Lexicographer and former English faculty at Indiana State University, John Edward Gates is the author of numerous scholarly articles on idiomatic phrases and the principles and practice of dictionary making, as well as the co-editor of the Dictionary of Idioms for the Deaf. Reflecting his work as a lexicographer, this collection consists of research notes and proofs of articles and book reviews.
Access restrictions: Temporarily stored offsite; contact SCUA in advance to request materials from this collection.
In the early 1970s, the documentary filmmaker Bruce Geisler dropped out of Pomona College one semester short of graduation, drove across country, and joined the Brotherhood of the Spirit commune, then the largest commune in the eastern United States. During his four years living with the Brotherhood, later renamed the Renaissance Community, Geisler learned the craft of filmmaking, before returning west to earn an MFA at the film school of the University of Southern California. Geisler has received a number of awards as a screenwriter and filmmaker including the Grand Prize for Best Screenplay from Worldfest Houston and the Dominique Dunne Memorial Prize for Filmmaking, and, in 2007, he released his feature-length documentary, Free Spirits, about the Brotherhood of the Spirit/Renaissance Community and its ill-fated founder, Michael Metelica Rapunzel. Geisler is currently a Senior Lecturer in the UMass Amherst Department of Communication.
Documenting everyday life in a Massachusetts commune and performances by the commune bands (Spirit in Flesh and Rapunzel), the Geisler collection was assembled in conjunction with the making of the film Free Spirits. In addition to many hours of both raw and edited film footage taken by members of the Brotherhood of the Brotherhood of the Spirit and Renaissance Community, the collection includes a rich assemblage of still photographs, ephemera, and newspaper clippings relating to the commune.
Photographs from the 1930s and 1940s featuring both major government officials such as Hitler, Goebbels, and Himmler, and lower ranking officials such as regional party leaders. Photographs of German soldiers with their various weapons, some possibly fighting, are also depicted. Includes film stills from the Allied invasion of Normandy and German Communist refugees in the Soviet Union.
Gretchen Gerzina, Paul Murray Kendall Chair in Biography and Professor of English at UMass Amherst, served as dean of Commonwealth Honors College for five years before joining the English department full-time. A native of Ann Arbor, Mich., who grew up in Springfield, Mass., Gerzina is the child of a white mother and Black father who, in her research and writing, has often engaged with issues of race and the lives of those affected by racial and other boundaries. She is known for her biographies, including those of Dora Carrington and Frances Hodgson Burnett; her work on Black Britain including Black England: A Forgotten Georgian History (a revised and reissued version of Black London: Life Before Emancipation); and the acclaimed Mr. and Mrs. Prince: How an Extraordinary Eighteenth-Century Family Moved Out of Slavery and Into Legend. Gerzina hosted public radio’s nationally syndicated program “The Book Show,” interviewing many of contemporary literature’s notable figures, from 1997 to 2012, and a ten-part BBC radio series, “Britain’s Black Past,” which aired in 2016. She has also taught at Vassar, Barnard, and Dartmouth, where she was the first Black woman to chair an Ivy League English department.
The Gerzina Papers consist of materials relating to some of Gerzina’s research and published books and include notes, correspondence, draft manuscripts, and publication-related material, as well as approximately 400 recordings on CD of “The Book Show.” Additions to the collection are expected.
Walker Gibson, a professor of English at the University from 1967 to 1987, was a passionate teacher of writing and rhetoric and author of humorous verse. Gibson was born in Jacksonville, Florida in 1919 but was raised in Albany, New York. He earned his B.A. from Yale in 1940 and began graduate work at Harvard, however, his studies were interrupted by World War II, where he served in the U.S. Army Air Corps. After the War, Gibson earned his M.A. from the University of Iowa, where he was a research assistant for the Iowa Writers Workshop. For the next twenty years, Gibson taught English and writing at Amherst College and published prose and his signature humorous verse in the New Yorker, Atlantic, Harpers, and the New York Times Magazine among others. Gibson also published several books, including collections of verse, as well as prose works on writing, teaching composition, and literary criticism. Gibson died at the age of 90 in February, 2009.
The Walker Gibson Papers document the writer and teacher’s career through published and unpublished early writings during his years at Yale, binders including his published writings from the 1950s, correspondence with Theodore Baird, his supervisor at Amherst College, and lecture notes from his University writing and English classes. Completing the collection are three folders of miscellaneous correspondence and a folder of Gibson’s unpublished manuscripts from the late seventies and early eighties.
