The University of Massachusetts Amherst
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Anderson, Kathleen “Betty”

Kathleen (Betty) Anderson Papers

1968-2017
2 boxes 2.17 linear feet
Call no.: MS 1242

Born June 15, 1923, Kathleen “Betty” Anderson was an influential self-taught ornithologist and conservationist. While she was born in Montana, Anderson spent most of her life in southeastern Massachusetts, most notably at Wolf Trap Hill Farm in Middleborough, where Anderson kept extensive notes on wildlife sightings in a series of diaries that span decades. Anderson’s professional career as an ornithologist began in the 1950s when she worked for the U.S. Public Health Service after an outbreak of equine encephalitis. In the 1960s, Anderson established an Operation Recovery banding station on Duxbury Beach, as well as what is now Manomet, Inc., where she served as the founding director from 1969-1983. She served as a charter member and Chair of MassWildlife’s Natural Heritage and Endangered Species Advisory Committee, as well as being President of the Trustees of the Wildlands Trust.

Among Anderson’s numerous awards and accolades, she received the Cornell Laboratory of Ornithology Arthur A. Allen Award; the Francis Sargent Award from the Massachusetts Fisheries and Wildlife Board; the Allen Morgan Award for Lifetime Achievement from Mass Audubon; and she was one of the first women to be elected to membership in the Nuttall Ornithological Club, serving as president in 1987.

Anderson passed away on August 24, 2018 at the age of 95.

The Kathleen “Betty” Anderson Papers consist almost entirely of her Daily Reminder diaries from 1968-2015, with a couple of missing years. Using these diaries, Anderson kept detailed notes observing wildlife and environmental conditions at Wolf Trap Hill Farm. These diaries provide not only her research notes and findings, but also Anderson’s daily activities. Included, often loose at the front and back of the books, or between pages, are newspaper clippings, postcards, the occasional leaf or bird feather, and other ephemera. Alongside the diaries, there is a notebook with notes about various plant species and a notebook with butterfly sightings and notes.

Gift of Joseph F. Larson and the Anderson family, 2022.

Subjects

Birds--MassachusettsOrnithologists--Massachusetts

Contributors

Anderson, Kathleen "Betty"

Types of material

Clippings (information artifacts)Diaries
Flywheel Community Arts Space

Flywheel Community Arts Space Collection and Zine Library

1963-2024 Bulk: 1992-2015
33 boxes 34.67 linear feet
Call no.: MS 1261
front of 2 Holyoke Street in Easthampton with a sign above a glass door adorned with flyers that says Flywheel
2 Holyoke St., Flywheel's original location circa 2000

In the spring of 1998, two western Massachusetts-based musicians/artists, Cindy Bow and Helen Harrison founded the Valley Arts and Music Alliance (VAMA), a grassroots collective of artists who worked collaboratively to produce free, all-ages shows and art happenings that reflected their own creative visions which operated in opposition to those of the established music industry. VAMA attracted like-minded people, most of whom were already doing similar things in their own homes, churches, dorm basements, record stores, VFW halls, and other non-traditional venues. Together, the group produced over two-dozen shows at The Fridge Art Gallery and other spaces in downtown Amherst, MA and elsewhere. In December of 1998, a friend, supporter, artist, and local lawyer, Stevan Bartone, located a space in Easthampton – a long-vacant cabinet store owned by a local Palestinian-born doctor named Shawki Kanazi located at 2 Holyoke St. that would serve as a home for VAMA.

As word of the space spread, several people joined the fledgling group and VAMA morphed into Flywheel. After a flurry of renovations to the space led by local artist and carpenter Bruce Todd and his dog Mashie, Flywheel opened its doors in March of 1999 with a day-long celebration of music, poetry, comedy, and visual art. For the next eight years, a stable of local bookers, volunteers, supporters, musicians, and artists facilitated a wealth of community-building artistic moments in this unassuming storefront in Easthampton, which at the time was a post-industrial city shaping its artistic future. In 2007, at the invitation of local developer and arts supporter, Will Bundy, Flywheel left 2 Holyoke St. for a larger space in Easthampton’s historic Old Town Hall at 43 Main St. Bundy formed a non-profit, City Space, to manage the building in which Flywheel was a tenant. Flywheel reopened in 2010 after three years of major renovations. In December 2020 Flywheel left Old Town Hall and has continued to program events at unconventional spaces around Western Mass.

