The University of Massachusetts Amherst
Robert S. Cox Special Collections & University Archives Research Center
CredoResearch digital collections in Credo

Collecting area: Arts & literature

Miscellaneous Manuscripts

Miscellaneous Manuscripts

1717-2003
10 boxes 8 linear feet
Call no.: MS 719

Miscellaneous Manuscripts is an artificial collection that brings together single items and small groups of related materials. Although the collection reflects the general collecting emphases in SCUA, particularly the history of New England, the content ranges widely in theme and format.

Subjects

Massachusetts--Economic conditions--18th centuryMassachusetts--Economic conditions--19th centuryMassachusetts--HistoryMassachusetts--Politics and governmentMassachusetts--Social conditions--18th centuryMassachusetts--Social conditions--19th centuryMassachusetts--Social conditions--20th century

Types of material

Account booksCorrespondencePhotographs
Morey, Robert

Robert Morey Collection

1966-2002 Bulk: 1966-1975
1 box 0.5 linear feet
Call no.: PH 082

Bob Morey photographed the folk scene in New England during the late 1960s and early 1970s, concentrating especially on Club 47 and other venues in Cambridge and Boston.

Consisting primarily of images of musicians in performance, the Morey collection contains prints of Eric Anderson, Chuck Berry, Donovan, Bob Dylan, Joni Mitchell, and Frank Zappa, among others, along with a few contact sheets. Also included are an issue of Broadside and a run of monthly calendars from Club 47 dating between September 1966 and the summer 1967.

Gift of Folk New England, AprIl 2018.

Subjects

Club 47 (Cambridge, Mass.)Folk musicians--PhotographsRock musicians--Photographs

Types of material

Calendars (documents)Photographs
Morley, Cathrin

Cathrin Morley Poetry Album

1832-1837
1 vol. 0.25 linear feet
Call no.: MS 136 bd

Possibly a worker who boarded in Van Duesenville, a growing industrial area of Great Barrington, Massachusetts. Notebook consists of poems, most of which concern religious faith and local events that were written in Cathrin Morley’s hand but may not have been created by her. Also includes a list of significant family dates.

Subjects

Christian poetry, American--Massachusetts--Great BarringtonDeath--PoetryGreat Barrington (Mass.)--HistoryMorley familySex role--Massachusetts--Great Barrington--PoetrySpiritual life--PoetryVan Duesenville (Great Barrington, Mass.)Women--Poetry

Contributors

Morley, Cathrin

Types of material

NotebooksPoems
Morris, Mary McGarry

Mary McGarry Morris Papers

1958-2012 Bulk: 1987-2012
25 boxes 31.25 linear feet
Call no.: MS 1046

When her first novel, Vanished, was published in 1988, Mary McGarry Morris was immediately celebrated as a haunting and powerful writer of character-rich novels. A finalist for the National Book Award and the PEN/Faulkner Award for Fiction, Vanished was followed by eight more acclaimed novels: A Dangerous Woman (1991; released as a feature film in 1993), Songs in Ordinary Time (1995; a selection of Oprah’s Book Club), Fiona Range (2000), A Hole in the Universe (2004), The Lost Mother (2005), The Last Secret (2009), Light from a Distant Star (2011), and The Silence (2024). Morris was born in Connecticut, grew up in Rutland, Vermont, and with her lawyer husband, Michael, has long lived—and raised five children—in Andover, Massachusetts. In her forties when Vanished was published after years of writing in near-secret, Morris has a gift for illuminating and shading the banalities, the urges, and the often fragile relationships that define and disrupt her characters’ lives and the fictional New England towns they inhabit. Her work has drawn comparisons to Steinbeck and McCullers.

The Mary McGarry Morris Papers consist of numerous drafts of her novels, including many handwritten pages and notes, as well as correspondence, book covers, clippings, and other material relating to the publication and promotion of her works. In addition, there are many early stories and some poems.

Gift of Mary McGarry Morris, 2016

Subjects

Fiction--20th century--Stories, plots, etcFiction--21st century--Stories, plots, etc

Contributors

Morris, Mary McGarry
Morris, William, 1834-1896

William Morris, The friendship of Amis and Amile

ca.1894
1 item 0.1 linear feet
Call no.: MS 362 bd

A leader in the English Arts and Crafts movement, William Morris translated the ancient French romance, Amis and Amile, in 1894, one of a number of romances he published in his literary efforts to restore the middle ages.

This holograph copy of Morris’s short story was prepared for the Kelmscott Press in 1894 and printed in a run of 500. The first American edition appeared later that year, published by Thomas Bird Mosher.

Subjects

Kelmscott Press

Contributors

Morris, William, 1834-1896

Types of material

Holographs (Autographs)
Moss, Bernard

Bernie Moss Collection

ca. 1960-1978
7 boxes 10.5 linear feet
Call no.: PH 062
Depiction of Bernie Moss with two unidentified women in Moss's home, 1962
Bernie Moss with two unidentified women in Moss's home, 1962

A fixture of the Boston Jazz scene, Bernie Moss began taking photographs in the early 1960s, capturing musicians on stage and after hours in the clubs he frequented. Musicians that Moss would meet at Connelly’s, the Savoy Cafe, Lennie’s on the Turnpike, and later the Jazz Workshop, would often come to Moss’s apartment at 11 Queensberry Street where he would give them a place to stay and a meal. His generosity and love of the music and musicians was renown among the top artists of the era; inspiring Dexter Gordon to compose the song “Boston” Bernie Moss in his honor. Moss was born on Christmas day in 1908 and grew up in a Jewish household. He played trombone as a member of the Massachusetts National Guard 241st Coast Artillery Regiment from 1929 to approximately 1939 but spent the remainder of his life looking after the Boston apartment buildings he inherited from his father, known as the Moss Realty Co. According to Nat Hentoff in his memoir Boston Boy, “he took care that none of his tenants ever knew him as a landlord. His brother collected the rent, and the janitor received all the complaints about services. Bernie just showed up to talk about jazz.” Moss died on February 13th, 1988.

