George Clifford Stamper was a movie projectionist in the 4th Special Services during World War II. Born and raised in Somerville, Massachusetts, he enlisted in the U.S. Army on September 1, 1943 and participated in the European Theater from April 6, 1944 until December 12, 1945, when he was sent home and then honorably discharged in January 1946.
The papers of G. Clifford Stamper consist primarily of his incoming and outgoing letters during his training and service from 1943-1945. Correspondence is mostly with his family, but also includes his letters with neighbors, as well as friends that were serving. The collection contains, too, Stamper’s post-war letters received from 1946-1955. In addition, the outgoing letters of James C. Doyle, Jr. during his service in the U.S. Marines from 1958-1959 are a part of this collection. Doyle’s connection to Stamper is unclear.
Subjects
United States. Army Service Forces. Special Services DivisionWorld War, 1939-1945World War, 1939-1945--Campaigns--CzechoslovakiaWorld War, 1939-1945--Campaigns--France
Contributors
Doyle, James CStamper, G. Clifford (George Clifford), 1912-2005
Established in 1921 in St. Louis Missouri, the Stanze Monument Company was family-owned and operated until it was sold in the mid-1980s. The company custom-cut gravestones for more than sixty years and was one of the last monument companies to cut gravestones by hand.
The collection consists of gravestone, monument, and mausoleum technical and architectural drawings. Most of the tracings and drawings of headstone patterns were used to make glass molds for sand-blasting granite headstones, while the rubbings represent reproductions of designs and font sizes and styles. Some of the architectural drawings depict conceptual plans for a typical forty-acre cemetery. The drawings were transferred from the Kibbe Hancock Heritage Museum in Illinois; a small portion of the materials were identified as being part of the “Gustafson Collection.”
Since 1975, Community Development Coordinators for state-level arts agencies in the United States have met annually for the exchange of information, training, and to plan state and national programs for community activity in the arts. Charged with development of both community arts councils and rural arts, CDCs also work to decentralize efforts. In recent years, they have increasingly been engaged in arts and social action programs and in providing a voice on national arts policy.
This small collection documents over thirty years of annual meetings between Community Development Coordinators from state arts agencies across the United States. Organized chronologically, the collection includes agendas, membership lists, communications among organizers, and materials used in workshops and that document the history of CDCs. In 2000, the CDCs began keeping records electronically, though without designating a record keeper. Electronic records have not been included in the collection.
Gift of Maryo Gard Ewell, Nov. 2017
Subjects
Artists and communityArts--ManagementCommunity arts projectsGovernment aid to the arts
A native of New Jersey, Ronald Steele was devoted to both music and photography from an early age. After a tour of duty with the US Air Force Symphony Orchestra and graduate study in violin performance at the University of Michigan, Steele joined the faculty at the University of Massachusetts in 1963. Active as a conductor as well as a performer throughout his career, he was widely known on campus for his popular course, an introduction to music, which was transformed into an award-winning, nationally-syndicated radio show in the mid-1970s. A founder of the UMass Symphony Orchestra (1963) and the Five College Chamber Soloists, Steele resumed his passion for photography in the late 1970s, opening the Ron Steele Photography Studio, which became an increasing creative outlet after his retirement from the university in 1997.
The Steele collection consists of roughly three linear feet of records documenting his career, including corresponce, programs, notes, teaching materials, and photographs. Reflecting his dual creative interests in music and photography, Steele took dozens of photographs of performers and colleagues.
Subjects
University of Massachusetts Amherst--FacultyUniversity of Massachusetts Amherst. Department of Music and Dance
The research interests of Professor of Botany Otto Stein lay primary in the morphogenesis of higher plants, the effects of chemicals on cell deformation, and the development of apical meristems. After receiving his doctorate from the University of Minnesota in 1954, Stein accepted a position at the University of Missouri, before coming to UMass in 1964, eventually becoming chair of the department. He left Amherst briefly to pursue a NATO Senior Research Fellowship at Imperial College in London, England (1971-1972), and remained active in the field until his retirement in 1990.
The bulk of the Stein collection is comprised of lecture notes on plant anatomy and reprints of Stein’s articles.