The Flywheel collection documents its history from its inception as VAMA in 1998, to its transformation into Flywheel in 1999 and through its continued operation in the early to mid 2000s. These records document the construction and operation of Flywheel’s space at 2 Holyoke Street through photographs, correspondence, meeting minutes, digital files, and financial records. In addition, Flywheel and VAMA’s programming is reflected through vast amounts of promotional materials such as show flyers, posters, monthly schedules, correspondence, contracts, signage, artwork, and audiovisual materials. These items illustrate the rise of the do-it-yourself (D.I.Y.) music scene in Easthampton and Western Massachusetts as well as the national/international underground music community of the late 20th/early 21st century. Established, or soon to be established, “indie” artists such as Versus, Kim Gordon, Lightning Bolt, Ted Leo and the Pharmacists, The Gossip, Pernice Brothers, Dresden Dolls, Pansy Division, High Rise, Bright Eyes, and thousands of experimental artists, filmmakers, and musicians in a variety of genres/mediums from noise, electronic and jazz to hardcore, folk, and punk are represented in printed calendars and flyers. As a volunteer-run, consensus-based 501(c)3 non-profit organization with no paid employees, Flywheel’s success depended on small-scale fundraising efforts, volunteers, and community support. This structure is well documented through meeting minutes, fundraising appeals, a website, internal correspondence, signage, and collaboratively-produced guidebooks. In addition to organizational records, there is a large collection of fanzines and underground publications that constituted Flywheel’s “infoshop”. This collection of over 3,500 publications, which makes up the bulk of the collection, was built over the course of 20 years through donations by volunteers and supporters, show goers, zine makers, and by being listed in Slingshot, the Berkeley, CA anarchist newspaper.

Acquired from Flywheel, 2024

Subjects

Counterculture--MassachusettsUnderground music--United States--MassachusettsUnderground press publications--United StatesUnderground press publications--United States--ZinesZines

Contributors

Bow CindyDavies, Diana, 1938-Flywheel Community Arts SpaceHarrison, HelenMillman, DanSmith, Jeremy 1972-

Types of material

Agendas (administrative records)Bylaws (administrative records)Color photographsDrawing booksElectronic documentsElectronic mailFinancial statementsFliers (printed matter)Minutes (administrative records)Music postersPostersSketchbooksVideotapes
Restrictions: none none
Barton, Carol

Carol Barton and elmira Nazombe Collection

1985-2022
13 boxes 19.5 linear feet
Call no.: MS 1249

Carol Barton is a popular educator and policy advocate. She co-founded Alternative Women in Development/New York in the 1990s, which was active at the UN Beijing 4th World Conference on Women and helped create the Economic Literacy Action Network (ELAN). Barton served on the economic literacy team of the International Gender and Trade Network, active in the 2000s. With elmira Nazombe, she led the Women’s International Coalition for Economic Justice (WICEJ) from 2000 through 2005. WICEJ was active in the UN Commission on the Status of Women, the World Conference Against Racism, and the Financing for Development Conference as well as the Feminist Dialogues linked to the World Social Forums in India (2004) and Brazil (2005). Currently, Barton is co-convener of the International Women in Migration Network.

elmira Nazombe has worked in the areas of popular education, social, economic and racial justice for over five decades. With a degree in urban planning, after graduation, Nazombe lived and worked for 10 years in east and southern Africa working as an urban planner and journalist. She also held positions with the All Africa Conference of Churches and the National Christian Council of Kenya. Nazombe has worked as a social justice educator for the past 25 years. She was an Executive Secretary for Racial Justice for United Methodist Women and served as the Human Rights Education Director for the Center for Women’s Global Leadership at Rutgers, The State University of New Jersey. Nazombe holds a doctorate in Education (Ed.D) from Rutgers. For the last 12 years, she has been teaching social justice courses at Rutgers, hoping to nurture a new generation of social justice activists.

