SCUA

You searched for: "“Deutsche Film Aktiengesellschaft”" (page 2 of 7)

  1. Pages:
  2. 1
  3. 2
  4. 3
  5. 4
  6. 5
  7. 6
  8. 7

Amalgamated Clothing Workers of America. Local 125

Amalgamated Clothing Workers of America, Local 125 Records
1928-1984
16 boxes (8 linear feet)
Call no.: MS 001

Based in New Haven, Connecticut, Local 125 was a chapter of the Amalgamated Clothing Workers of America (ACWA) that worked to improve wages and hours of work, to increase job security, to provide facilities for advancing cultural, educational, and recreational interests of its members, and to strengthen the labor movement. Key figures in Local 125 included Aldo Cursi who, with Mamie Santora, organized the Connecticut shirtworkers and served as Manager from 1933 to 1954; John Laurie who served as Business Manager from 1933 to 1963; and Nick Aiello, Business agent in 1963 and Manager from 1964 to 1984.

The collection includes constitution, by-laws, minutes, contracts, piece rate schedules, accounts, subject files, scrapbooks, newsclippings, printed materials, photographs and a phonograph record. These records document the history of Local 125 from its founding in 1933 to 1984, when the Local office in New Haven was closed. Included also are correspondence and case materials pertaining to grievance and arbitration proceedings (access restrictions apply).

Subjects
  • Clothing trade--Labor unions--Connecticut
  • Labor unions--Connecticut
  • Labor unions--Massachusetts
  • Textile industry--Connecticut
  • Textile workers--Labor unions--Connecticut
Contributors
  • Amalgamated Clothing Workers of America. Local 125
Types of material
  • Photographs
  • Scrapbooks
  • Sound recordings

The American Revolution Documentary Collection

The American Revolution Documentary Collection
ca.1968-2010
Image of

On March 15, 1968, a failing classical music station, WBCN-FM, was reinvented as Boston’s first voice in radical underground radio, and its influence quickly spread nationally. Its characteristic blend of cultural chaos, including rock, folk, blues, and jazz, interspersed with news, radical politics, and community programming, provided a soundtrack for a generation fighting to remake its world. WBCN earned its nickname, “The American Revolution.” The station’s eclectic and unpredictable broadcasts included music from little-known performers who would emerge into the biggest acts of the day; regularly scheduled live musical performances from local clubs; trenchant political analysis and newscasts of the major events of the day; interviews with legendary cultural figures; and innovative new shows including one of the first women’s programs and the Lavender Hour, the nation’s first regularly broadcast LGBT radio show. Music, politics, culture, and community were intensely interconnected through WBCN, while its “listener line,” which took calls and answered questions on any subject, helped make it a virtual two-way hub for countercultural Boston.

While producing a documentary film about WBCN, and the music, politics, and social change during the period 1968-1974, former WBCN newscaster and announcer Bill Lichtenstein recognized the importance of archiving the wealth of primary materials that told the story of WBCN, its community and the dramatic changes of the era. The American Revolution Documentary Collection is the product of Lichtenstein’s energy, serving as an umbrella for a suite of interrelated collections focused on the impact of underground media in the Boston area and the profound social, political, and cultural changes of that time. These collections include the work of photographers, journalists, and writers who would go on to prominence, as well as activists, artists, and everyday people who witnessed and took part in an extended public conversation on the direction of our nation during the period of profound social, political, and cultural upheaval and who used media to help change it.

TAR collections include:

Selected recordings from the American Revolution Documentary Collection are available to stream through Airtime Pro, a web-based radio platform. ​Hear the music, news reports, ads, rare live musical broadcasts, station ID’s, interviews, zaniness, and more, as broadcast from WBCN-FM’s launch in 1968 and over the next seven years. You can listen using the player below or go directly to the Airtime Pro site, here: https://amrev.airtime.pro/

Subjects
  • Alternative radio broadcasting--Massachusetts
  • Boston (Mass.)--History--20th century
  • Cambridge (Mass.)--History--20th century
  • Nineteen sixties
  • Rock music
  • Vietnam War, 1961-1975--Protest movements
  • WBCN (Radio station : Boston, Mass.)
Types of material
  • Photographs
  • Sound recordings

Babbitt, Elwood, 1922-

Elwood Babbitt Papers
1974-2000
2 boxes (3 linear feet)
Call no.: MS 517
Image of Elwood Babbitt, 1970.  Photo by Gary Cohen
Elwood Babbitt, 1970. Photo by Gary Cohen