Subjects
Plant anatomy--Study and teachingUniversity of Massachusetts Amherst--FacultyUniversity of Massachusetts Amherst. Botany Department
Brother David Steindl-Rast was born Franz Kuno in Vienna, Austria, in 1926. He discovered The Rule of St. Benedict as a young man, which sent him on a search for an authentic version of Benedictine practice. This search brought him through the Second World War in Vienna, where he earned a Ph.D from the University of Vienna in 1952 and to the Mount Savior Monastery in Elmira, New York, where he became a monk in 1953. Along with his friend Thomas Merton, Brother David is one of the most important figures in the modern interfaith dialogue movement, leaving Mount Savior in the mid-1960s to study Zen Buddhism with Hakuun Yajutami, Shunayu Suzuki, and Soen Nakagawa. He was the first Benedictine to learn directly from Buddhist teachers and received Vatican support for his bridge-building work in 1967. Through Merton, Brother David met Thich Nhat Hanh, who introduced him to the peace movement and grounded Brother David’s spirituality in a tradition of activism. When not in seclusion, Brother David has served as a teacher of contemplative prayer, the intersection of Zen and Catholicism, and gratefulness as a spiritual practice. Through many books and articles, lectures, and residencies in spiritual centers like Tassajara and the Esalen Institute, Brother David has developed an influential philosophy and much of the current popularity of mindfulness and Zen-influenced living and activism owes a debt to his teachings.
The Brother David Steindl-Rast Papers include Brother David’s extensive published and unpublished writings, sermons, memoirs, personal journals, correspondence, photographs, recordings, and videos of his teachings. His papers extend back to his youth in Vienna, documenting his childhood and experience during the war, including a complete run of Die Goldene Wagen, the children’s magazine published by Brother David’s mother Elisabeth Rast.
Subjects
Benedictines--United StatesBuddhism--RelationsChristianity--RelationsPeace movements--United StatesPeace--Religious aspectsSpiritual life--BuddhismSpiritual life--Catholic church
Noted for his research in photosynthesis and the redox activity associated with the plasma membrane of plant cells, the plant physiologist Arthur I. Stern served in the Botany and Biology Departments at UMass Amherst for over thirty years. Receiving his doctorate at Brandeis University for a dissertation under Jerome A. Schiff on chloroplast development in Euglena (1962), Stern spent three years as a post-doctoral fellow at the NIH before joining the Botany faculty at UMass. Teaching courses in plant metabolism, he continued his research on chloroplasts and photosynthesis in Euglena and Phaseolus, among other topics. In 1982, Stern helped develop the biology track for the Honors Program and new Commonwealth College. Stern transferred to the Biology Department in 1988 and retired in December 1997.
The Stern Papers contain a range of materials documenting Stern’s research on photosynthesis, particularly in Euglena, notes for research and teaching, and a small assortment of professional correspondence. Also of note are some reminiscences contributed by Stern following Jerome Schiff’s death in 1995.
Subjects
EuglenaPhotosynthesisSchiff, Jerome AUniversity of Massachusetts Amherst--FacultyUniversity of Massachusetts Amherst. Biology DepartmentUniversity of Massachusetts Amherst. Botany Department
The composer Robert Stern was Professor of Theory and Composition in the Department of Music at UMass Amherst from 1964 until his retirement in 2006. A native of Paterson, N.J., Stern studied at the University of Rochester and the Eastman School of Music before arriving in Amherst. Noted for his use of Jewish themes and subjects, he has been the recipient of numerous awards and honors, including fellowships from the MacDowell Colony, Yaddo, and the Millay Colony for the Arts.
The Stern collection includes six reel to reel audiotapes of performances of Stern’s work at UMass Amherst. These include music of Blood and Milk Songs (1975), music of Burrill Phillips (1975), the New Music Ensemble (1976), and the Pro Musica Moderna concerts (1979, 1980, and 1981).
Subjects
University of Massachusetts Amherst--FacultyUniversity of Massachusetts Amherst. Department of Music and Dance
As a young man in Shutesbury, Massachusetts, William B. Stetson (b. ca.1836) earned a living by performing manual labor for local residents. Most of his work, and increasingly so, was found in the range of tasks associated with lumbering: chopping wood, sawing boards, making shingles and fence boards. By 1870, Stetson was listed in the federal census as a lumberman in the adjacent town of Leverett.
Stetson’s rough-hewn book of accounts provides detail on the work and expenditures of a young man from Shutesbury, Massachusetts, in the years just prior to the Civil War. Carefully kept, but idiosyncratic, they document a working class mans efforts to earn a living by whatever means possible, largely in lumber-related tasks. His accounts list a number of familiar local names, including Albert Pratt, Sylvanus Pratt, Charles Pratt, Charles Nutting, E. Cushman, John Haskins, and J. Stockwell. Set into the front of the volume are a set of work records dated in Leverett in 1870, by which time Stetson had apparently focused his full energies on lumbering.
Subjects
Leverett (Mass.)--Economic conditions--19th centuryLumber trade--Massachusetts--LeverettLumber trade--Massachusetts--ShutesburyShutesbury (Mass.)--Economic conditions--19th century