The Bernie Moss Photograph Collection primarily consists of Moss’s color photographs taken at Boston Jazz clubs in the 1960s and early 1970s. The photographs include musicians Alan Dawson, Roy Haynes, John Coltrane, Ben Webster, Dizzy Gillespie, Yusef Lateef, Herbie Hancock, Art Blakey, and many more. Moss’s amateur style brings life to some of the most important years of modern Jazz, showing Jazz greats at the height of their powers, often in informal settings. Many photographs were mounted and catalogued as part of a traveling exhibit curated by the Boston Jazz Society.

Subjects

Jazz musicians--Massachusetts--Boston--PhotographsJazz--Massachusetts--Boston--Photographs

Types of material

Color prints (photographs)
Mountain House (South Deerfield, Mass.)

Mountain House Photograph Collection

ca.1865
3 photographs 0.1 linear feet
Call no.: PH 042
Depiction of Mountain House, ca.1865
Mountain House, ca.1865

A popular tourist destination during the post-Civil War years, the Mountain House hotel was built on the summit of Sugar Loaf Mountain, in South Deerfield, Mass., by Granville Wardwell in 1864 on property owned by his father-in-law Dwight Jewett. Positioned near the southern end of the mountain, the hotel provided tourists with a stunning panoramic vista of the Connecticut River Valley.

This small collection consists of three scenic cartes de visite from a larger series featuring views from the Mountain House. The images include No. 6, a view of five persons perched on the southeast promontory of Sugar Loaf with a view to the northeast across the Connecticut River to Mt. Toby; No. 10, Mountain House with a group of nine men and women posed on the lawn with telescope and tripod; No. 18, view of barns at the southern base of Sugar Loaf Mountain.

Subjects

Mountain House (South Deerfield, Mass.)--PhotographsSouth Deerfield (Mass.) -- Pictorial worksSugar Loaf Mountain (Mass.)--Photographs

Contributors

Wardwell, Granville

Types of material

Photographs
Mungo, Raymond, 1946-

Raymond Mungo Papers

1966-2008
6 boxes 3 linear feet
Call no.: MS 659
Depiction of Raymond Mungo, 1967
Raymond Mungo, 1967

Born in a “howling blizzard” in February 1946, Raymond Mungo became one of the most evocative writers of the 1960s counterculture. Through more than fifteen books and hundreds of articles, Mungo has brought a wry sense of humor and radical sensibility to explorations of the minds and experiences of the generation that came of age against a backdrop of the struggles for civil rights and economic justice, of student revolts, Black Power, resistance to war, and experimentation in communal living.

Consisting of the original typescripts and manuscripts of ten of Raymond Mungo’s books, along with corrected and uncorrected galleys and a small number of letters from publishers. Among the other materials in the collection are thirteen photographs of Mungo taken by Clif Garboden and Peter Simon during and immediately after his undergraduate years at Boston University; a DVD containing motion pictures of life at Packer Corners in 1969 and 1977; and an irate letter from a writer regarding the status of poems he had submitted to Liberation News Service.

Subjects

Communal living--MassachusettsCommunal living--VermontLiberation News Service (Montague, Mass.)Montague Farm Community (Mass.)Nineteen SixtiesPacker Corners Community (Vt.)Porche, Verandah

Contributors

Garboden, ClifMungo, Raymond, 1946-Simon, Peter, 1947-

Types of material

Photographs
Murphy, Paul R.

Paul R. Murphy Mint Coin and Medal Collection

1921-2019
21 boxes 10.5 linear feet
Call no.: MS 941

Coin and medal collection of UMass Amherst graduate Class of 1973 and long-time supporter of the
library, Paul R. Murphy. Collections consists chiefly of coins and medals that commemorate historic moments, achievements, places, and individuals in U.S. history.

Gift of Paul R. Murphy, 2018-2022.

Subjects

Coins--Collectors and collecting

Types of material

Coins
Murray, Samuel E., 1906-1989

Samuel E. Murray Papers

ca.1945-1989
14 boxes 7 linear feet
Call no.: MS 568
Depiction of Samuel Murray, 1966
Samuel Murray, 1966

One of the pioneers in the ephemera trade, Samuel E. Murray (1906-1989) was a long time antiquarian bookman, based at his home in Wilbraham, Mass. Born on Christmas Day, 1906, Murray interrupted his college studies to go to sea, but after the Depression left him unemployed, he landed a position as sales representative for McGraw-Hill and, later, G. & C. Merriam and other firms. Always an avid book collector, Murray left the publishing industry in 1970 to become a full time bookseller. Without ever advertising or issuing catalogs, he developed a wide reputation among dealers and collectors for his keen eye and perspicacity with rare and uncommon books. A generalist by trade, Murray had a particular fondness for colorplate books and travel literature, but was renowned both for his extensive reference library and for recognizing early on the value of ephemera. After a lengthy bout with myelofibrosis, Murray died at home on June 4, 1989.

The Murray Papers contain correspondence between Murray and a range of his fellow booksellers and clients, as well as his extensive card files on fellow book dealers and wants lists. The collection offers insight into the operations of a well known antiquarian bookman during the 1970s and 1980s.

Subjects

Antiquarian booksellers--MassachusettsBook collectingBooks--Want listsPrinted ephemera--Collectors and collecting--Massachusetts

Contributors

Antiquarian Booksellers Association of AmericaEphemera Society of AmericaMurray, Samuel E., 1906-1989