond, including some of the its most iconic images. Beginning with coverage of the Seabrook occupation, Delevingne covered the movement as it spread throughout the northeastern U.S. and internationally. The collection includes exhibition prints, prints for publication, and digitized images ranging in date from the mid-1970s through 1990s. Copyright in the images has been retained by Delevingne.

Subjects

  • Antinuclear movement--United States
  • Clamshell Alliance
  • Photojournalists
  • Seabrook Nuclear Power Plant (N.H.)

Contributors

  • Delevingne, Lionel

Types of material

  • Photographs

Dickinson, Walter Mason, 1856-1898

DigitalFinding aid

Walter Mason Dickinson Papers, 1858-1900.

1 box (0.25 linear feet).
Call no.: FS 173
Walter Mason Dickinson, ca.1880
Walter Mason Dickinson, ca.1880

Originally a member of the Massachusetts Agricultural College Class of 1876, Walter Mason Dickinson left after his junior year to enter the U.S. Military Academy at West Point. During his military career, Dickinson saw service in the southwest and as a military instructor at MAC (1891-1896). As a Captain and Quartermaster in the 17th Infantry, he was called to active duty during the Spanish-American War and was killed in action at the Battle of El Caney. He was the first man associated with MAC to die in military service.

This small collection of photographs and letters centers on the death and family of Walter M. Dickinson, the first person associated with Massachusetts Agricultural College to die in combat. In addition to two of the last letters he wrote as he was heading off to war in Cuba, the collection contains three formal portraits of Dickinson at different points in his military career, images of his wife and family, and two images of the scene of his death at El Caney and one of his temporary grave.

Subjects

  • Dickinson, Asa Williams--Photographs
  • Dickinson, Charles--Photographs
  • Dickinson, Marquis F. (Marquis Fayette), 1814-1901--Photographs
  • Dickinson, Marquis F. (Marquis Fayette), 1840-19215--Photographs
  • Dickinson, Martha E.--Photographs
  • Dickinson, Walter Mason, 1856-1898--Photographs
  • Dwellings--Massachusetts--Amherst--Photographs
  • El Caney (Cuba)--Photographs
  • Farms--Massachusetts--Amherst--Photographs
  • Soldiers' bodies, Disposition of--Cuba--Photographs
  • Soldiers--United States--Photographs
  • Spanish-American War, 1898

Types of material

  • Ambrotypes
  • Correspondence
  • Photographs

Double Edge Theater

Finding aid

Double Edge Theatre Records, 1970-2002.

28 boxes (15.5 linear feet).
Call no.: MS 455
Bold Stroke for a Wife
Bold Stroke for a Wife

Since its founding, Double Edge Theatre has embraced a two-fold mission: to develop and promote the highest quality of original theatre performance, and to create a permanent center of performance, practice, training research, and cultural exchange.

The collection documents the Theatre’s focus on research, international collaboration, and the elevation of artistic performance above and beyond stage work into the realm of cultural exchange.

Subjects

  • Experimental theater
  • Theater and society
  • Theatrical companies--Massachusetts

Contributors

  • Arnoult, Philip
  • Double Edge Theatre
  • Durand, Carroll
  • Klein, Stacy
  • Odin teatret
  • Staniewski, Wlodzimierz
  • Stowarzyszenie Teatralne "Gardzienice"

Types of material

  • Photographs
  • Posters
  • Programs

Drucker, Jeffrey I.

Finding aid

Jeffrey Drucker Photograph Collection, 1966-1969.

387 photographs
Call no.: RG 50/6 D78
Simon and Garfunkel at the Curry Hicks Cage, Dec. 3, 1967
Simon and Garfunkel at the Curry Hicks Cage, Dec. 3, 1967

Jeffrey Drucker was a student and photographer at the University of Massachusetts Amherst from 1966 to 1969, where he majored in production management and was the WMUA station engineer. As a student, Drucker was a photography enthusiast, taking snapshots of events across campus, thoroughly documenting his years as an undergraduate at UMass in the late-sixties.

