A lifelong activist for social and environmental justice, Kevin McVeigh was among the founders of two prominent antinuclear and environmental organizations in Northern California, the Pelican Alliance (1978) and Interhelp (1981). After relocating to Massachusetts, he continued in environmental activism, founding the Green River Center in Greenfield in 1987, but in response to the intense public health crisis, he gradually shifted his focus to become an advocate for persons with HIV/AIDS. As a founder of the AIDS Community Group of Franklin County (Mass.), he has coordinated AIDS services for Tapestry Health, a not-for-profit organization providing affordable health care to in Western Massachusetts.
The McVeigh Papers document a career as a committed antinuclear activist and advocate for persons with HIV/AIDS. The collection includes organizational materials from each of the groups McVeigh helped found: The Pelican Alliance, Interhelp, the Green River Center, the AIDS Community Group of Franklin County, and Tapestry Health, as well as correspondence, newspaper clippings, journals and magazines related to the issues concerning, notes from HIV/AIDS caregivers’ conferences, materials relating to men’s support groups, and other material related to environmental protection and anti-war activism. Finally, the collection includes audio files of an oral history (approximately two hours) conducted with McVeigh in July 2010, and a small collection of antinuclear books from small publishing houses.
The Northeast Organic Farming Association began as the vision of a New York City plumbing supplies salesman and has grown into a large association supporting information-sharing, education, collaboration, and certification. Increasingly influential non-profit organization with chapters in Connecticut, Massachusetts, New Hampshire, New Jersey, New York, Rhode Island, and Vermont, NOFA has “nearly 4,000 farmers, gardeners and consumers working to promote healthy food, organic farming practices and a cleaner environment.”
The NOFA collection includes records, publications, ephemera, photographs, and other materials from NOFA chapters in Massachusetts, Connecticut, New Hampshire, New York, and Vermont, along with material from the Interstate Council. The collection includes information on NOFA’s conferences and programs, educational work, lobbying, and their initiatives in organic certification and organic land care.
A long-time member of the English Department at the University of Albany, Barbara Rotundo was a 1942 graduate in economics at Mount Holyoke College. After the death of her husband, Joseph in 1953, Rotundo became one of the first female faculty members at Union College, and after earning a master’s degree in English at Cornell University and a doctorate in American Literature from Syracuse University, she served as an associate professor of English at the University of Albany, where she founded one of the first university writing programs in the United States. Avocationally, she was a stalwart member of the Association for Gravestone Studies, helping to broaden its scope beyond its the Colonial period to include the Victorian era. Her research included the rural cemetery movement, Mount Auburn Cemetery, white bronze (zinc) markers, and ethnic folk gravestones. Her research in these fields was presented on dozens of occasions to annual meetings of AGS, the American Culture Association, and The Pioneer America Society. In 1989, after residing in Schenectady for forty-six years, she retired to Belmont, NH, where she died in December 2004.
Consisting primarily of thousands of color slides (most digitized) and related research notebooks, the Rotundo collection is a major visual record of Victorian grave markers in the United States. The notebooks and slides are arranged by state, with an emphasis on the eastern states, and white bronze (zinc) markers also are represented in photographs and a separate research notebook. The collection also includes several rare or privately published books.
A veteran of the Civil War and one time resident of the Hopedale community, Josiah Wood tried his hand at several lines of work during his life, including tin-peddler, farmer, and carpenter.
The Josiah Wood Papers consist primarily of letters between Wood, living in Hopedale and New Bedford, Massachusetts, and his relatives in Philadelphia and elsewhere in the northeastern and western parts of the country. While some of the correspondence contains references to larger-scale historical events, such as the Civil War or westward expansion, the majority concerns events and routines of everyday family life. The letters illustrate the considerable effort made to keep in touch with and informed about distant family members and friends.
Spiritualism--United States--History--19th century
The US Department of Agriculture was already actively engaged in water control and management issues prior to the enactment of the Flood Control Acts of 1936 and 1944. Pursuant to the 1936 Act, and the extensive flooding of 1936 and 1938, the USDA conducted an extensive survey of the Connecticut River Watershed.
Issued by the U.S. Department of Agriculture in 1950 in compliance with the Flood Control Act of 1936, these flood reports present the results of a survey and the outline of a program of land use and management developed to alleviate flood and sediment problems in Connecticut River Watershed. The collection includes both a preliminary draft (in typescript) and completed report and appendix of the survey, with the final reports marked “Confidential. For Departmental review only.”
Operator of a general store in Cambridgeport, Vermont, as well as a postmaster and a deacon of the Congregational Church. Daybook includes lists of stock, how he acquired his goods, and method and form of payment (cash or exchange of goods and services).
