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Hudson Family

Hudson family Papers, 1780-1955 (Bulk: 1825-1848)
6 boxes (3 linear feet)
Call no.: MS 332
Image of Three generations: including Erasmus Darwin Hudson Sr. and Jr.
Three generations: including Erasmus Darwin Hudson Sr. and Jr.

Born in Torringford, Connecticut in 1806, and educated at the Torringford Academy and Berkshire Medical College (MD 1827), Erasmus Darwin Hudson became well known as a radical reformer. While establishing his medical practice in Bloomfield, Conn., and later in Springfield, Mass., and New York City, Hudson emerged as a force in the antislavery struggle, hewing to the non-resistant line. Touring the northeastern states as a lecturing agent for the Connecticut Anti-Slavery Society and general agent of the American Anti-Slavery Society, he regularly contributing articles to an antislavery periodicals and befriended many of the movement’s leaders. In his professional life as an orthopedic surgeon, Hudson earned acclaim for his contributions to the development of modern prosthetics. During the carnage of the Civil War, he introduced remarkable improvements in artificial limb technology and innovations in the treatment of amputations and battle trauma, winning awards for his contributions at international expositions in Paris (1867) and Philadelphia (1876). Hudson died of pneumonia on Dec. 31, 1880.

Spanning five generations of a family of physicians and social reformers, the Hudson Family Papers include particularly significant content for Erasmus Darwin Hudson documenting his activities with the Connecticut and American Anti-Slavery societies. Hudson’s journals and writings are accompanied by a rich run of correspondence with antislavery figures such as Abby Kelley, Wendell Phillips, Frederick Douglass, William Lloyd Garrison, Isaac Hopper, and Samuel May and a unique antislavery campaign map of New York state and surrounding areas (1841). Hudson’s medical career and that of his son Erasmus Darwin Hudson, Jr. (1843-1887), a thoracic physician, is equally well documented through correspondence, medical notes, and handwritten drafts of lectures, with other material ranging from family records and writings of and other family members to genealogies of the Hudson, Shaw, Clarke, Fowler, and Cooke families, and printed material, memorabilia, clipping and photographs.

Subjects
  • Abolitionists
  • African Americans--History
  • American Anti-slavery Society
  • Antislavery movements--Massachusetts
  • Connecticut Anti-slavery Society
  • Connecticut--History--19th century
  • Massachusetts--History--19th century
  • Physicians--New York
  • United States--History--1783–1865
Contributors
  • Douglass, Frederick, 1818-1895
  • Foster, Abby Kelley, 1810-1887
  • Garrison, William Lloyd, 1805-1879
  • Gay, Sydney Howard, 1814-1888
  • Hopper, Isaac T. (Isaac Tatem), 1771-1852
  • Hudson Family
  • Hudson, Daniel Coe, 1774–1840
  • Hudson, Erasmus Darwin, 1806–1880
  • Hudson, Erasmus Darwin, 1843–1887
  • Phillips, Wendell, 1811-1884
  • Smith, Gerrit, 1797-1874
  • Stone, Lucy, 1818-1893
  • Weld, Theodore Dwight, 1803-1895
  • Wright, Henry Clarke, 1797-1870
Types of material
  • Diaries
  • Letters (Correspondence)

Lewis, David L., 1936-

David Levering Lewis Papers, ca.1955-2012
54 boxes (81 linear feet)
Call no.: MS 827
Image of David Levering Lewis
David Levering Lewis

The historian David Levering Lewis is the author of eight remarkably diverse monographs. Raised in an academic family, his father was president of Morris Brown College, Lewis enrolled at Fisk University at the age of 15 and was only 26 when he was awarded a doctorate in modern European history from the London School of Economics (1962). Through an academic career that has included numerous stops, including Morgan State, Notre Dame, Howard, the University of the District of Columbia (1970-1980), and Rutgers (1985-2003), Lewis remained consistently productive. Author of the first academic biography of Martin Luther King (1970) and a history of the Dreyfus Affair (1974), he wrote an influential study of the Harlem renaissance (1981) and important works on colonialism in Africa (1987) and Islamic Spain (2008), but he is best known for his two monumental biographies of W.E.B. Du Bois (1993, 2000), each of which was awarded a Pulitzer Prize. One of the most lauded African American historians of his generation, Lewis was recipient of the Bancroft Prize, the Francis Parkman Prizes, the 2009 National Humanities Medal, and a MacArthur Foundation Fellowship, and he was elected as a Fellow of both the American Academy of Arts and Sciences and the American Philosophical Society. Lewis was Julius Silver University Professor in History at New York University from 2003 until his retirement.