The collection documents Barton’s and Nazombe’s involvement in a wide range of activist and advocacy engagement both nationally and internationally, in particular with the Women’s International Coalition for Economic Justice (WICEJ). At the heart of the collection is Barton’s contribution to a collaborative effort in feminist popular education. Together with Ying Ling Leung, elmira Nazombe, Pamela Sparr, and Mariama Williams, Barton organized and facilitated popular education programs in various movements to empower women worldwide.

Gift of Carol Barton and elmira Nazombe, 2024.

Subjects

Anti-racismEconomics--Moral and ethical aspectsPopular education

Contributors

Barton, CarolNazombe, elmiraSparr, Pamela
Matthei, Chuck

Chuck Matthei Peacemakers Oral History Collection

1975-1984 Bulk: 1982-1984
3 boxes 1.17 linear feet
Call no.: MS 1247

In the early 1980s Chuck Matthei, in collaboration with Gail Daneker and Cheryl Fox, conducted approximately 40 taped interviews with the founders of the revolutionary pacifist and tax resistance group, Peacemakers. The interviewees included: Ernest and Marion Bromley, Maurice McCraken, and Wally and Juanita Nelson. Matthei was a pacifist and activist and from 1980-90 was the Executive Director of the land trust/community loan organization Institute for Community Economics (ICE), then based in Greenfield, MA and now located in Springfield, MA. Matthei then went on to found Equity Trust in 1991, which focused on alternative models of land tenure and economic development across the U.S., Central America and Kenya.

The interviews discuss the founding and development of Peacemakers, a decentralized, self-described “revolutionary pacifist” organization which believed in economic and social community uplift through resource sharing and cooperation as a way to dismantle capitalistic lifestyles. They spread the idea of peacemaking and developed non-violent methods of opposing war through various forms of non-cooperation and to advocate unilateral disarmament and economic democracy. The group manifested this through tax resistance, refusing to serve in the armed forces, refusing to make or transport weapons of war, and refusing to pay taxes for war purposes.

Donated by Bob Bady, 2024/2025

Subjects

Bromley, ErnestBromley, Marion, -1996McCrackin, Maurice, 1905-1997Nelson, JuanitaNelson, Wallace F.PacifismPeacemakers--History

Contributors

Daneker, GailFox, CherylMatthei, Chuck

Types of material

AudiocassettesOral histories (literary genre)Transcripts
Scott, Kesho

Kesho Scott Papers

1952-2025
19 Boxes 7.923 linear feet
Call no.: MS 1270

She is an internationally renowned Diversity Trainer/Consultant, an Associate Professor of American Studies and Sociology at Grinnell College, and an award-winning writer.  Kesho was a founding member of International Capacity Building Services, a cultural competency training team that specializes in facilitating both “unlearning isms” and Human Rights workshops as well as various seminars and training programs that have been successfully adapted for audiences throughout the United States and abroad. In over two decades of developing unlearning racism work, Kesho has led hundreds of professional and community-based workshops; she has been keynote speaker for national conferences as well as a participant on several dozen national and local radio debates, discussions, and public service announcements.  Grounded in this extensive experience, Kesho developed an “affirmative duty” technique for facilitating unlearning racism workshops.  It is a method that helps shift participants’ awareness, commitment and skill-set toward being actively and personally anti-racist and anti-sexist, rather than remaining merely passive observers.