Clairvoyant from youth, Elwood Babbitt developed his psychic abilities at the Edgar Cayce Institute, and by the mid-1960s, was well known in Western Massachusetts through his readings and lectures, often opening his home to other seekers. Charles Hapgood, a professor at Keene State College, worked closely with Babbitt studying the physical effects of the medium’s trance lectures, and by 1967, he began to take on the painstaking process of transcribing and copying them. With communications purporting to come from Jesus, Albert Einstein, Mark Twain, and the Hindu god Vishnu, among others, these lectures formed the basis for several books by Hapgood and Babbitt, including Voices of Spirit (1975) and Talks with Christ (1981). Babbitt ultimately established a non-profit, alternative school, the Opie Mountain Citadel, which was essentially run out of Babbitt’s home in Northfield.

The collection consists of proofs of publications, lectures, some correspondence, film reels, and transcripts of spiritual communications for which Babbitt was the medium.

Language(s): German
Subjects
  • Channeling (Spiritualism)
  • Hapgood, Charles H
  • Mediums–Massachusetts
Contributors
  • Babbitt, Elwood, 1922-

Baker, James

James Baker Free Spirit Press Collection
1969-2005 (Bulk: 1969-1974)
3 boxes (1.25 linear feet)
Call no.: MS 834
Image of Spirit in Flesh tour bus
Spirit in Flesh tour bus

James Baker was a member of the Brotherhood of the Spirit commune (later the Renaissance Community) in the early 1970s, and a key contributor to the Free Spirit Press, the commune’s publishing operation. Part promotion, information, and entertainment, the Free Spirit Press magazine ran for four issues in the winter and spring 1972-1973.

The Baker collection consists of the surviving materials from the production of Free Spirit Press concentrated heavily in the period between winter 1972 and summer 1974. Accumulated mostly while preparing a brochure for the commune, the manuscript material contains copies of the commune’s by-laws and membership rolls, comments from community members on how they wished to be represented, and a story board for the brochure and series of quotes from community members to be included. The second half of the collection contains hundreds of images, mostly 35mm negatives, taken of or by the commune and its residents. The images depict the production and distribution of Free Spirit Press and the commune band (Spirit in Flesh, later called Rapunzel), but they also include several rolls of film taken by commune members of major rock and roll acts of the era, including the Grateful Dead, Taj Mahal, Jethro Tull, Santana, Chuck Berry, Hot Tuna, and Fleetwood Mac.

Subjects
  • Berry, Chuck
  • Brotherhood of the Spirit (Commune)
  • Communal living--Massachusetts
  • Grateful Dead (Musical group)
  • Grateful Dead (Musical group)--Photographs
  • Metelica, Michael
  • Renaissance Community (Commune)
  • Rock music--1971-1980--Photographs
  • Taj Mahal (Musician)
  • Taj Mahal (Musician)--Photographs
Contributors
  • Geisler, Bruce
Types of material
  • Photographs

Barton, George W.

George W. Barton Papers
1889-1984 (Bulk: 1914-1920)
(4.5 linear feet)
Call no.: RG 050 B37

George W. Barton was born in Sudbury, Massachusetts in 1896. After attending Concord High School in Concord, Barton began his studies in horticulture and agriculture at Massachusetts Agricultural College.

The Barton collection includes diaries, scrapbooks, photographs, newspaper clippings, programs, announcements, and his herbarium, and relates primarily to his career at the Massachusetts Agricultural College where he studied horticulture and agriculture from 1914-1918.

Subjects
  • Botany--Study and teaching
  • Horticulture--Study and teaching
  • Massachusetts Agricultural College--Students
Contributors
  • Barton, George W
Types of material
  • Diaries
  • Herbaria
  • Photographs
  • Scrapbooks

Benedek, Tom

Tom Benedek Collection
1967-1973
3 boxes (1.5 linear feet)
Call no.: PH 073
Image of Passengers on a plane, ca.1973
Passengers on a plane, ca.1973

A screenwriter and visual artist, Tom Benedek majored in film as an undergraduate at UMass Amherst, earning the distinction of becoming the first graduate of the Bachelor’s Degree with Individual Concentration program in 1971. From early in his college career, Benedek worked as a photographer the newspaper, the Collegian, while studying with faculty such as Jerome Liebling (at Hampshire College) and Jerrold Maddox (at Amherst), and he spent his junior year in Paris studying at the Ecole du Louvre and l’Institut de Formation Cinematographique. In his career in Hollywood, he has written screenplays for the movies Cocoon, Zeus and Roxanne, and The Adventures of Pinocchio and worked with Robert Zemeckis, Lawrence Kasdan, Ron Howard, Martin Scorsese, Sydney Pollack, Richard Rush, and Harold Ramis, among many others. He is a member of the Writers Branch of the Academy of Motion Picture Arts and Sciences and teaches screenwriting at the University of Southern California and the University of Michigan.

