Romanian-born Morris Golden earned his doctorate in English from New York University in 1953. Golden authored six books of literary criticism on 18th and 19th century writers, including Henry Fielding, Samuel Richardson, and Charles Dickens. Appointed Associate Professor of English at UMass Amherst in 1962 and promoted to full professor in 1965, Golden taught at UMass for 24 years. Golden retired from UMass in 1986, the year he was a Guggenheim Fellow, but he continued to teach literature at the Amherst Senior Center until his death in 1994.
The Golden Papers are a collection of Golden’s writings as a student at NYU, a draft of his dissertation and other manuscripts as well as many of his publications. Also included in the collection are grade books, professional correspondence, and extensive notes for research and teaching in the area of English and world literature.
Subjects
University of Massachusetts Amherst--FacultyUniversity of Massachusetts Amherst. Department of English
After receiving her B.S. from Massachusetts State College in 1941 and M.S. in microbiology from UMass in 1957, Iona Mae Reynolds embarked upon a teaching career of over 30 years in the Stockbridge School of Agriculture, later serving as the school’s Assistant Director. In 1985 Reynolds was awarded the Chancellor’s Medal for her service to the University as a faculty member and her many years on the associate alumni Board of Directors.
The Reynolds Papers include reunion materials, photographs, and writings, as well as a small collection of UMass memorabilia.
Subjects
Massachusetts State College--Alumni and alumnaeUniversity of Massachusetts Amherst--FacultyUniversity of Massachusetts Amherst. Stockbridge School of Agriculture
The graphic artist Siegfried Ebert had an important influence on the visual language of East German television and animated motion pictures. Born in Eibau on July 20, 1926, Ebert was drafted into the Luftwaffe in 1943, but shortly after going on active duty, he was severely wounded and taken prisoner by the English. After his release, Ebert shifted course in life, studying commercial art at the Kunstgewerbeschule Zittau and film at the Hochschule für bildende und angewandte Kunst in Wiessensee. He became one of the earliest artists to specialize in the new medium of television, working for Deutscher Fernsehfunk, doing graphic design and animation. A member of the Verband Bildender Künstler Deutschlands, he later worked on animated films for the DEFA studios. Suffering from ill health for the last several years of his life, Ebert suffered a heart attack in November 1985, and died at home shortly after his sixtieth birthday in 1986.
The Ebert Collection includes a small assortment of correspondence, awards, and biographical materials, along with examples of his graphic work for television and film. Among other unusual items in the collection are attractive handbills (small posters) for Progress and DEFA films, some original sketches, photographs and mockups of his artwork for television, and an assortment of personal and professional ephemera.
Gift of James and Sibylle Fraser, 2007
Language(s): German
Subjects
Germany, East--Social life and customsGraphic artists--Germany, EastMotion pictures--Germany, EastPrisoners of War--GermanyTelevision--Germany, EastWorld War, 1939-1945
The family of Roxana Kingsbury Gould (nee Weed) farmed the rocky soils of western New England during the late nineteenth century. Roxana’s first husband Ambrose died of dysentery shortly after the Civil War, leaving her to care for their two infant sons, and after marrying her second husband, Lyman Gould, she relocated from southwestern Vermont to Cooleyville and then (ten years later) to Shelburne, Massachusetts. The Goulds added a third son to their family in 1869.
A rich collection of letters and photographs recording the history of the Kingsbury-Gould families of Shelburne, Massachusetts. The bulk of the letters are addressed to Roxana Kingsbury Gould, the strong-willed matriarch at the center of the family, and to her granddaughter, May Kingsbury Phillips, the family’s first historian. In addition to documenting the complicated dynamics of a close-knit family, this collection is a rich source for the study of local history, rural New England, and the social and cultural practices at the end of the 19th and beginning of the 20th centuries.
Gift of Conrad and Michiko Totman, 2006
Subjects
Conway (Mass.)--GenealogyKingsbury FamilyShelburne (Mass.)--GenealogyTotman family
A graduate of the Northfield Mount Hermon School, Wake Forest University, and the University of Massachusetts Amherst (MA, 1966), Barr Gallop Ashcraft (1940-2005) lived what he called a “gypsy” life in the late 1960s, traveling through the Middle East, Africa, and Asia, and eventually settling on a career in photojournalism. As a stringer for news organizations and magazines, he covered the war in Vietnam, Cambodia, and Laos from 1972 to 1975, taking other assignments throughout Asia for magazines ranging from Life to National Geographic, Newsweek, and Time. For several years, he lived in Japan, working as a teacher, but returned to Amherst to join his father in the building trade. He remained in Amherst, lecturing occasionally on his experiences as a war correspondent, until his death at his home in Shutesbury in 2005.
The Ashcraft Photograph Collection represents a small fraction of the images he took as a freelance photographer in Southeast Asia during the early 1970s. In both black and white and color prints, the collection provides stark and often graphic evidence of the destruction of the war in Vietnam, emphasizing its latter years and the period of Vietnamization, but also includes documentary work on Cambodia. The remainder of Ashcraft’s 22,000 negatives and accompanying notes were destroyed in a house fire in 1995.
