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Nourse, Rebecca Towne

Rebecca Towne Nourse Collection

1944-1993
1 box 0.25 linear feet
Call no.: MS 1023

Rebecca Nourse, born on October 5, 1928, was Laurence G. Nourse’s second child. Laurence, a graduate of Dartmouth College, was a long time educator and served as the Superintendent of Schools for Norton, Mass. from 1924 to 1958. Rebecca was born with intellectual disabilities and after attending the Norton Public Schools and the Deveraux School, now known as Devereux Advanced Behavioral Health, she was committed to the Belchertown State School in 1949. She remained at Belchertown for eleven years, transferring to the Laconia State School in Laconia, New Hampshire so she could be closer to her parents’ home in Deery. Rebecca died on March 12, 1993.

The Rebecca T. Nourse Collection though small, paints a rich portrait of the challenges of managing a daughter’s care in a State institution. The collection is made up of Laurence’s correspondence leading up to Rebecca’s commitment and with State School administration about issues ranging from replacing Rebecca’s broken glasses to attempts to make her tuition more affordable for their family. There are also a small number of letters from Rebecca to her father and mother and Rebecca’s commitment papers, school reports, certificates, brochures, and her death certificate.

Subjects

Mental retardation--Social aspectsPeople with disabilities--Civil rightsPeople with disabilities--Institutional care--Massachusetts

Contributors

Belchertown State SchoolNourse, Laurence G.

Types of material

Correspondence
Fitzpatrick, Ken

Ken Fitzpatrick Collection

ca.1980-2010
3 boxes 3 linear feet
Call no.: MS 773

Ken Fitzpatrick was long time organizer and official of the American Postal Workers Union, serving as President of Local 497 and Secretary and Treasurer for the American Postal Workers Union of Massachusetts before his retirement in about 2010.

The Fitzpatrick collection includes a selection of posters, hats, and ephemera related to the APWU.

Gift of Ken Fitzpatrick, Mar. 2013

Subjects

American Postal Workers UnionLabor unions--MassachusettsPostal workers--Labor unions

Types of material

EphemeraRealia
Banks, William S. M.

William S. M. Banks, From beginnings in the Sip

1997
1 vol. 0.1 linear feet
Call no.: MS 997 bd

Born in Amite County, Miss., in 1914, William S. M. Banks received his early education from his mother at home, who instilled in him an abiding respect for education. Despite the hardships of the Depression years, Banks used his athletic skills and work ethic to earn a degree at Dillard College, where he attracted the attention of Horace Mann Bond. Bond encouraged him to continue for a MA in Sociology and helped him land a position at Fort Valley State. After service during the Second World War, where he rose to rank of Captain and was awarded a Silver Star, Banks returned to Fort Valley State, completed a doctorate at Ohio State. He retired from Fort Valley after 38 years in 1978.

In his autobiography, a study of the impact of racial and class attitudes as much as personal achievement, William Banks describes his experiences growing up in a poor African American family in rural Mississippi and working his way up through distinguished military service and concerted effort to earn a doctorate at Ohio State and a career as a professor of sociology at Fort Valley State University.

Gift of Bil Banks, Oct. 2017

Subjects

African Americans--GeorgiaAfrican Americans--MississippiBond, Horace Mann, 1904-1972Fort Valley State University

Types of material

Autobiographies
Stack, Jonathan

Jonathan Stack Collection

1992-2000
36 boxes, films 65 linear feet
Call no.: MS 969
Depiction of Gabriel Films logo
Gabriel Films logo

A renowned independent film maker and founder of Gabriel Films, Jonathan Stack has written and produced over two dozen documentary films and fifty television programs. Born in New York City in 1957, Stack graduated from UMass Amherst in 1979. From the time of his film Damned in the USA (1992), Stack has taken on challenging subjects, earning a reputation for gaining access into forbidden and often dangerous situations, from crack dens in Harlem to war-torn Liberia. The recipient of numerous honors in his career, Stack has been awarded five Emmy Awards, has twice been nominated for the Academy Award, and his film The Farm, on Angola Prison, won Sundance Film Festival’s Grand Jury Prize in 1998.

The films and videos in the Stack collection include copies of his work in Liberia and Haiti and material from his documentary on prison rodeos at Angola Prison. The collection includes film from Damned in the USA (1992), Final Judgment (1996), and The Farm (1998), as well as footage from Harlem, Angola Prison, St. Gabriel Women’s Prison, and on body piercing, rodeo, and the prisoner Vincent Simmons.

Gift of Jonathan Stack, April-Dec., 2017

Subjects

Documentary filmsLouisiana State PenitentiaryMotion picture producers and directors

Types of material

Videotapes
Regional Geometry Institute Collection

Regional Geometry Institute Collection

1991 July
20 boxes 20 linear feet
Call no.: RG 25 M5 G3

Funded by the National Science Foundation, the Regional Geometry Institute held at the Five Colleges in 1991 included a series of talks by noted mathematicians exploring the shape of space and related topics.

The videotapes in this collection were recorded at the Regional Geometry Institute organized by Five Colleges mathematics faculty and convened at Mount Holyoke in July 1991. The Institute sponsored a dozen speakers on the shape of space and related topics, most giving more than one lecture.

