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Ferre, Marie

Marie Ferre Collection

1971-2013
2 boxes 0.75 linear feet
Call no.: MS 1040
Depiction of Marie Ferre among the headstones, ca.2004
Marie Ferre among the headstones, ca.2004

Esma-Marie N’Doi Booth was born into a missionary family in the Belgian Congo in Dec. 1932, and attended school there until entering Boston University. She earned her degree in art and art history in 1954, the same year she married the philosopher Frederick Feree, and for much of the next four decades, she worked as an archivist at the colleges and universities where her husband found an academic home: Vanderbilt, Mount Holyoke, and Dickinson. After retiring to Northfield, Mass., in 2000, she became active in local history and historic preservation, including working as archivist for the Association for Gravestone Studies. She died in Greenfield, Mass., in 2016 at the age of 83.

The Ferre collection contains articles, news clippings, and notes on New England gravestones, along with several dozen images taken by Ferre in graveyards during the early 2000s, primarily in Massachusetts.

Gift of the Association for Gravestone Studies, June 2018

Subjects

Sepulchral monuments--ConnecticutSepulchral monuments--Massachusetts

Types of material

Photographs
Keith, Bill, 1939-2017

Bill Keith Collection

1960-2013
1 box 0.25 linear feet
Call no.: MS 1037
Depiction of Bill Keith (r.) and Jim Rooney at the Newport Folk Festival, 1965
Bill Keith (r.) and Jim Rooney at the Newport Folk Festival, 1965

A stylistic innovator and influential performer on the five string banjo, Bill Keith is credited with transforming the instrument from a largely percussive role into a one where it carried the melody. A native of Boston and 1961 graduate of Amherst College, Keith cut his teeth as a performer in New England clubs during the hey day of the folk revival, often partnering with his college roomate Jim Rooney, and he spent the better part of the decade as a member of two high profile acts: Bill Monroe’s Bluegrass Boys, with whom he played for eight critical months in 1963, and the Jim Kweskin Jug Band. Adding the pedal steel guitar to his repertoire, Keith performed on stage and in studio with a stylistically and generationally diverse range of acts including Ian and Sylvia, Judy Collins, Richie Havens, Loudon Wainwright, and the Bee Gees. Keith continued performing nearly to the time of his death by cancer in October 2015.

This small collection of photographs and ephemera documents the musical career of bluegrass legend Bill Keith, including early images playing in coffee houses and at Newport Folk Festival and images of Keith with musical collaborators throughout the 1970s and 1980s. The collection includes a series of photographs and ephemera taken during the 50th anniversary Jug Band Reunion tour of Japan in 2013.

Subjects

Folk music--New England

Types of material

EphemeraPhotographs
Elders Share the Arts

Elders Share the Arts Records

ca.1975-2018
14 boxes 17 linear feet
Call no.: MS 1034
Depiction of Hodson Drama Group, Grandma's home remedy show, 1982 (photo by A. Heppenheimer)
Hodson Drama Group, Grandma's home remedy show, 1982 (photo by A. Heppenheimer)

A community arts organization founded by Susan Perlstein in 1979, Elders Share the Arts was a pioneer and national leader in the field of creative aging. Beginning as a single living-history theater workshop in the South Bronx, ESTA grew into a citywide organization with national impact that engaged older adults in participatory arts programing. The performing groups that emerged from ESTA typically drew upon the experiences of its members, with the programs running from storytelling and theater to writing, dance, and the visual arts. With the rapid growth of the field, ESTA ceased operations in June 2018, transferring their programs to other organizations.

The records of Elders Share the Arts offer vital documentation of the origins and development of the field of creative aging and the growth of one of the innovators. The collection includes a full set of board minutes, action plans, and by-laws, marketing materials, photographs and media, and a relatively complete record of grants sought and won. Of particular importance are files for ESTA’s senior programs and intergenerational programs, and a thick series of matierlas relating to the National Center for Creative Aging and the history of creative aging as a field.

Gift of Lynn Winters and Susan Perlstein, July 2018

Subjects

AgingArts and older peopleCreative agingTheater--New York (State)--New York

Contributors

National Center for Creative AgingPerlstein, Susan

Types of material

PhotographsVideotapes
Esperanto League for North America

Esperanto League for North America Collection

ca.1920-2015
18 boxes 27 linear feet
Call no.: MS 1035

The Esperanto League for North America was founded in Emeryville, Calif., in 1952 as an affiliate of the Universal Esperanto Association. Operating primarily within the United Sates, the League serves as a point of connection and education for speakers of Esperanto, an international constructed language, and holds annual congresses for speakers at all levels of fluency. The League adopted the informal name Esperanto-USA in 2007, though officially retaining Esperanto League for North America.