Subjects
Cambodia--PhotographsPhotojournalistsVietnam War, 1961-1975Vietnam--Photographs
Beginning in a treehouse in Leyden, Mass., during the summer of 1968, the Brotherhood of the Spirit (later the Renaissance Community) grew to become the largest commune in the eastern United States. Founded by Michael Metelica and six friends, and infused with the spiritual teachings of Elwood Babbitt, the commune relocated several times during its first half decade, setting down at different points in Heath, Charlemont, Warwick, Turners Falls, and Gill, Mass., as well as Guilford, Vt.
Produced at UMass Amherst, this video (digitized from a 16mm motion picture original) provides a largely laudatory glimpse of commune life during the boom years of the Brotherhood of the Spirit, probably around 1973. Sound quality in the video is highly uneven, often poor, particularly in the first two minutes.
Access restrictions: Temporarily stored offsite; contact SCUA in advance to request materials from this collection.
Born to Japanese parents in Tacoma, Washington, in 1909, John Maki was adopted as an infant by a white couple and raised on their farm. After receiving both his bachelors (1932) and masters (1936) in English literature at the University of Washington, Maki was persuaded to switch fields to the study of Japan. Following a fellowship from the Japanese government to study in Tokyo in the late 1930s, the war interrupted his plans. After being ordered to internment, he served with the Foreign Broadcast Intelligence Service of the Federal Communications Commission and in psychological warfare planning with the Office of War Information, and after the war, he took a position with the occupation authority, assisting in the drafting of the Japanese Constitution. Returning stateside, he resumed his academic career, earning his doctorate in political science at Harvard in 1948. After eighteen years on the faculty at the University of Washington, Maki moved to UMass in 1966, where he served as chair of the Asian Studies Program and in administrative posts, including as vice dean of the College of Arts and Sciences. In recognition of his efforts to promote relations between the U.S. and Japan, he was awarded the Third Class Order of the Sacred Treasure by the emperor of Japan in 1983. Although he retired from the faculty in 1980, Maki remained active as a scholar until the time of his death in Amherst in December 2006.
The Maki Papers reflect a long career in the study of contemporary Japanese politics and culture. Beginning with his earliest academic work on Japan in the 1930s, the collection documents the range of Maki’s interests, from the origins of Japanese militarism and nationalism to the development of the post-war Constitution and his later studies of William Smith Clark and the long history of Japanese-American relations. The collection includes valuable documents from the early period of the Allied Occupation, including the extensive correspondence with his wife Mary (1946).
Subjects
Clark, William Smith, 1826-1886Constitutional law--JapanJapan--History--Allied occupation, 1945-1952Japan--Politics and government--20th centuryUniversity of Massachusetts Amherst--FacultyUniversity of Massachusetts Amherst. Department of Political Science
Situated on a hill overlooking Quabbin Lake, the Quabbin Inn was a well known resort near Greenwich, Mass. During its peak years during the turn of the twentieth century, the Inn was owned by Otis Dunham, but it figured prominently in the lives of the entire Dunham family.
The Dunham papers contain family correspondence addressed to Benjamin W. Dunham during his service as a machinist with the U.S. Navy. In addition to discussions of the business of the Quabbin Inn, the collection includes news and gossip from the town of Greenwich, the attempted suicide and subsequent hospitalization of Benjamin’s brother Asa, and the migration west of another brother, Herbert.
Subjects
Greenwich (Mass.)--Social life and customsMachinists--MassachusettsQuabbin Inn (Greenwich, Mass.)Quabbin Reservoir Region (Mass.)--HistorySpanish American War, 1898United States. Navy
After joining Alcoholics and Anonymous in Springfield to regain control over his life, Gene Abair emerged a new man. And a bibliophile. A janitor with a limited education, Abair began to collect books relating to alcoholism and temperance, eventually devoting himself to making his growing collection available to alcoholics and non-alcoholics alike as a lending library. The collection was acquired by UMass in 1972 with the assistance of Abair’s friend, Mrs. Walter E. Carlson, and about 100 titles (of over 400) were transferred to SCUA.
The Abair Collection includes works on the physiology, psychology, ethics, and social history of alcohol consumption from the mid-19th through the mid-twentieth centuries. Among other items, it includes key works on medical aspects of inebriety, personal narratives and biographies of temperance leaders and alcoholics, and books on the formal temperance movement and prohibition.
Stored offsite; contact SCUA to request materials from this collection.
After earning her masters degree from Smith College in 1951, Doris Abramson (class of 1949) returned to UMass in 1953 to become instructor in the English Department, remaining at her alma mater through a long and productive career. An historian of theatre and poet, she was a founding member of the Speech Department, Theatre Department, and the Massachusetts Review. In 1959, a Danforth grant helped Abramson pursue doctoral work at Columbia. Published in 1969, her dissertation, Negro Playwrights in the American Theatre, 1925-1969, was a pioneering work in the field. After her retirement, she and her partner of more than 40 years, Dorothy Johnson, ran the Common Reader Bookshop in New Salem.
An extensive collection covering her entire career, Abramson’s papers are a valuable record of the performing arts at UMass, her research on African American playwrights, her teaching and directing, and many other topics relating to her diverse interests in literature and the arts.
Gift of Dorothy Johnson, Apr. 2008
Subjects
African-American theaterPoets--MassachusettsUniversity of Massachusetts Amherst--FacultyUniversity of Massachusetts Amherst. Department of Theater