The papers of David Levering Lewis document a long and productive career as an academic historian and scholar of African American history and culture. Beginning with his years in college and graduate school, the collection offers a rich perspective on the evolution of his career. Lewis’s essential biographies of W.E.B. Du Bois are particularly well documented, however the collection includes abundant materials for each of his earlier projects, including correspondence, research notes, and drafts.

Subjects
  • African Americans--History
  • Colonies--Africa--History
  • Du Bois, W. E. B. (William Edward Burghardt), 1868-1963
  • Harlem Renaissance
  • Historians--United States
  • King, Martin Luther, Jr., 1929-1968
  • United States--History--20th century
Types of material
  • Photographs

Roxbury Action Program

Roxbury Action Program Collection, 1944-1975 (Bulk: 1966-1974)
2 boxes (1 linear feet)
Call no.: MS 765
Image of Ernest Hamilton, <em>Black Power: What is it?</em> (1966)
Ernest Hamilton, Black Power: What is it? (1966)

The Roxbury Action Program and Black Panther Party of Boston were both founded in the Roxbury section of Boston following the riots of 1968. RAP pursued community revitalization through Black self-determination and enjoyed success in its housing initiatives and in providing social services ranging from support for Black businesses to Black draft counseling, health and legal referrals, a Black library, and community awareness program.

Although the exact provenance of this small collection is uncertain, the materials appear to have been collected by an individual, possibly a woman, associated with the early days of the Roxbury Action Program and Boston branch of the Black Panther Party. Steeped in Black Power ideology, the collection includes publications of the Black Panther Party, the Nation of Islam, and other organizations, as well as an insightful series of transcripts of Roxbury Action Program meetings held during its first few months of operation.

Gift of Ken Gloss, Jan. 2013
Subjects
  • African Americans--Massachusetts--Boston
  • Black Panther Party
  • Black power
  • Housing--Massachusetts--Boston
  • Nation of Islam (Chicago, Ill.)
  • Roxbury (Boston, Mass.)--History
Contributors
  • Morrison, George
Types of material
  • Newspapers
  • Photographs

Stokes, Daniel M. J.

Daniel M. J. and Joyce Stokes Papers, 1984-1996
3 boxes (1.25 linear feet)
Call no.: MS 661

From 1987 through early 1988, Daniel and Joyce Stokes published Into the Night, “a newsletter for freedom for political prisoners held in the United States.” Based in Brooklyn, N.Y., this simply-produced publication offered updates and commentary on Americans imprisoned for politically-motivated acts. Reflecting both the legacy of 1960s radicalism and the resurgent activism associated with U.S. imperialism in Central America, Into the Night offered news on the Ohio 7 sedition trial, the MOVE organization, and the fate of Plowshares war resisters.

The Stokes collection contains correspondence from subscribers and supporters of Into the Night, fleshing out their political philosophy and the conditions of imprisonment. Drawn from groups including the MOVE organization, the United Freedom Front, Black Liberation Army, and Plowshares, the correspondents include Ramona Africa, Alberto Aranda, Philip Berrigan, Marilyn Buck, Carl Kabat, Ray Luc Levasseur, Ruchell Cinque Magee, and Carol Manning. The collection also includes copies of other radical publications and a complete run of Into the Night itself.

Subjects
  • African American prisoners
  • African American radicals
  • Anti-imperialist movements
  • Communists
  • Into the Night
  • MOVE (Group)
  • Ohio 7
  • Plowshares
  • Political prisoners
  • Prisoners
  • Radicals
  • Revolutionaries
  • United Freedom Front
Contributors
  • Africa, Ramona
  • Aranda, Alberto
  • Berrigan, Philip
  • Buck, Marilyn
  • Gelabert, Ana Lucia
  • Hernandez, Alvaro L
  • Kabat, Carl
  • Levasseur, Ray Luc
  • Magee, Ruchell Cinque
  • Stokes, Daniel M. J.
  • Stokes, Joyce
Types of material
  • Newsletters

Waugh, Frank A. (Frank Albert), 1869-1943

Frank A. Waugh Papers, 1896-1983
38 boxes
Call no.: FS 088
Image of Frank A Waugh with flute
Frank A Waugh with flute

Born in Wisconsin but raised and educated in Kansas, Frank Waugh got his first teaching job at Oklahoma State University. He went on to teach at the University of Vermont and finally settled down in Amherst, as a professor at Massachusetts Agricultural College. While at Mass Aggie, he became well know for establishing the second landscape gardening department in the country, later the department of landscape architecture. At a time when the field of landscape architecture was still taking root, Waugh’s influence was significant in shaping the profession. His contributions include numerous articles and books, the designs he planned and implemented, and the many students he taught and mentored. A natural offshoot of his work as a landscape architect, Waugh pursued other artistic avenues as well, most notably photography and etching. He served at MAC, later Massachusetts State College, for nearly forty years before retiring in 1939.

