The University of Massachusetts Amherst
Robert S. Cox Special Collections & University Archives Research Center
CredoResearch digital collections in Credo
Corey, William

William Corey Collection

ca. 1990s-2000s
14 boxes; oversize frames ca. 200 linear feet
Call no.: PH 104

Born in 1949, in Kearny, New Jersey, William Corey grew up on New Brunswick, N.J. but spent much of his life as a resident of Boulder, Colorado. He graduated from Waynesburg College, PA, in 1971, and became a professional large format photographer who was considered the foremost western artist to photograph Japanese Gardens and the only western photographer ever invited to photograph the gardens of the Japanese Emperor. Beginning in 1974, Corey made numerous trips to Japan over the next twenty-eight years, taking countless images. Using an antique banquet camera with film plane dimensions of 8″ by 20,” he set out to capture the complexity and size of the gardens he photographed. Once he arrived at a site, Corey studied and sketched the scene, often over a period of several days, before even setting up his camera. His large format photographs have been featured in individual and group exhibitions around the U.S. as well as in the Bunshokan Art Museum in Yamagata, Japan, where Corey was the first western artist ever to be selected for a one-person show. Willam Corey died on March 31, 2008.

This large collection provides insight into William Corey’s approach to photography including negatives, camera equipment, prints, published books, and papers.

Donated in 2021.

Subjects

Gardens--Japan--PhotographsJapan--PhotographsJapanese gardens--Photographs

Types of material

NegativesPhotographs
Strangstad, Lynnette

Lynette Strangstad Papers

ca. 1980-2000s
28 boxes 42 linear feet
Call no.: MS 1150

Stored offsite; contact SCUA to request materials from this collection.

Lynette Strangstad was born in Rhinelander, Wisconsin, and attended Rhinelander Union High School and Luther College in Decorah, Iowa. She graduated with honors from UW-Stevens Point and received a master’s degree in education from St. Michails College in Winooski, Vermont. Her early career varied from working as a recreational therapy aide at a private neuropsychiatric hospital in Vermont and teaching English in New Hampshire to directing the sensory motor lab at the Hodan Center and serving as an architectural conservation apprentice for the National Trust for Historic Preservation in New York. Beginning in the 1980s, Strangstad started her own company, Stone Faces, in Charleston, South Carolina, which specialized for over 25 years in conservation and preservation of historical burial grounds throughout the Unites States and Canada. The author of the book, A Graveyard Preservation Primer, she was considered a pioneer in her field of historical burial ground preservation. In 1996, Strandstad returned to Mineral Point, where she her writing and served on the board of directors of the Mineral Point Historical Society. Lynette Strangstad died on September 10th, 2024.

The papers of Lynnette Strangstad consist of materials related to her work in in conservation and preservation of historical burial grounds including graveyard maps, blueprints, photographs, and writings.

Gift of Lynette Strangstad, 2022.

Subjects

Cemeteries—United StatesSepulchral monuments—United States
Phelps, Charles Shepherd

Charles Shepherd Phelps Diary

1883-1884
1 vol. .1 linear feet
Call no.: MS 714 bd

Born in 1861, Charles Shepherd Phelps was a sophomore at Massachusetts Agricultural College from 1883 to 1884. He the married Orra Parker and had seven children. He was later employed by the Agricultural Department of the University of Connecticut as a professor and in 1941 passed away at his home in upstate New York.

He writes about his day-to-day activities and lifestyle, as well as campus events and
guests, which gives good insight to what campus was like and what it was like to be
a student during this time.

Subjects

University of Massachusetts at Amherst--College students

Contributors

Phelps, Charles Shepherd

Types of material

Diaries
Post-Polio Health International

Post-Polio Health International Records

ca. 1960-2019
47 boxes 70.5 linear feet
Call no.: MS 1128

Stored offsite; contact SCUA to request materials from this collection.

Founder of Post-Polio Health Internation, Gini Laurie was born in 1913 and named after two older sisters who died of polio. Known as the “grandmother” of the independent living movement, Laurie urged people with all kinds of disabilities to work together to end institutionalization and to support independence. As a hospital volunteer, she founded Rehabilitation Gazette, a newsletter that became an internationally known advocacy journal. Beginning with this publication, which enabled polio patients who finished rehabilitation to stay in touch, PHI evolved into a networking organization. By the early 1980s PHI established the first post-polio conferences, bringing together polio survivors and physicians with the goal of determining why polio survivors were developing new disabilities. In 2019, PHI adopted a new mission “to collect, preserve, and make available research and knowledge to promote the well-being and independence of polio survivors, home ventilator users, their caregivers and families, and to support health professionals who treat them.”

