Collecting area: Printed materials

George Naughton was born in 1951 into an academically inclined family. His father, Thomas, was a writer and magazine editor and his mother a music teacher; his grandfather Julius Seelye Bixler was a college professor and president of Colby College (1942-1960); and his great-great-grandfather Julius Seelye served as the fifth president of Amherst College (1876-1890). Naughton grew up in the 1960s in Old Saybrook, Conn. He graduated from Mount Hermon School in 1969 and from New College in Sarasota, Fla., with a BA in General Studies, in 1973. For the next few years, Naughton lived, worked, and meditated in Cambridge, Mass., and California, then in March of 1978 moved to Amherst and took a job at UMass. From 1978 until his retirement in 2011, he worked in University Information Systems in Whitmore Administration Building. Now president of the Amherst Historical Society, Naughton is also active in the Pelham Historical Society and lives in Pelham with his wife, Cindy.

Naughton’s lifelong interests have included mathematics, science fiction, cultural alternatives, and books, and he accumulated a wide collection of print material on a variety of topics. The Naughton Collection is a reflection of many of those interests and comprises underground comics as well as pamphlets, periodicals, and ephemera on spirituality, new age thinking, counterculture, politics, the environment and sustainability, and intentional communities.

New Song Library letterhead

Founded by Johanna Halbeisen in 1974, the New Song Library was a collaborative resource for sharing music with performers, teachers and community activists, who in turn shared with a wide variety of audiences. Based initially in Boston, the Library was devoted to the music of social change and particularly music that reflected the lives and aspirations of workers, women and men, elders and young people, gays and lesbians, other minorities, and Third World people.

This collection contains over forty years of organizational and operational records of the New Song Library along with hundreds of sound recordings, primarily audiocassettes made at concerts, music festivals, song swaps, and gatherings of the People’s Music Network. The Library also collected newsletters and magazines on folk music, and most importantly dozens of privately produced songbooks and song indexes.

Judy Norsigian is a prominent advocate for women’s reproductive health and was a co-founder of the Boston Women’s Health Book Collective, better known by its later and the title of its best-known book, Our Bodies, Ourselves. Editor of each of the nine editions of the book and executive director of the collective from 2001 to 2015, Norsigian is an important public intellectual on women’s health issues and has served on numerous boards and advisory groups relating to reproductive health, contraception, and medical research.

Consisting primarily of the sort of ephemeral political literature that abounded in the late 1960s and early 1970s, the Norsigian collection offers insight into the feminist movement and the early milieu of Our Bodies, Ourselves. Many of the publications are devoted to issues in contemporary feminism or pertain to women’s conferences, however several (especially those published by the New England Free Press) take on other political and social movements.

A long-time librarian at UMass Amherst and Brown University, Barbara Parker was an avid collector of rare books. Interested in the history of printing, binding, and book design, and herself a bookbinder, Parker collected widely, from early printing to the Victorian book artists of the Chiswick Press.

The Parker Collection contains an eclectic mix of books to illustrate various aspects of the history of the book through 1900. Intended for hands-on instructional use, the collection includes eight volumes printed prior to 1600, a leaf from the Nuremberg Chronicles, and an assemblage of works by Charles Whittingham and the Chiswick Press. In addition to fine examples of binding and illustration, the collection includes works printed by Elsevier, Gregorium de Gregoris, and Domenico Farri, five by Joseph Barbou, and two each by the Aldine Press, Simon Colin, and John Baskerville.

Founded and chaired by Norman Thomas in 1942, the Post-War World Council sought to lay the groundwork for a democratic and anti-imperialist end to the Second World War. As the face of the organization, Thomas promoted the pacifist ideals of internationalism, disarmament, and decolonization, however his failing health in the early 1960s led to the decline of the Council and its formal dissolution in 1967.

This collection consists of pamphlets from the Post War World Council that document a range of opinions concerning the war and the world, including titles such as “Saboteurs of Victory,” “The Case Against Compulsory Peacetime Military Training,” “The Future of the Far East,” and “Disarmament in the Post War World.”