The Jeffrey Drucker Photograph Collection contains 387 photographs of a diverse array of campus events, including the Dow Chemical protest in 1968, parades, Roister Doisters productions, musicians like Stevie Wonder and Simon and Garfunkel performing at on-campus concerts, and iconic campus buildings. Many of Drucker’s photographs were printed in the Index yearbook as well as the University of Massachusetts Daily Collegian and give a clearly student perspective to life on campus.

Subjects

  • Protests and demonstrations--Photographs
  • Rock concerts--Massachusetts--Amherst--Photographs
  • Roister Doisters (University of Massachusetts Amherst)--Photographs
  • University of Massachusetts Amherst--Photographs
  • University of Massachusetts Amherst--Students and alumni--Photographs

Types of material

  • Black-and-white negatives
  • Gelatin silver prints

Hill, Aurin F.

Finding aid

Aurin F. Hill Papers, 1885-1929.

8 boxes (6 linear feet).
Call no.: MS 579
Aurin and Izetta Hill at Lake Pleasant,<br />ca.1928
Aurin and Izetta Hill at Lake Pleasant,
ca.1928

The self-styled “insane architect” Aurin F. Hill (b. 1853) was a free thinking carpenter and architect in Boston who waged a concerted campaign for his vision of social reform at the turn of the twentieth century. A Spiritualist, social radical, and union man, Hill carried the torch for issues ranging from the nationalization of railroads and corporations to civil rights and women’s rights, and joined in opposition to vaccination, Comstockery and censorship, capital punishment, and lynching. A writing medium, married to the Spiritual evangelist Izetta Sears-Hill, he became President of the National Spiritual Alliance in 1915, a Spiritualist organization based in Lake Pleasant, Mass.

Esoteric, rambling, and often difficult to follow, the Hill papers provide profound insight into the eclectic mind of an important Boston Spiritualist and labor activist at the turn of the twentieth century. Whether written as a diary or scattered notes, a scrapbook, essays, or letters to the editor, Hill’s writings cover a wide range of topics, from spirit influence to labor law, from his confinements for insanity to police strikes, hypnotism, reincarnation, and housing. More than just a reflection of one man’s psychology, the collection reveals much about broader social attitudes toward gender and race, sexuality, urban life, politics, and religion, and the collection is a particularly important resource for the history of the American Spiritualist movement between 1890 and 1920.

Subjects

  • Architects--Massachusetts--Boston
  • Boston (Mass.)--History
  • Carpenters--Labor unions
  • Hypnotism
  • Labor unions--Massachusetts
  • Lake Pleasant (Mass.)--History
  • Mediums--Massachusetts
  • Montague (Mass.)--History
  • National Spiritual Alliance
  • Spiritualism
  • United Brotherhood of Carpenters and Joiners of America

Contributors

  • Hill, Aurin F.
  • Sears-Hill, Izetta B.

Types of material

  • Diaries
  • Scrapbooks

Howes Brothers

Finding aid

Howes Brothers Photograph Collection, ca. 1882-1907.

1 box (0.5 linear feet).
Call no.: MS 313

Alvah, Walter, and George Howes brothers traveled the Pioneer Valley of Massachusetts in the last two decades of the 19th century, taking photographs of the residents and documenting the customs, fashions, architecture, industry, technology, and economic conditions of rural New England.

The Howes collection includes 200 study prints selected from 20,000 negatives held by the Ashfield Historical Society.

Subjects

  • Massachusetts--History

Contributors

  • Howes, Alvah
  • Howes, George
  • Howes, Walter

Types of material

  • Photographs

Judice, Edward

DigitalFinding aid

Edward Judice Photograph Collection, 1973-2010.

281 digital images, 2 videos
Call no.: PH 046
Lathe operator, Rodney Hunt co., 1974
Lathe operator, Rodney Hunt co., 1974

Raised on Long Island, Ed Judice embarked on a path in photography at the age of 13 when he took a job sweeping floors in a local photo studio. After picking up work photographing locally and a stint in the army, he moved to New York city, Judice began doing commercial work for ad agencies and magazines and eventually with Polaroid. Through Polaroid, he began developing contacts in western Massachusetts, eventually moving to Wendell in the early 1970s. He maintains an active studio in Northampton.