The records of the Esperanto League for North America (Esperanto USA) are an important resource for documenting the growth and development of the Esperanto movement in the United States from the end of the First World War to the present. Varied in both scope and content, the collection includes a significant body of correspondence from ELNA officers, documentation of world and natioanl congresses, and a range of publications promoting the League and language. Of particular note, the collection includes several hurdred audiocassette tapes distributed by ELNA, including tapes for Esperanto learners, recordings of Esperanto conversations, music, recordings of Esperanto congresses, and Esperanto radio broadcasts from Switzerland, Poland, and China.

Gift of Esperanto-USA, June 2018
Language(s): Esperanto

Subjects

Esperanto--CongressesEsperanto--Study and teaching

Contributors

Esperanto USA

Types of material

AudiocassettesPhotographs
Shultis, Newton

Newton Shultis Papers

ca.1880-1938 Bulk: 1893-1896
10 boxes 10 linear feet
Call no.: RG 050/6 1896 S58
Depiction of Football game by Old Chapel, ca.1894
Football game by Old Chapel, ca.1894

Born on New Year’s Day 1876 to Mark and Katie Shultis, Newton Shultis became a member of the Massachusetts Agricultural College Class of 1896. A resident of Medford, Mass., at the start of his college career, Shultis was described by his classmates in the yearbook as “the only man in the class who has not an enemy in college.” An avid fan of the baseball and football teams, the former of which he was manger, Shultis was also a member of the Washington Irving Literary Society, DGK fraternity, and the YMCA, and he was known to have brought a Hawkeye camera with him to campus. After graduation, Shultis joined his father in the family grain shipping business in Boston where for many years he was a member of the Chamber of Commerce. Shultis died in Hopkinton, N.H. in 1956.

The Shultis papers include a selection of correspondence from Shultis to his parents during his college years, along with a remarkable array of ephemera, including his cadet’s uniform with hat, belt, and bayonet scabbard; his graduation robes; a three-volume herbarium; three volumes of class notes and essays; 16 dry plate glass negatives; a Class of 1896 photograph album; and miscellaneous photographs, school books, and ephemera.

Gift of Sally Harris, June 2018

Subjects

Massachusetts Agricultural College--AlumniMassachusetts Agricultural College--Students

Types of material

HerbariaMilitary uniformsPhotographs
Broadside

Broadside and Poster Collection

1798-2012
5 folders, tube 1 linear feet
Call no.: RB 034
Depiction of Advertisement for E. S. Hayden's daguerreotypes, ca.1850
Advertisement for E. S. Hayden's daguerreotypes, ca.1850

Printers and bibliographers use a bevy of terms to refer to works printed on one side (or sometimes both sides) of a single sheet, classified primarily by size. From large to small, posters, broadsides, and fliers refer to works used to convey a more or less focused message to an audience, often using illustrations or inventive typography to grab the attention.

Posters from Communist world, with an emphasis on the political and cultural transformations of the late 1980s through mid-1990s. The majority of posters originated in the Soviet Union, although there are examples from East Germany, China, and elsewhere.

Gift of various donors
Language(s): YiddishRussian

Subjects

Antiwar movements--PostersCommunism--PostersSoviet Union--History--1985-1991Vietnam War, 1961-1975--Protest movements--Posters

Types of material

Broadsheets (Formats)Broadsides (Notices)Fliers (Printed matter)Posters
Beach, Samuel

Samuel and Harriett Beach Papers

1829-1903
2 boxes 0.75 linear feet
Call no.: MS 1032
Depiction of Business card for J.S. Stannard Oysters, ca.1885
Business card for J.S. Stannard Oysters, ca.1885

Spread out across the early national landscape, the Beach and Cooke families were bound by the ties of family, friendship, and business. The brothers-in-law Samuel Beach, from Branford, Conn., and Samuel G. Cooke, from Mendon, Illinois, both served in the Civil War. As a corporal in the 27th Connecticut Infantry, Beach saw action at the battles of Fredericksburg and Chancellorsville, while Cooke served in the west with the 50th Illinois before taking a captain’s commission in the 44th U.S. Colored Troops. Farmers and fruit growers, the two settled in Branford after the war, with Beach establishing Pawson Park, a day resort and picnic grounds that prospered in the 1880s.

The paper of Samuel and Harriett Beach contain family correspondence from two generations of Connecticut family in the mid-nineteenth century. Of particular note are 31 war-date letters and a post-war memoir of the battle of Fredericksburg from Samuel Beach, and three war-date letters from Samuel G. Cooke. The collection also includes an interesting, though scattered series of letters relating to the creation and operation of the day resort, Pawson Park.