Gift of Rob Kusner, 2013

Subjects

GeometryMinimal surfacesRiemannian manifoldsSoap bubbles--MathematicsSpace--MathematicsSurfaces--MathematicsTopology

Contributors

Adams, ColinBanchoff, ThomasBerger, Marcel, 1927-Bourgignon, J.-P. (Jean-Pierre), 1947-Brakke, Kenneth A.Hoffman, DavidKarcher, Hermann, 1938-Morgan, Frank (Professor Mathematics, Williams College)Schwartz, JudahUniversity of Massachusetts Amherst. Department of Mathematics and Statistics. Center for Geometry, Analysis, Numerics and GraphicsWeeks, Jeffrey R., 1956-deTurck, Dennis M.

Types of material

Videotapes
Siggins, Betsy, 1939-

Betsy Siggins Papers

1958-2018
6 boxes 6 linear feet
Call no.: MS 1022
Depiction of Betsy Siggins, ca.1959. Photo by Alan Klein
Betsy Siggins, ca.1959. Photo by Alan Klein

A key figure in the New England folk revival of the 1960s, Betsy Siggins (nee Minot) entered Boston University in the fall 1958 just at the music was taking off. Along with her college friend Joan Baez, she soon left school for the lure of the bohemian musical scene in Cambridge. At the age of 20, Betsy married the banjo player for the Charles River Valley Boys, Bob Siggins, who was also a founding member of Club 47, the most important venue for folk music in the region. For musicians from Baez and Bob Dylan to Jim Kweskin, Eric Von Schmidt, and Jim Rooney Club 47 was a career launching pad and despite the segregation of the era, it was a place where white northern audiences first encountered African American and blues musicians. Siggins worked full time at Club 47, filling a variety of jobs from office work to waitress to art gallery manager, eventually becoming program officer, arranging the schedules for musicians booked by Rooney or Byron Linardos. After Club 47 closed in 1968, Siggins went on to work for a succession of not for profit organizations, including the Smithsonian Festival of American Folklife and for programs for the homeless and poor.
The Siggins Collection contains important materials on Club 47 and its successor, Club Passim, including business records, ephemera, clippings, and some remarkable scrapbooks featuring performers such Joan Baez, Bob Dylan, and Richard Farina. The collection contains dozens of photographs (many taken by Charlie Frizzell), showing Siggins, her friends, and musicians at home, at Club 47, and at folk festivals in Newport, Brandeis, and Monterey. Of particular note in the collection is a remarkable series of 27 reel to reel tapes of performances at Club 47 featuring John Hammond, Doc Watson, Bill Monroe, Eric Von Schmidt, Jim Rooney, Jeff and Maria Muldaur, Jackie Washington, the Charles River Valley Boys, Joan Baez, and others. Additional material on Siggins and the Minot family was retained by the Cambridge Historical Society.

Transferred from Cambridge Historical Society, April 2018

Subjects

Club 47 (Cambridge, Mass.)Dylan, Bob, 1941-Folk music--New England
Frizzell, Charles, 1941-2004

Charles Frizzell Collection

1963-2004
3 boxes 1.25 linear feet
Call no.: PH 081
Depiction of Charlie Frizzell, ca.1963 (from Betsy Siggins Papers)
Charlie Frizzell, ca.1963 (from Betsy Siggins Papers)

Raised in suburban Boston, Charlie Frizzell became a well-known photographer of the music scene during the height of the folk revival of the early 1960s. At the age of 14, Frizzell took up photography after landing his first job at a camera shop, and he developed his talents under the mentorship of a local commerical photographer, Bob O’Shaughnessy. As a regular at Club 47 in Cambridge, Frizzell photographed the most popular performers of the era, from Bob Dylan and Joan Baez to Geoff and Maria Muldaur and Jim Kweskin. He left Massachusetts in the late 1960s for Berkeley, Calif., and according to folklorist Millie Rahn, created a sort of conduit between the music scenes in Berkeley and Cambridge. Frizzell died in Berkeley on May 29, 2004, following complications from a liver transplant.

Dating primarily from the mid-1960s, the collection includes approximately 50 prints and some negatives from Charlie Frizzell, including images of Jim Kweskin, Maria Muldaur, Bob Siggins, and Bonnie Dobson, along with images of performances at Newport Folk Festival.

Transferred from Cambridge Historical Society, April 2018

Subjects

Folk musicians--Photographs

Types of material

Photographs
Folk New England

Folk New England Ephemera Collection

1960-1973
1 oversize box 0.25 linear feet
Call no.: MS 1017
Part of: Folk New England Collection
Depiction of Poster for performance by Jackie Wilson, 1964 (designed by Eric von Schmidt)
Poster for performance by Jackie Wilson, 1964 (designed by Eric von Schmidt)

Founded by Betsy Siggins in 2009, Folk New England is an organization dedicated to documenting, preserving, and interpreting the cultural legacy of folk music in all its forms, with an emphasis on New England’s contribution.