The hundreds of images in the Benedek Collection document the development of a talented photographer. While some of the images stem from his work for the Collegian, most were taken on his own around campus and beyond, including trips to Boston and New Orleans, and his year studying abroad in Paris following shortly after the events of 1968. The collection consists entirely of 35mm black and white negatives and color slides.

Gift of Tom Benedek, 2016
Subjects
  • Amherst (Mass.)--Photographs
  • Boston (Mass.)--Photographs
  • New Orleans (La.)--Photographs
  • Paris (France)--Photographs
  • University of Massachusetts Amherst--Photographs
Types of material
  • Photographs

Berlin, Normand

Normand Berlin Papers
1968-2013
2 boxes (3 linear feet)
Call no.: FS 180

A literary scholar and much admired teacher, Normand Berlin joined the faculty at UMass Amherst in 1965, four years after receiving his doctorate at the University of California for his study of Elizabethan drama. The author of five books and numerous articles on topics ranging from medieval poetry to contemporary film, Berlin was known equally for his work on early modern drama and for his work on Eugene O’Neill, for which he was awarded the Eugene O’Neill Bronze Medal. He was equally popular in the classroom, where his course on Shakespeare became a campus staple for many years, earning the university’s highest teaching award in 1976, the UMass Amherst Distinguished Teaching Award. After retirement in 1995, Berlin remained in Amherst. He died at home on July 13, 2015, at the age of 83.

This small collection contains scattered notes, writings, and correspondence from Normand Berlin’s career, much of which pertains to his research on drama.

Gift of Barbara Berlin, Sept. 2016
Subjects
  • Drama--Study and teaching
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of English

Blackington, Alton H.

Alton H. Blackington Photograph Collection
1898-1943
15 boxes (4 linear feet)
Call no.: PH 061
Image of Fortune teller, ca.1930
Fortune teller, ca.1930

A native of Rockland, Maine, Alton H. “Blackie” Blackington (1893-1963) was a writer, photojournalist, and radio personality associated with New England “lore and legend.” After returning from naval service in the First World War, Blackington joined the staff of the Boston Herald, covering a range of current events, but becoming well known for his human interest features on New England people and customs. He was successful enough by the mid-1920s to establish his own photo service, and although his work remained centered on New England and was based in Boston, he photographed and handled images from across the country. Capitalizing on the trove of New England stories he accumulated as a photojournalist, Blackington became a popular lecturer and from 1933-1953, a radio and later television host on the NBC network, Yankee Yarns, which yielded the books Yankee Yarns (1954) and More Yankee Yarns (1956).

This collection of glass plate negatives was purchased by Robb Sagendorf of Yankee Publishing around the time of Blackington’s death. Reflecting Blackington’s photojournalistic interests, the collection covers a terrain stretching from news of public officials and civic events to local personalities, but the heart of the collection is the dozens of images of typically eccentric New England characters and human interest stories. Most of the images were taken by Blackington on 4×5″ dry plate negatives, however many of the later images are made on flexible acetate stock and the collection includes several images by other (unidentified) photographers distributed by the Blackington News Service.

Gift of Yankee Publishing, Mar. 2012
Subjects
  • Coolidge, Calvin, 1872-1933--Photographs
  • Earhart, Amelia, 1897-1937--Photographs
  • Maine--Social life and customs--Photographs
  • Massachusetts--Social life and customs--Photographs
  • New England--Social life and customs--Photographs
  • New Hampshire--Social life and customs--Photographs
  • Roosevelt, Franklin D. (Franklin Delano), 1882-1945--Photographs
  • Sacco-Vanzetti Trial, Dedham, Mass., 1921--Photographs
Types of material
  • Photographs

Chamberlin, Judi, 1944-2010

Judi Chamberlin Papers
ca.1970-2010
38 boxes (57 linear feet)
Call no.: MS 768
Image of Judi Chamberlin, 2000
Judi Chamberlin, 2000