Acquired from William Reese, April 2018
Richards family

Richards Family Collection

1692-1818
2 vols. 0.25 linear feet
Call no.: MS 1030 bd

A prosperous farmer in the southern reaches of Massachusetts Bay Colony, James Richards was born on June 2, 1658, and never ventured far from his from his home in Weymouth or the adjoining town of Braintree. The son of William Richards and his wife Grace Shaw, and a member of the third generation of Richards in the new world, James was characteristically diverse in his economic activities, raising livestock (sheep and pigs), harvesting salt grass, making salt, and raising crops including rye, corn, and barley, which he malted, presumably for the production of beer. Although most of his transactions were local, he traded as far away as Charlestown and Barnstable.

The Richards family ledgers include a daybook from James Richards kept between 1692-1710 and an account book from his great grandson Jacob Richards kept a century later, along with loose receipts from generations of Richards in between. The volume associated with James Richards records sales of goods produced on his Weymouth farm, including barley, rye, “Indian corn,” salt, mutton and lamb, pork, and eggs, along with occasional records of the sale of goods such as shingles, “board nails,” clapboards, molasses and sugar, lamp oil, tobacco, and cloth. The sparser records from Jacob Richards include accounts that include the sale of cider; cord wood; pine, oak, and maple boards; and shoes.

Gift of Carolyn Taylor, June 2017, through the UMass Press.

Subjects

Agriculture--Massachusetts--WeymouthAgriculture--Massachusetts--WeymouthWeymouth (Mass.)--Economic conditions--17th centuryWeymouth (Mass.)--Economic conditions--18th century

Contributors

Richards, Jacob, 1778-Richards, James, 1658-1711

Types of material

Account booksDaybooks
Klekowski, Edward J.

Ed and Libby Klekowski World War I Postcard Collection

1917-1919
1 box 0.25 linear feet
Call no.: MS 1029
Depiction of American soldier creeping through barbed wire with grenades
American soldier creeping through barbed wire with grenades

A professor of Biology at UMass Amherst with and interest in the mangrove ecosystems of the Caribbean and the deep water environments of the Connecticut River, Ed Klekowski has become well known as a videographer and writer. He has produced documentary for PBS station WGBY on the Quabbin reservoir and the great flood on the Connecticut River in 1936, and on the Yankee Division during the First World War. He and his wife Libby have co-written two books on the First World War, Eyewitness to the Great War (McFarland Press, 2012) and Americans in Occupied Belgium (McFarland Press, 2014).

This small collection of postcards consists primarily of images of American military involvement during the First World War. The scenes depicted range from the first contingent of American soldiers to arrive in 1917 to gas attacks, tanks, and American soldiers and Marines in the trenches and combat during the summer and fall 1918. Among the more unusual form postcards are two cartoon images intended for use by soldiers on their return home, one each from the Knights of Columbus and the Jewish Welfare Board. The postcards were collected by the Klekowskis during preparations for their documentary on the Yankee Division.

Gift of Ed and Libby Klekowski, Nov. 2017.

Subjects

Belleau Wood, Battle of, France, 1918--PhotographsChemical warfare--France--PhotographsFrance--PhotographsSoldiers--United States--PhotographsTanks--United States--PhotographsTrenches--France--PhotographsWorld War, 1914-1918--Photographs

Types of material

Postcards
Skinner, Kenneth G.

Kenneth G. Skinner Collection

ca.1908-1928
1 box 0.25 linear feet
Call no.: MS 1027
Depiction of Spiritualist Church and Lucy Parker's house, ca.1908
Spiritualist Church and Lucy Parker's house, ca.1908

Granted in 1737 and incorporated in 1754, Greenwich, Mass., was the first town in the Swift River Valley settled by Europeans. Sitting astride the East and Middle branches of the Swift River and forming the eastern boundary of Hampshire County, Greenwich was primarily an agricultural town with light manufacturing and, beginning in the later nineteenth century, an active tourist trade. The town’s population peaked at over 1,100 early in the nineteenth century, declining slowly thereafter.

The photographic postcards in this collection all relate to the Quabbin town of Greenwich and were originally housed in an album of uncertain provenance. Primarily “real photo” postcards and dating between approximately 1908 and 1928, they were labeled by a knowledgeable, but unknown person at a later date to identify the houses, roads, stores, and views. Unlike many of the commercial postcards of the day, they present a very down-to-earth view of the town, its rocky fields, mills, houses and stores, and its summer hotels.

Subjects

Dwellings--Massachusetts--Greenwich--PhotographsGeneral stores--Massachusetts--Greenwich--PhotographsGreenwich (Mass.)--PhotographsQuabbin Reservoir Region (Mass.)--PhotographsSwift River Valley (Mass.)--Photographs

Types of material

Photographic postcardsPhotographs
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