The collection includes an extensive representation of Waugh’s published articles along with biographical materials. The centerpiece, however, is the large number of photographs, lantern slides, and etchings. While his publications reveal the mind of a pioneer in his field, together these images portray the heart and soul of Waugh as an artist.

Hal Mosher, Debbie Smith, Samuel P. Snow, and Marie Welsh, 1981-
Subjects
  • Landscape architecture--United States--History
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Horticulture
Contributors
  • Waugh, Frank A. (Frank Albert), 1869-1943
Types of material
  • Etchings
  • Lantern slides
  • Photographs

Tillis, Frederick, 1930-

Frederick Tillis Papers, 1970-2010
10 boxes (8 linear feet)
Call no.: FS 156
Image of Fred Tillis, Nov. 23, 1977
Fred Tillis, Nov. 23, 1977

A composer, performer, poet, educator, and arts administrator, Fred Tillis was one of the major influences on the cultural life at UMass Amherst for forty years. Born in Galveston, Texas, in 1930, Tillis began playing jazz trumpet and saxophone even before his teens. A product of segregated schools, he graduated from Wiley College at the age of 19, and received his MA and PhD in music at the University of Iowa. As a performer and composer of unusual breadth, his work spans both the jazz and European traditions, and he has written for piano and voice, orchestra, choral pieces, chamber music, and in the African American spiritual tradition, drawing upon a wide range of cultural references. After teaching at Wiley, Grambling, and Kentucky State in the 1960s, Tillis was recruited to UMass in 1970 by his former adviser at Iowa, Philip Bezanson, to teach music composition and theory. Earning promotion to Professor in 1973, Tillis was appointed Director of the Fine Arts Center in 1978, helping to jump start some of the most successful arts initiatives the university has seen, including the the Afro American Music and Jazz program, the New World Theater, Augusta Savage Gallery, Asian Arts and Culture Program, and Jazz in July. Upon retirement from UMass in 1997, he was appointed Emeritus Director of the Fine Arts and remains active as a musician and poet.

The Tillis papers document an extraordinary career in the arts, focused on Fred Tillis’s work as a composer. Consisting primarily of musical scores along with an assortment of professional correspondence relating to his publishing and miscellaneous notes, the collection offers insight into the evolution of Tillis’s musical vision from the 1970s into the new millennium.

Subjects
  • African American composers
  • African American musicians
  • Fine Arts Center (University of Massachusetts Amherst)
  • Jazz
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Music and Dance
Contributors
  • Tillis, Frederick, 1930-
Types of material
  • Scores

Constitutionalism in American Life Conference

Constitutionalism in American Life Conference Collection, 1986
1 box (0.25 linear feet)
Call no.: MS 140

A conference hosted by the University of Massachusetts Amherst on November 7-9, 1986, that examined the impact of the Constitution on politics and government, foreign policy, race relations, and the economy, and also discussed the impact on the constitution of popular struggles and the emergence of “rights consciousness.” Includes papers presented at the conference that were to be subsequently published in a special bicentennial issue of the Journal of American History.

Subjects
  • Constitutional history--United States--Congresses
  • Constitutional law--United States--Congresses
  • Journal of American history
  • University of Massachusetts Amherst--History

Gordon, Ann

Ann Gordon Papers, 1986-1989
1 box (0.5 linear feet)
Call no.: FS 016

Ann Gordon served as the editor of the Susan B. Anthony and Elizabeth Cady Stanton papers as a member of African American Studies department from 1982 until the project’s conclusion in 1989. While at the University, Gordon, along with John Bracey, Joyce Berkman, and Arlene Avakian planned a conference discussing the history of African American Women voting from the Cady Stanton’s meeting at Seneca Falls to the Voting Rights Act. The conference, called the African American Women and the Vote Conference, was held in 1988.

The collection is comprised of proposals, reports, meeting transcripts, and correspondence from Gordon’s work planning the 1988 African American Women and the Vote Conference. Also included is preliminary work by Gordon to organize the papers given at the conference into book form.