The Post-Polio Health International records include materials throughout the organization’s history from its founding in 1960 to the 2010s. The collection captures the efforts and initiatives behind PHI’s vital mission to enhance the lives and independence of polio survivors and home mechanical ventilator users by promoting education, networking, and advocacy among these individuals and healthcare providers. Offering a comprehensive overview of PHI’s history, the collection contains correspondence, runs of newsletters and other publications, photographs, clipping files, board minutes, and financial documents.

Gift of Post-Polio Health International, 2021.

Subjects

People with disabilities--HistoryPolio--HistoryPolio--Patients--Rehabilitation—HistoryPolio--Patients--United States

Types of material

Administrative recordsLetters (correspondence)Newspaper clippingsPhotographs
Rahn, Millie

Millie Rahn Collection

1993, undated
3 boxes 3.25 linear feet
Call no.: MS 1277

Born on August 5, 1951, in Lebanon, Pennsylvania to Herman F. and Clara I. Rahn, Mildred “Millie” Rahn graduated from the University of Maryland, Baltimore County (BA, American Studies) and Memorial University of Newfoundland (MA, Folklore). As a Boston-based folklorist and ethnographer, Rahn used her skills in foodways, oral histories, university teaching and public programs. A writer and reviewer on many topics related to folklife and traditional music, she developed projects and events involving living cultural traditions for cultural and educational organizations, government and economic development agencies and the tourism and heritage industries. For many years, Rahn directed the Foodways stage for the Lowell Folk Festival in Lowell, Massachusetts. She curated exhibits for many regional folk festivals, including the American Folk Festival in Bangor, Maine, the Boston Cultural Heritage Festival and the Working Waterfront Festival in New Bedford, MA. Rahn  was active in preserving the history of Club 47, a folk music coffeehouse in Cambridge, Massachusetts and performed fieldwork for the Northeast Archives of Folklore and Oral History, University of Maine.

The Millie Rahn Collection contains her thesis on the history of Club 47, a report she prepared as a cultural consultant entitled, Newfoundland and Labrador & “The Boston States,” and audiovisual materials including GIRO Studio of Video, ASCAP Foundation Celebrates Eric Von Schmidt, Don’t Look Back Tapes, Passim 50th Anniversary.

Gift of Kathy Ahrens, 2025.

Subjects

Club 47 (Cambridge, Mass.)Folk music--New EnglandFolk musicians--New England
Kline, Carrie Nobel ; Kline, Michael Nobel

Carrie and Michael Kline Collection

1991-2025 Bulk: 2023-2025
5 boxes, + digital files 3.67 linear feet
Call no.: MS 1262
Logo for Talking Across the Lines podcast

Since 1987, Michael and Carrie Kline have written, documented, and championed the stories of everyday people. Using the written word, documentary film, oral history, audio recordings, and podcasts, the Klines have documented immigration, Appalachian culture, war tax resistance, the Underground Railroad, gender, and more in various locales throughout the United States.

Michael Kline and Carrie Nobel first met in western Massachusetts at a human rights rally to support Randy and Betsy Kehler, who had recently lost their home to the IRS after refusing to pay war taxes. The two soon discovered a shared love of social activism, folklife documentation and old-time singing. At the time, Michael, who had earned his Ph.D. in Public Folklore from Boston University, was staff folklorist for the Pioneer Valley Folklore Society (PVFS) conducting field research documenting changes to the Connecticut River Valley. Carrie, who received her Master’s Degree in American Studies from SUNY/Buffalo, was an organizer and events planner for the Institute for Community Economics helping to create affordable housing through community land trusts and had recently completed a degree in the politics and cultures of the U.S. at the University of Massachusetts Amherst.

Throughout their 40 year career, Michael and Carrie have worked with communities in Maine, Pennsylvania, Maryland, Massachusetts, North Caroline, and West Virginia. These projects have been produced under the Talking Across the Lines umbrella, which began as a 22-part radio series of fifteen-minute programs about the people, neighborhoods, and industries of Wheeling, West Virginia, and is now an ongoing podcast. They have received grants to document the stories of people and places for folklife societies, museums, municipalities, and educational institutions. They also offer workshops in “Listening for a Change,” which describe alternative approaches to conducting meaningful field research.

