Double Edge Theatre Records, 1970-2002.
28 boxes (15.5 linear feet).
Call no.: MS 455
Since its founding, Double Edge Theatre has embraced a two-fold mission: to develop and promote the highest quality of original theatre performance, and to create a permanent center of performance, practice, training research, and cultural exchange.
The collection documents the Theatre’s focus on research, international collaboration, and the elevation of artistic performance above and beyond stage work into the realm of cultural exchange.
- Experimental theater
- Theater and society
- Theatrical companies--Massachusetts
- Arnoult, Philip
- Double Edge Theatre
- Durand, Carroll
- Klein, Stacy
- Odin teatret
- Staniewski, Wlodzimierz
- Stowarzyszenie Teatralne "Gardzienice"
Types of material
Gray Panthers of the Pioneer Valley Records, 1979-1994.
12 boxes (7 linear feet).
Call no.: MS 468
Amherst, Massachusetts, chapter of the national Gray Panther organization that sponsored the weekly Amherst Vigil for Peace and Justice, tackled such issues as fair and affordable housing for people of all ages, nursing home reform, Social Security policy, universal health care, safe-sex, and age discrimination, and also worked to improve the everyday life of senior citizens and the community at large, often collaborating with other local organizations to address world peace, environmental concerns, improved child care, educational opportunities, and handicapped accessibility.
Records include charter, by-laws, histories and mission statements, meeting agendas and minutes, correspondence, financial reports, fund raising materials, membership lists, membership questionnaire, newsletters, press releases, leaflets, clippings, a scrapbook, T-shirts, and program files, that document the founding and activities of the Gray Panthers of the Pioneer Valley.
- Older people--Massachusetts
- Peace movements--Massachusetts
- Social justice--Massachusetts
- Gray Panthers of the Pioneer Valley
- Holt, Margaret
Barrie B. Greenbie Papers, 1934-1997.
17 boxes (19.5 linear feet).
Call no.: FS 142
Barrie Barstow Greenbie was a key member of the Department of Landscape Architecture and Urban Planning at UMass Amherst from 1970-1989. In a long and remarkably diverse career, Greenbie worked as an artist with the Works Progress Administration, as a soldier and journalist, as a professor of theater, an architect, inventor, author, and landscape planner. After earning a BA in drama from the University of Miami (1953),he worked for several years in the theatre program at Skidmore College. While there, he added architecture to his array of talents, designing the East 74th Street Theater in New York in 1959, and founded a company to produce a “self-erecting” building designed to substitute for summer tent theaters. Two years after joining the faculty at UMass in 1970, he completed a doctorate in urban affairs and regional planning at the University of Wisconsin and continued with a characteristically broad array of creative pursuits, designing the William Smith Clark Memorial, among other things, and conducting an extensive aerial survey of the landscapes of the Connecticut River Valley. In monographs such as Design for Diversity and Spaces: Dimensions of the Human Landscape, Greenbie examined the interactions between humans and nature. He died at his home on South Amherst in 1998.
The Greenbie Papers document a long career as academic, writer, artist, architect, and theatrical designer. Of particular note is the extensive and engrossing correspondence, which extends from Greenbie’s years as a student at the Taft School in the late 1930s through his World War II service with the Sixth Army in the South Pacific and Japan, to his tenure at UMass Amherst (1970-1989). The collection also includes a small, but interesting correspondence between Greenbie’s parents (1918-1919).
- University of Massachusetts Amherst--Faculty
- University of Massachusetts Amherst. Department of Landscape Architecture and Regional Planning
- World War, 1939-1945
Beth Hapgood Papers, 1789-2005.
67 boxes (35 linear feet).
Call no.: MS 434
Daughter of a writer and diplomat, and graduate of Wellesley College, Beth Hapgood has been a spiritual seeker for much of her life. Her interests have led her to become an expert in graphology, a student in the Arcane School, an instructor at Greenfield Community College, and a lecturer on a variety of topics in spiritual growth. Beginning in the mid-1960s, Hapgood befriended Michael Metelica, the central figure in the Brotherhood of the Spirit (the largest commune in the eastern states during the early 1970s) as well as Elwood Babbitt, a trance medium, and remained close to both until their deaths.
The Hapgood Papers contain a wealth of material relating to the Brotherhood of the Spirit and the Renaissance Community, Metelica, Babbitt, and other of Hapgood’s varied interests, as well as 4.25 linear feet of material relating to the Hapgood family.
- Brotherhood of the Spirit
- Channeling (Spiritualism)
- Communal living--Massachusetts
- Hapgood family--Correspondence
- Massachusetts--Social life and customs--20th century
- Nineteen sixties--Social aspects
- Occultism--Social aspects
- Popular culture--History--20th century
- Renaissance Community
- Rock music--1971-1980
- Warwick (Mass.)--History
- Babbitt, Elwood, 1922-
- Boyce, Neith, 1872-1951
- Hapgood, Beth--Correspondence
- Hapgood, Charles H
- Hapgood, Elizabeth Reynolds
- Hapgood, Hutchins, 1869-1944
- Hapgood, Norman, 1868-1937
- Metelica, Michael
Gordon Heath Papers, 1913-1992.
44 boxes (22.75 linear feet).
Call no.: MS 372 and 372 bd
A multi-talented performer, the African American expatriate Gordon Heath was variously a stage and film actor, musician, director, producer, founder of the Studio Theater of Paris, and co-owner of the Parisian nightclub L’Abbaye. Born in New York City, Heath became involved in acting as a teenager and enjoyed a career that spanned post-World War II Broadway to the Black Arts Movement of the 1970s. In addition to his many roles on film and stage, he and his partner Lee Payant enjoyed success as recording artists in the 1950s and 1960s.
The Heath collection includes personal and professional correspondence, scrapbooks containing photos and clippings from assorted television and film productions in addition to songs, poetry, and reviews of plays or playbills from productions he attended. The Papers also contain art work, sheet music, personal and production photographs, and drafts of his memoirs.
- Abbaye (Nightclub : Paris, France)
- African American actors--France--Paris--History
- African American singers--France--Paris--History
- African Americans in the performing arts--History
- African-American theater--History--20th century
- Baldwin, James, 1924-
- Chametzky, Jules
- Dodson, Owen, 1914-
- Expatriate musicians--France--Paris--History
- Hughes, Langston, 1902-1967
- Musicians--United States--History
- Paris (France)--Intellectual life--20th century
- Payant, Lee--Correspondence
- Primus, Pearl
- Rive gauche (Paris, France)--Intellectual life--20th century
- Studio Theater of Paris
- Theater--Production and direction--France--Paris--History
- Abramson, Doris E
- Heath, Gordon, 1918-1991
Types of material
- Sheet music