A pioneer in the psychiatric survivors’ movement, Judi Chamberlin spent four decades as an activist for the civil rights of mental patients. After several voluntary hospitalizations for depression as a young woman, Chamberlin was involuntarily committed for the only time in 1971, having been diagnosed with schizophrenia. Her experiences in the mental health system galvanized her to take action on patients’ rights, and after attending a meeting of the newly formed Mental Patients’ Liberation Project in New York, she helped found the Mental Patients’ Liberation Front in Cambridge, Mass. Explicitly modeled on civil rights organizations of the time, she became a tireless advocate for the patient’s perspective and for choice in treatment. Her book, On Our Own: Patient Controlled Alternatives to the Mental Health System (1978), is considered a key text in the intellectual development of the movement. Working internationally, she became an important figure in several other organizations, including the Center for Psychiatric Rehabilition at Boston University, the Ruby Rogers Advocacy Center, the National Disability Rights Network, and the National Empowerment Center. In recognition of her advocacy, she was awarded the Distinguished Service Award by the President’s Committee on Employment of People with Disabilities in 1992, the David J. Vail National Advocacy Award, and the 1995 Pike Prize, which honors those who have given outstanding service to people with disabilities. Chamberlin died of pulmonary disease at home in Arlington, Mass., in January 2010.

An important record of the development of the psychiatric survivors’ movement from its earliest days, the Chamberlin Papers include rich correspondence between Chamberlin, fellow activists, survivors, and medical professionals; records of her work with the MPLF and other rights organizations, conferences and meetings, and her efforts to build the movement internationally.

Gift of National Empowerment Center, 2012
Subjects
  • Antipsychiatry
  • Ex-mental patients
  • People with disabilities--Civil rights
  • People with disabilities--Legal status, laws, etc.
  • Psychiatric survivors movement
Contributors
  • Mental Patients Liberation Front
  • Mental Patients Liberation Project
  • National Empowerment Center
Types of material
  • Videotapes

Clark, William Smith, 1826-1886

William Smith Clark Papers
1814-2003 (Bulk: 1844-1886)
(14.75 linear feet)
Call no.: RG 003/1 C63
Image of William Smith Clark
William Smith Clark

Born in Ashfield, Massachusetts, in 1826, William Smith Clark graduated from Amherst College in 1848 and went on to teach the natural sciences at Williston Seminary until 1850, when he continued his education abroad, studying chemistry and botany at the University of Goettingen, earning his Ph.D in 1852. From 1852 to 1867 he was a member of Amherst College’s faculty as a Professor of Chemistry, Botany, and Zoology. As a leading citizen of Amherst, Clark was a strong advocate for the establishment of the new agricultural college, becoming one of the founding members of the college’s faculty and in 1867, the year the college welcomed its first class of 56 students, its President. During his presidency, he pressured the state government to increase funding for the new college and provide scholarships to enable poor students, including women, to attend. The college faced economic hardship early in its existence: enrollment dropped in the 1870s, and the college fell into debt. He is noted as well for helping to establish an agricultural college at Sapporo, Japan, and building strong ties between the Massachusetts Agricultural College and Hokkaido. After Clark was denied a leave of absence in 1879 to establish a “floating college” — a ship which would carry students and faculty around the world — he resigned.

The Clark Papers include materials from throughout his life, including correspondence with fellow professors and scientists, students in Japan, and family; materials relating to his Civil War service in the 21st Massachusetts Infantry; photographs and personal items; official correspondence and memoranda; published articles; books, articles, television, and radio materials relating to Clark, in Japanese and English; and materials regarding Hokkaido University and its continuing relationship with the University of Massachusetts.

Subjects
  • Agricultural colleges--Japan--History
  • Agricultural colleges--Massachusetts--History
  • Agriculturists--Japan
  • Agriculturists--Massachusetts
  • Amherst (Mass.)--History
  • Amherst College--Faculty
  • Amherst College--Students--Correspondence
  • Hokkaido (Japan)--History
  • Hokkaid¯o Daigaku--History
  • Hokkaid¯o Teikoku Daigaku--History
  • Japan--Relations--United States
  • Massachusetts Agricultural College--History
  • Sapporo N¯ogakk¯o--History
  • Sapporo N¯ogakk¯o. President
  • T¯ohoku Teikoku Daigaku. N¯oka Daigaku--History
  • United States--History--Civil War, 1861-1865
  • United States--Relations--Japan
  • Universität Göttingen--Students--Correspondence
Contributors
  • Clark, William Smith, 1826-1886
  • Massachusetts Agricultural College. President
Types of material
  • Drawings
  • Photographs
  • Realia
  • Scrapbooks
  1. Pages:
  2. 1
  3. 2
  4. 3
  5. 4
  6. 5
  7. 6
  8. 7

© 2017 * SCUA * UMass Amherst Libraries

Log in | Site policies