During the 1920s and 1930s, the populations of four towns in the Swift River Valley, Mass., were relocated to make way for completion of the Quabbin Reservoir. Dana, Enfield, Greenwich, and Prescott were formally disincorporated in 1938, marking an end to over a century of small town government in the region.

The Quabbin Broadside Collection contains as assortment of printed and posted notices issued in three of the four Massachusetts towns that were flooded to create the Quabbin Reservoir. These include announcements for dances (including the Enfield Fire Department Farewell Ball in 1938), for plays performed by the North Dana Dramatic Club, and notification of voter registration and tax assessment.

Born in Germany on Aug. 4, 1934, Hans Joachim Ring was a film enthusiast with an encyclopedic knowledge of German cinema. During the Second World War, movie theatres became a refuge for the young boy, whose family was forced several times to flee due to Allied bombing. The hardships of post-war life cemented the role of film in his life and as he grew older, he became an ardent collector of materials relating to film.

The Ring Collection includes hundreds of programs, fliers, and handbills published by the official East German film distributors Progress Film-Vertrieb and the Deutsche Film Aktiengesellschaft (DEFA) and sold to patrons at theatres. This extraordinary assemblage includes several hundred programs covering the immediate post-war period (1945-1950) and hundreds more relating to films released up to and beyond the end of the Communist era. Offering insight into the evolution of graphic design in East Germany and the marketing of film, the collection is one of the largest of its kind in the United States.

A political scientist, writer, and government consultant, John P. Roche was born in Brooklyn, N.Y., on May 7, 1923, the son of a salesman. A liberal Social Democrat and fervent anti-Communist, Roche spent his academic career at Haverford College and Brandeis and Tufts Universities, writing extensively on American foreign policy, constitutional law, and the history of political thought in America, and maintaining a strong interest in the history of the American left. During the 1960s and early 1970s, he served as an adviser to the Kennedy, Johnson, and Nixon administrations.

The Roche Collection consists of over 300 publications pertaining to the political left in the United States, with a smaller number of works from the radical right and from European Socialists and Communists. Concentrated in the years spanning the Great Depression, the Second World War, and the McCarthy hearings, many of the works were produced by formal political parties in response to particular political campaigns, current events, or social issues, with other works geared primarily toward consciousness raising and general political education on trade unionism, fascism, war and peace, American foreign policy, and freedom of speech and the press.

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Although printing requires a substantial capital investment in equipment before any hope of profitability can be entertained, there have been numerous attempts over the years to set up printing houses in communities with astonishingly small population bases. In even the most remote Massachusetts towns, people like John Metcalf (Wendell), Ezekiel Terry (Palmer), and John and Solomon Howe (Enfield and Greenwich) operated as printers during the nineteenth century, specializing in a quotidian array of broadsides, song sheets, almanacs, toy books, and printed forms, hoping to supplement, or provide, a decent living.

This small, but growing collection consists of materials printed prior to the twentieth century in small Massachusetts towns, defined as towns with populations less than about 2,500. Although few of these houses survived for long, they were important sources for rural communities. Typically simple in typography, design, and binding, even crude, the output of such printers provides an important gauge of the interests and tastes of New England’s smallest and often poorest communities.

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An historian from Lowell, Mass., Richard Santerre received his doctorate from Boston College in 1974 for his dissertation Le Roman Franco-Americain en Nouvelle Angleterre, 1878-1943. For more than twenty years he published regularly on the history of French and French-Canadian immigrants in New England, particularly Massachusetts, while doing so, assembling a significant collection of books on the subject.

With titles in both French and English, the Santerre Collection deals with the wide range of Franco-American experience in New England, touching on topics from literature and the arts to religion, benevolent societies, language, the process of assimilation, biography, and history. The collection includes several uncommon imprints regarding French American communities in Lowell, Lawrence, New Bedford, and Worcester, Mass., as well as in Maine, New Hampshire, and Rhode Island, and it includes publications of associations such as the Ralliement Français en Amérique, the Association Canado-Americain, and the Alliance Française de Lowell.