The Ephemera Collection consists of dozens of posters, fliers, calendars, and other promotional materials for musical acts collected by Folk New England. Concentrated in the years of the folk revival in the late 1950s to late 1960s, many of the posters were sent to Club 47 in Cambridge, Mass.

Gift of Tom Curren and Folk New England, March 2018

Subjects

Folk music--New England

Types of material

FliersPosters
Bruskin, Gene

Gene Bruskin Papers

1963-2018
6 boxes 8 linear feet
Call no.: MS 1020
Depiction of Gene Bruskin
Gene Bruskin

Gene Bruskin arrived at Princeton in 1964 as a basketball player and left as a political radical. After taking part in the Second Venceremos Brigade, Bruskin got involved in antiracist and labor organizing in Boston. As president of the United Steelworkers of America local during the busing crisis of the 1970s, he helped win overwhelming support among the city’s bus drivers to have the union represent them, leading successful campaigns for better wages and working conditions. In the years since, he has held numerous high-profile positions nationally and internationally, including as labor director for Jesse Jackson’s Rainbow Coalition, Secretary Treasurer for the Food and Allied Service Trades Department of the AFL-CIO, and co-convener of U.S. Labor Against the War, an organization promoting peace and the demilitarization of U.S. foreign policy. Bruskin was a major figure in the largest private union election in the history of the United Food and Commercial Workers when he led the successful campaign to unionize 5,000 workers at Smithfield Foods in North Carolina. Since retiring in 2012, he has continued to consult with unions. In addition he has returned to some of his earlier undertakings in producing cultural works as a poet, songwriter, and playwright, centered on social justice and working class themes.

Documenting nearly fifty years of activism, Gene Bruskin’s papers are an exceptional resource for the labor movement in the 1970s through early 2000s, and particularly its radical end. Although Bruskin’s early years are relatively sparsely represented, there is a significant run of Brother, the first anti-sexist, “male liberation” journal that he helped found while in Oakland, and the collection includes important material from his work in Boston with the Hyde Park Defense Committee, the Red Basement Singers, and especially with the School Bus Drivers and their tumultuous three-week strike in 1980. The collection also contains a rich assortment of material on labor left and antiwar organizing in the 1990s and 2000s, the Justice at Smithfield campaign, and Bruskin’s work on behalf of single payer insurance, for International Solidarity, the American Federation of Teachers, and the Brotherhood of Maintenance of Way Employees.

Gift of Gene Bruskin, April 2018

Subjects

Boston (Mass.)--HistoryBus drivers--Labor unionsCharter schoolsJackson, Jesse, 1941-Labor unions--MassachusettsLabor unions--North CarolinaNational Rainbow Coalition (U.S.)Public schoolsSmithfield Foods, Inc.Strikes and lockouts--Bus driversWeatherman (Organization)

Contributors

Boston School Bus Drivers UnionUnited Steelworkers of America
Clark, Edie

Edie Clark Papers

1834-2018 Bulk: 1939-2017
63 boxes 94.5 linear feet
Call no.: MS 1018

Temporarily stored offsite; contact SCUA to request materials from this collection.

Beloved for her essays on New England life and for a long-running column in Yankee Magazine, Edie Clark was born in northern New Jersey in 1948 and raised near Morristown. A graduate of Beaver College, Clark cut short a career as editor for the Chilton Company in 1973 when she and her husband, inspired by Scott Nearing, moved to Vermont to pursue a simpler, more self-sufficient life. Drawing on the skills honed at Chilton, Clark developed a successful editorial business, which led her to approach Yankee Magazine in 1978 with the idea of writing an article on Abby Rockefeller and composting toilets, beginning an association that would last nearly twenty years. In 1990, Clark began writing a regular column on country life for Yankee, and in the years since, she has written dozens of essays and seven books, including The place he made (2008), a memoir about her second husband’s struggle with cancer; States of grace (2010), containing essays on “real Yankees;” and What there was not to tell (2013), an account of Clark’s search to uncover her parents’ experiences during the Second World War. Following a lengthy period of ill health, Clark retired from writing in 2017.

The record of a popular writer known for her depictions of contemporary New England, the Edie Clark Papers contain drafts and printed copies of nearly all of Clark’s work. An assiduous researcher, she gathered background materials on topics ranging from Lyme disease to the New England-Canadian border region to psychics and Spiritualists, and she corresponded or conducted interviews with dozens of people who featured in her work, including the author Carolyn Chute (author of The Beans of Egypt, Maine) and her husband Michael, then leaders in the so-called Second Maine Militia. Even more voluminous are some remarkable Clark family materials, including dozens of essays and letters by Clark’s grandmother Eleanor Sterling Clark and over 2,000 letters from her parents. Luther and Dorothy Clark, written during the Second World War while they were serving in the Army Air Corps and Marine Corps, respectively. These letters formed the basis for Clark’s remarkable book, What there was not to tell.

Gift of Edie Clark, April 2018.

Subjects

Authors--New EnglandNew England--Social life and customs--20th centurySpiritualismWorld War, 1939-1945

Contributors

Chute, CarolynClark, Dorothy RahmannClark, Eleanor SterlingClark, Luther Stowell, Jr.

Types of material

AudiocassettesOral histories
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