Born in East Pepperell, Mass., on May 1, 1916, the son of Edward and Angela Glow, Lewis Lyman Glow studied chemistry at Massachusetts State College during the latter years of the Great Depression. Graduating with the class of 1939, Glow continued his studies at Norwich University before serving aboard the USS New Jersey during the Second World War and Korean conflict. Glow died in East Pepperell on Sept. 23, 1986.
A well-labeled, thorough, and thoroughly personal photograph album, this documents the four years spent at Mass. State College. In addition to numerous images of Glow’s classmates and friends, his rooms at the Colonial Inn, beer parties and student highjinks such as the annual rope pull and horticultural show, the album includes numerous images of the cattle barn fire of September 1937 and the extensive damage to the MSC campus and surrounding town from the Hurricane of 1938.
Romanian-born Morris Golden earned his doctorate in English from New York University in 1953. Golden authored six books of literary criticism on 18th and 19th century writers, including Henry Fielding, Samuel Richardson, and Charles Dickens. Appointed Associate Professor of English at UMass Amherst in 1962 and promoted to full professor in 1965, Golden taught at UMass for 24 years. Golden retired from UMass in 1986, the year he was a Guggenheim Fellow, but he continued to teach literature at the Amherst Senior Center until his death in 1994.
The Golden Papers are a collection of Golden’s writings as a student at NYU, a draft of his dissertation and other manuscripts as well as many of his publications. Also included in the collection are grade books, professional correspondence, and extensive notes for research and teaching in the area of English and world literature.
An environmental chemist, Ted Goldfarb was a founder of the Science for the People chapter at SUNY Stony Brook and an organizer of the group’s second trip to the People’s Republic of China in June 1978. The twelve delegates from SftP went with the intention of studying the organization of science and technology in China with respect to how it met people’s needs, and they were toured through a succession of factories, production facilities, farms, schools, and institutes in Guangzhou, Shanghai, Changsha, and Beijing, among other locations.
The nearly 400 slides in this collection were taken by Ted Goldfarb (and handful by his colleague Judith Weinstein) when they were members of the second Science for the People delegation to the People’s Republic of China in June 1978. Reflecting their interests in science and technology, the slides document a succession of factories, production facilities, schools, and institutes they visited, but include shots of typical street scenes, markets, artisans and factory workers, and tourist sites such as the Great Wall, Ming Tombs, and Forbidden City. In addition to the images of China, a handful were taken during a stopover in Delhi and Agra, India, on the way back to the United States.
All social change and cultural movements have their associated resources for the exchange of information, ideas, stories, and art. Particularly in the women’s movement, the effort to create newsletters, journals, and other forms of information dissemination was a proactive step taken to assert women’s stories and to locate the power of the press within women-run communities. These periodicals, both large and small in scale, reveal the ways women connected to each other and to larger spiritual and cultural concepts. Local artist, activist, and feminist Jay Goldspinner was engaged with many of these communities, particularly those characterizing the spiritual elements of the women’s liberation and feminist movements, and collected and saved their periodicals. Her collection includes journals focusing on feminist linguistics, goddess myths and spirituality, Wiccan and witch traditions, progressive politics, and women’s spirituality and community in local and international settings. Each is a unique window into discourses of women’s history, feminist movements, and social change work.
The Jay Goldspinner Collection consists of issues of feminist and progressive periodicals, journals, and newsletters from over five decades, along with correspondence, ephemera, and scrapbooks from Goldspinner’s life, especially her work as a storyteller. Published titles represented include Always in Season, Goddessing, The Lonesome Node, The People’s Voice of Franklin County, Themis/Thesmophoria, Wicked Word, and an almost complete run, including the two indexes, of the seminal magazine of feminist spirituality, WomenSpirit.
A pioneer in television commercials and the use of special effects in the advertising film industry, Solomon Goodnoff was born in New York in 1923. After service in the Pacific during the Second World War, Goodnoff established a career as a film producer and director that resulted in international recognition for his television commercial work. Between the late 1940s and 1980s, he produced memorable spots that included the Maxwell House singing percolator, the Purina Cat Chow dancing cat, and the Budweiser Clydesdales. He was equally creative in developing specialized tools for the television industry, including a master antenna television system in the 1950. A Clio Award winner, he was also recognized with awards from the Directors Guild of America and film festivals at Cannes, Chicago, and New York. After moving to the Bekshires in the 1970s, Goodnoff continued to commute to Manhattan to work on special projects for Tulchin Studios, but he became known locally for his horticultural activities, serving as a trustee of the Berkshire Botanical Gardens and hosting a local radio program on gardening. He died in his home in Plainfield, Mass., in 2003, aged 80.
The collection contains videotape copies of many of Sol Goodnoff’s best known commercials, along with story boards, selected examples of his awards, and examples of specialized equipment used in producing spots for his clients.