Cambridgeport (Vt.)--Economic conditions--19th century
Freight and freightage--Rates--Vermont--History--19th century
Born in Middleborough, Mass., in 1781, Artemas Cushman relocated to the central Vermont town of Braintree as a young man and spent decades as a carpenter and house joiner. He and his wife Phebe Spear raised a family of nine, one of whom (Artemas’ namesake) rose to local prominence as a officer in the state militia and representative in the state house and senate. Cushman died in Braintree in 1864.
Cushman’s small ledger is a fine record of the day-to-day work of an antebellum carpenter in rural Vermont. Part daybook and part account book, and often lacking in detail, Cushman’s entries document the work of a skilled artisan engaged in constructing or repairing houses, windmills, cider mills, bake houses, sheds, and barns, and at least one school. Occasionally, he applied his skills to smaller projects such as mending a wheel or making a wagon body or coffin, and less frequently he was compensated for manual labor (haying or planting). In a cash-poor economy, Cushman was typically repaid through an exchange of labor, or through commodities such as brandy, grain, or pork.
Braintree (Vt.)--Economic conditions--19th century
Owner of a general store and a woolen factory, postmaster, town clerk, and state senator from Gaysville in Stockbridge, Vermont. Daybooks document accounts and transactions with individuals, businesses, Town of Stockbridge, and Narrows School District, method and form of payment (cash and goods), and Gay’s purchases, including labor costs for hauling his freight.
Blanchard, Solomon, b. ca. 1816
Claremont Manufacturing Company--History
Freight and freightage--Rates--Vermont--History--19th century
Gaysville (Vt.)--Economic conditions--19th century
Gaysville (Vt.)--Rural conditions--19th century
Gaysville Forge Company--History
Gaysville Manufacturing Company--History
Narrows School District--History
Stockbridge (Vt.)--Economic conditions--19th century
William E. Harding Collection, 1972-2003 (Bulk: 1972-1981).
2 boxes (1 linear feet). Call no.: MS 843
As an undergraduate at Williams College, William (Bill) Harding undertook a research project on the Bennington Centre Cemetery in Vermont to document its stones, through which he became engaged in a longer-term study of the most important carvers represented there in the years after the American Revolution, Zerubbabel Collins and Samuel Dwight. Harding’s work was an important contribution to understanding the transition from death’s head imagery to the gentler cherubs of the early national period and he unearthed significant detail on the lives of noted carvers. Harding went on to study medicine, but remained active in the early conferences of the Association for Gravestone Studies and as a lecturer on the topic for several years until the demands of his professional life gradually intervened.
Centered on his study of Vermont carvers and early gravestone iconography, the Harding collection includes photographs, research and lecture notes, some correspondence, and a sampling of published material. The collection contains Harding’s bachelor’s thesis, “The graveyard at Old Bennigton, Vermont, and the gravestones of Zerubbabel Collins” (1972) and his later, more comprehensive study “Bennington Gravestones” (1975), and notably, two fine prints of gravestones by his colleague, Daniel Farber.
Recognized for her coverage of historic events and personalities, the photographer Diana Mara Henry took the first steps toward her career in 1967 when she became photo editor for the Harvard Crimson. After winning the Ferguson History Prize and graduating from Harvard with a degree in government in 1969, Henry returned to New York to work as a researcher with NBC News and as a general assignment reporter for the Staten Island Advance, but in 1971 she began to work as a freelance photographer. Among many projects, she covered the Democratic conventions of 1972 and 1976 and was selected as official photographer for both the National Commission on the Observance of International Women’s Year and the First National Women’s Conference in 1977, and while teaching at the International Center for Photography from 1974-1979, she developed the community workshop program and was a leader in a campaign to save the Alice Austin House. Her body of work ranges widely from the fashion scene in 1970s New York and personal assignments for the family of Malcolm Forbes and other socialites to political demonstrations, cultural events, and photoessays on one room schoolhouses in Vermont and everyday life in Brooklyn, France, Nepal, and Bali. Widely published and exhibited, her work is part of permanent collections at institutions including the Schlesinger Library, the Library of Congress, Smithsonian, and the National Archives.
The Henry collection is a rich evocation of four decades of political, social, and cultural change in America beginning in the late 1960s as seen through the life of one photojournalist. This diverse body of work is particularly rich in documenting the women’s movement, second wave feminism, and the political scene in the 1970s. Henry left a remarkable record of women in politics, with dozens of images of Bella Abzug, Elizabeth Holtzman, Shirley Chisholm, Liz Carpenter, Betty Friedan, Jane Fonda, and Gloria Steinem. The collection includes images of politicians at all levels of government, celebrities, writers, and scholars, and coverage of important events including demonstrations by Vietnam Veterans Against the War, the Women’s Pentagon Action, and marches for the ERA. The many hundreds of exhibition and working prints in the collection are accompanied by the complete body of Henry’s photographic negatives and slides, along with an array of ephemera, correspondence, and other materials relating to her career. Copyright for Henry’s images are retained by her until 2037.