The Judice collection consists of a series of 59 digital images relating to a photo documentation project at the Rodney Hunt factory in Orange, Mass., in 1973 and 1974; a series of photographs documenting the bicentennial of Wendell in 1981; and two video documentaries of the Three County Fair, Northampton, Mass., 2007, and “Benny and Joe: A friendship,” 2010.

Subjects

  • Foundry workers--Massachusetts--Orange
  • Northampton (Mass.)
  • Rodney Hunt Company
  • Serrazina, Joe
  • Shoemakers--Massachusetts--Northampton
  • Shu-Fix (Northampton, Mass.)
  • Strojny, Benny.
  • Wendell (Mass.)--Centennial celebrations, etc.

Contributors

  • Judice, Edward

Types of material

  • Digital images
  • Video recordings

Kingsbury family

Finding aid

Kingsbury Family Papers, 1862-2006 (Bulk: 1881-1902).

10 boxes (6 linear feet).
Call no.: MS 504
Kingsbury children, ca.1910
Kingsbury children, ca.1910

The family of Roxana Kingsbury Gould (nee Weed) farmed the rocky soils of western New England during the late nineteenth century. Roxana’s first husband Ambrose died of dysentery shortly after the Civil War, leaving her to care for their two infant sons, and after marrying her second husband, Lyman Gould, she relocated from southwestern Vermont to Cooleyville and then (ten years later) to Shelburne, Massachusetts. The Goulds added a third son to their family in 1869.

A rich collection of letters and photographs recording the history of the Kingsbury-Gould families of Shelburne, Massachusetts. The bulk of the letters are addressed to Roxana Kingsbury Gould, the strong-willed matriarch at the center of the family, and to her granddaughter, May Kingsbury Phillips, the family’s first historian. In addition to documenting the complicated dynamics of a close-knit family, this collection is a rich source for the study of local history, rural New England, and the social and cultural practices at the end of the 19th and beginning of the 20th centuries.

Subjects

  • Conway (Mass.)--Genealogy
  • Kingsbury Family
  • Shelburne (Mass.)--Genealogy
  • Totman family

Contributors

  • Drew, Raymond Totman, 1923-1981
  • Lewis, Gertrude Minnie, 1896-
  • Totman, Conrad D
  • Totman, Ruth J

Types of material

  • Genealogies
  • Letters (Correspondence)
  • Memoirs
  • Photographs
  • Tintypes

Levy, Donald

Finding aid

Donald Levy Papers, 1966-1987.

2 boxes (2 linear feet).
Call no.: MS 878
Richie Havens at Krackerjacks, ca. 1968
Richie Havens at Krackerjacks, ca. 1968

The co-owner with Alan Peterson of Krackerjacks, a psychedelic clothing store in Boston, Donald “Jack” Levy grew the boutique he started in 1966 into a staple of the counterculture in the Boston area and eventually a franchise. Levy was at the center of a controversy in Cambridge when the city tried to ban “obscene” buttons. Though several stores removed the buttons, Levy refused and with community support, fought the city’s ban. Levy also opened several clothing stores in the Boston-area: Garbo, a women’s clothing store; Dazzle in 1973, a vintage clothing store; Goods in 1976, a natural fiber and novelty store; and purchased and refurbished the Blue Diner in 1986 (now the South Street Diner). He currently owns diners in Newton, Framingham, and Watertown Mass.

The Donald Levy Papers contain ephemera, photographs, and clippings primarily documenting Krackerjacks as well as Levy’s other clothing stores and the opening of Blue Diner. Of particular interest is a petition circulated by Levy during the city’s attempt to ban “obscene” buttons. Included among the signatures is a 15-year-old Jonathan Richman, who called the button ban, “an example of lingering Victorianism.”

Subjects

  • Counterculture--United States--20th century
  • Fashion--United States--20th century
  • Massachusetts--Cambridge--History--20th century
  • Stores, Retail--Massachusetts

Contributors

  • Richman, Jonathan (Vocalist)

Types of material

  • Clippings
  • Petitions
  • Photographs
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