Subjects

African American women--BiographyAfrican American women--Social conditionsAmerican fiction--African American authorsShort stories, American--Michigan--Detroit

Contributors

Scott, Kesho
Walters, Delores

Delores Walters Papers

1950-2024
3 boxes 1.834 linear feet
Call no.: MS 1269

Dr. Delores M. Walters is an educator, anthropologist, and consultant whose advocacy for diversity, inclusion, equity, and cultural competency in academic, local, and global communities spans an extraordinary career. Training as a cultural anthropologist and previously as a registered nurse led to culturally and historically engaging community-based service-learning and public history projects. She designed and implemented courses and initiatives in various academic and community settings that promoted cultural competency in health care, alleviation of health disparities and cultural/ historical heritage. Throughout her journey, a Black Feminist perspective guided those initiatives:
“My intention was to empower students and teachers, including those engaged in health care, with cultural/historical knowledge and awareness, especially about and among African Americans and other peoples of color, that will enrich our communities locally, nationally, and worldwide.”

Language(s): Arabic

Subjects

Enslaved women--United States--Social conditionsGarner, Margaret, 1834-1858--InfluenceYemen

Contributors

Walter, Delores M.
Phelps, Charles (Moses) Porter

Charles (Moses) Porter Phelps Farm Records

1763-2012
18 boxes 27 linear feet
Call no.: MS 1175

Charles (Moses) Porter Phelps established Phelps Farm in 1816, constructing the farmhouse across the road from Forty Acres; a farmstead that his grandparents founded more than 60 years prior. Over time, Phelps Farm became one of the most successful and profitable farms in Hadley. Now a part of the “Forty Acres and its Skirts” National Historic District, both Phelps Farm and Forty Acres represent the rich communal heritage existing among the descendants of Hadley’s first European settlers.

The Charles (Moses) Porter Phelps Farm Collection follows the intertwining lines of many families, but primarily traces the line that managed Forty Acres and Phelps Farm: the Porters, the Phelps, the Bulfinches, the Huntingtons, the Sessions, the Hacketts, and the Pierces. The collection as a whole provides numerous first-hand accounts of what life was like on Forty Acres and Phelps Farm over the generations. Materials include diaries, in particular the diaries of Elizabeth (Porter) Phelps, which span 54 years; financial records; photographs; genealogies; family items; and documents related to the farm.

Gift of Porter-Phelps-Huntington House Museum.

Subjects

Family farms--Massachusetts--HadleyHadley (Mass. : Town)--History

Types of material

Legal correspondenceLegal documentsLetters (correspondence)
Weinrub, Al

Al Weinrub Papers

1961-2024
33 boxes 49.5 linear feet
Call no.: MS 1240

A physicist turned science, labor, social justice, and environmental activist, Al Weinrub pushed boundaries to fight injustices within the United States and abroad. The causes that he supported were intertwined, all advocating for the rights of individuals and often centered on the rights of the worker. Weinrub’s contribution to the founding of the radical, anti-imperialist organization Science for the People (SftP) was the start of a lifetime of involvement in grassroots organizations and social causes. Following five years of editing SftP’s magazine and a move across the country, he became a voice for labor’s role in the fight against U.S.-Central American intervention, took part in Jesse Jackson’s Rainbow Coalition, acted as First Vice President of the National Writers Union, and was coordinator for the Local Clean Energy Alliance (LCEA) and California Alliance for Community Energy (CACE). Weinrub’s activism spanned labor, women’s rights, anti-militarism and nuclear disarmament, anti-racism, and climate justice. He investigated internal discrimination within these groups and promoted diversity efforts to democratize the causes he supported.

The collection spans over sixty years of material created and collected by Weinrub. It contains ephemera from the early years of Science for the People, course material from his studies and teaching, research and photographs on Central and Latin America, internal organizational documents from the groups he founded and of which he was a member, personal political archives of the 1970s through 1990s, and materials relating to energy and climate activism.

Gift of Edith Weinrub.