Subjects
  • African American women
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Afro-American Studies
Contributors
  • Gordon, Ann

Weinberg, Meyer, 1920-2002

Meyer Weinberg Papers, 1947-1992
26 boxes (39 linear feet)
Call no.: FS 177

Born in New York City in 1920 on the day his Russian immigrant parents first set foot in the United States, Meyer Weinberg was a political radical, civil rights activist, and a distinguished scholar of desegregation in education. Working his way through the University of Chicago, receiving both a BA (1942) and MA (1945), Weinberg began his career at Wright Junior College, where he harnessed his zeal for social justice to the problem of integration in Chicago’s schools. Active in the civil rights movement, he became a key figure in providing data for desegregation efforts nationally, serving as Chair of the Education Committee of the Coordinating Council of Community Organizations (CCCO) from 1963 to 1967, and as an expert witness in numerous desegregation cases. After moving to City College in Chicago (1971) and then Northwestern (1972-1978), he accepted a faculty appointment at UMass Amherst in the School of Education (and later in Afro-American Studies), also working as Director of the Horace Mann Bond Center for Equal Education (1978-1992). Weinberg’s eighteenth book, A Short History of American Capitalism, appeared just before his death on Feb. 28, 2002.

A large and varied collection, the Weinberg Papers document both the academic and political commitments of Meyer Weinberg from the late 1940s until his retirement from UMass. The focus throughout is his interest in school desegregation, particularly in his native Chicago, but the collection extends to other areas in civil rights activism.

Subjects
  • African Americans--Education
  • Chicago (Ill.)--History
  • Segregation in education

McQueen, Madge

Madge McQueen Papers, ca.1935-2017 (Bulk: 1975-2017)
(100 linear feet)
Call no.: MS 825
Image of Madge McQueen and her papers <br> Photo by Laura Wulf
Madge McQueen and her papers
Photo by Laura Wulf

I was born in Washington, D.C., in an unwed mother’s home. I spent my earliest months living with my maternal grandmother and two teenage aunts–one of whom was abusive. My mother married my step-father in 1960; I was eleven years old when I discovered he was not my biological father. My mother suffered from psychotic schizophrenia; my step-father was frequently violent in our home; my younger, half-brother struggled with a severe learning disability, early drug addiction, and later untreated paranoid schizophrenia. After years of physical and sexual abuse, I escaped my destructive, troubled family when I was fourteen–having previously run away twice. I became a ward of the state of Maryland (my family had moved into Prince George’s County when I was much younger). I lived with three foster families until I was nineteen. I was determined to use education as a way out of poverty and violence. I attended Prince George’s Community College, then the University of Maryland in College Park where I earned a BA in Hearing and Speech Sciences in 1982. I worked at the radical Maryland Food Collective from 1981 to 1984 which profoundly impacted my life: politically, socially, and sexually. In 1985, I moved to Plainfield, Vermont, where I attended graduate school at Goddard College, receiving an MFA in Writing and Women’s Literature in 1987. After teaching for five years in Boston, at Fayerweather Street School and at the Jamaica Plain Community Centers–Adult Learning Program, I went to Massachusetts College of Art, earning a BFA in Three Dimensional Fibers in 1997. I lived for a year in Germany, 1980-1981, and in Honduras, 1997-1998, where I taught cognitively disabled adults and 8th graders, respectively. In 2002, after living in Boston for four more years, I moved to Twin Oaks Community in Louisa, Virginia. During my long membership, I left twice for extended periods. In 2006-2007, I traveled for eight months in the U.S. and in New Zealand. In 2014, I spent seven months in Amherst and in Boston working on my papers, followed by four months of travel across country and back visiting loved ones as I wrote my autobiography. In the beginning of 2015, I again made Twin Oaks my home.

My collection consists of nearly 300 journals (which include copies of my letters sent), all correspondence received since 1972, many of my artist books, as well as some of my other art work. My bequest is also comprised of my educational documents, my personal health records, my photographs, some family papers, Twin Oaks ephemera, a family tree, a friendship web, a few favorite books, two interviews, etc. What I have written and saved since I was twelve years old fills 84 linear feet: it is my life’s work. I have given, and will continue to give, my papers to UMass Amherst for safekeeping and so that my life–as an incest and battering survivor, as someone raised working class, as a daughter of a mentally-ill mother, as a radical feminist, as a diarist, as an avid letter writer, as an artist, as a bisexual, as a woman who chose neither to be a wife nor a mother, as an attentive niece, as a communitarian, as a traveler, and as a devoted friend–will not be erased.

Subjects
  • Adult children abuse victims
  • Communal living--Virginia
  • Diarists
  • Family violence
  • Twin Oaks (Louisa, Va.)
  • Women artists
Types of material
  • Artists' books (Books)
  • Correspondence
  • Journals (Accounts)
  • Photographs
  • Textile art (Visual works)
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