Subjects

Environmental responsibilityLabor unions--Latin AmericaLabor unions--United States

Contributors

Abu-Jamal, MumiaLine of MarchScience for the People

Types of material

AudiovisualClippingsLetters (correspondence)
Bonder, Diane, 1960-2006

Diane Bonder Papers

1955-2006
22 boxes 25 linear feet
Call no.: MS 1266

Diane Bonder made experimental film and videos, using Super 8 and 16mm. Her poetic semi-narrative and autobiographical films explore themes of identity, landscape, memory and loss. Growing up in Northampton, Massachusetts, she graduated with her BA from UMass Amherst and studied photography at the Photographic Resource Center in Boston. She received her MFA from Rutgers University in 1993. In 1996, Bonder moved to Brooklyn, making it her home. Bonder was an artist in residence at UCross (Wyoming) and Squeaky Wheel (Buffalo, N.Y.) and received grants from NYFA and NYSCA. She maintained a longstanding relationship with Millennium Film Workshop, where she taught herself the optical printing techniques, which became part of her signature visual style. Bonder’s award-winning films have been screened at the Whitney Museum of Art, Brooklyn Museum of Art, Anthology Film Archives, NY, SF Cinematheque, Mix NYC and at many international film festivals, universities and curated screenings. Her work continues to be screened around the world. Retrospective screenings of her work have been held at MOMA, Hallwalls (Buffalo, N.Y.) and Millennium Film Workshop (New York).

The Diana Bonder Papers provides insight into her creative process as a filmmaker and photographer. The collection features film reels, U-Matic, Hi8, VHS, DVDs, and audio, which include Closer to Heaven, You Are Not From Here, The Physics of Love, Dear Mom, Tongue in Chic, Parole, Dangerous When Wet; film notebooks; slides, negatives, contacts sheets, which include portraits, landscapes, family photographs, Rutgers (installation, film, other project studies/prep), “Blood and Veins,” and others; photographic prints; and two large lightboxes and several small lightboxes.

Gift of Elizabeth Stephens and Liss Platt, 2025.

Subjects

Documentary films--Production and directionMotion picture authorshipMotion pictures

Types of material

Experimental filmsNegatives (photographic)Photographs
Snow, Keith Harmon

Keith Harmon Snow Papers

ca. 1980-2024
41 boxes 61.5 linear feet
Call no.: MS 1264

Stored offsite; contact SCUA to request materials from this collection.

Born and raised in Williamsburg, Massachusetts, Keith Harmon Snow earned his Master’s in microwave engineering at UMass Amherst. He worked at General Electric Company but left the security of his job soon after receiving a promotion in order to pursue travel and a career in investigative journalism. As a photojournalist and war correspondent, Snow worked extensively in Central Africa. He served as a genocide investigator for Survivors Rights International, Genocide Watch, and the United Nations, documenting and exposing genocide and crimes against humanity in Sudan and Ethiopia. Snow won three Project Censored awards, and in 2009, he was named the Regent’s Lecturer in Law & Society at the University of California, Santa Barbara, recognized for over a decade of work on war crimes. A champion for human rights and the rights of children around the world, Snow’s book, The Worst Interests of the Child: The Trafficking of Children and Parents Through U.S. Family Courts, was published in 2015. Snow died on December 8, 2024.

The papers of Keith Harmon Snow document his work as a photojournalist and war correspondent in Africa, featuring research materials, notebooks, published writings by and about Snow, and a vast array of his photographs, slides, and negatives. The collection includes publications, documents, and book drafts Snow accumulated during the investigative process of writing his book, The Worst Interests of the Child. Also chronicled, his multi-year struggle with the town of Williamsburg, Massachusetts to enforce zoning bylaws that regulate the use of firearms and explosives at a shooting range near his property.

Gift of Keith Harmon Snow, 2024.

Subjects

Children--Crimes againstGenocide (International law)Genocide—EthiopiaGenocide—SudanHuman traffickingPhotojournalistsWar correspondentsWar crimes

Contributors

ArticlesNegativesNotebooksPhotographsSlides
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