The Carrie and Michael Kline Collection contains several dozen analog and digital recordings on a variety of topics and people related to Western Massachusetts history including this histories of Deerfield and Northfield, the Quabbin towns, Kelly School in Holyoke, Wally and Juanita Nelson, and outsider art. There are also interviews with people from Orange, Shelburne, Sandisfield, Puerto Rico, Erving, and other places on a variety of topics including: family, culture, singing traditions, music, poetry, and activism. The collection also includes notes, release forms, grant applications, production notes, and recording logs. The Klines also have a collection of material at Berea College in Kentucky. A portion of that collection related to western Massachusetts was deaccessioned by Berea in 2024 and added to this collection.


Donated by Carrie and Michael Kline, 2024-2025

Subjects

Agriculture--Franklin County (Mass.)Deerfield (Mass.)--HistoryFranklin County (Mass.)--HistoryHampshire County (Mass.)--HistoryIndians of North America--Historiography--MassachusettsKing Philip's War, 1675-1676Northfield (Mass.)--HistoryOral histories--MassachusettsOrganic farming--Franklin County (Mass.)PacifismPacifistsQuabbin Reservoir Region (Mass.)--History

Types of material

AudiocassettesField notesNotes (documents)Open reel audiotapesReleases (permissions)Sound recordings
Restrictions: none none
Bos, John

John Bos Collection

1954-2025
1 box 1.5 linear feet
Call no.: MS 1284

Born on February 12, 1936, to John and Jenny Bos of Tonawanda, New York, John Henry Bos graduated from Carnegie Tech with a B.A. in drama. His career in the arts began with a job in technical support in summer theaters and included work at major theaters, such as the Theatre of the Living Arts in Philadelphia, and Deputy Director of the performing arts division for the New York State Council on the Arts. Bos served as Director of Performance Programs for National Public Radio during the 1980s where he earned a Peabody Award. Following his time at NPR, he hosted Arts America, a weekly cultural television program produced by the United States Information Agency. In the 1990s, Bos relocated to Shelburne Falls, Massachusetts, where he provided arts consulting and was involved in the revival of Memorial Hall, one of the many locations in which he hosted musical performances as a part of Rural Renaissance. It was during this time that Bos began writing, first as a member of the writing group, Spirit of the Written Word, at the CancerConnection during his first bout with cancer, and later as a bi-weekly columnist for the Greenfield Recorder. In his column, “Connecting the Dots,” Bos advocated for climate change and political life. He died of December 11, 2024, at the age of 88.

The John Bos Collection consists of an array of materials related to his career in the arts including theater programs, photographs, documents from the Theatre of the Living Arts in Philadelphia, as well as copies of his articles printed in the Greenfield Recorder and other publications.

Gift of Winifred J. Ganshaw, 2025.

Subjects

Arts--United StatesCommunity arts projectsTheater--United States

Types of material

ArticlesNewpaper clippingsPhotographs
Dublin Seminar of New England Folklife

Dublin Seminar of New England Folklife Records

1976-ca. 2016
3 boxes 4.5 linear feet
Call no.: MS 1283

The Dublin Seminar for New England Folklife is an ongoing series of conferences, exhibitions, and publications exploring the everyday life, work, and culture of New England’s past. The seminar was founded on the premise that traditional lore and material folk culture are rapidly disappearing in New England. Starting with a conference in Dublin, New Hampshire, in 1976, the group’s gatherings focus scholarly attention on emerging areas of folk studies, regional and local history, cultural geography, historical archaeology, and vernacular and antiquarian studies. The purpose of the Dublin Seminar is to create a place where scholars from a range of settings, students, and committed avocational researchers can pool their knowledge and exchange ideas, sources, and methods. Each Dublin Seminar conference has a specific theme and produces a printed collection of papers, preserving the scholarship for others to share.

The records of the Dublin Seminar of New England Folklife document the nearly fifty-year history the group including incorporation and long-range planning materials, conference and exhibition files, correspondence, and publicity.

Gift of Dublin Seminar of New England Folklife, 2025.

Subjects

Material culture--New EnglandNew England--Social life and customsNew England—History

Types of material

Correspondence
Brandon, Liane

Liane Brandon Collection

ca. 1970-1999
2 boxes 2 linear feet
Call no.: MS 1282

Liane Brandon is an award-winning filmmaker, photographer and University of Massachusetts Amherst Professor Emerita. She is a co-founder of New Day Films and was one of the first independent women filmmakers working in New England. She was also a founding member of FilmWomen of Boston and Boston Film/Video Foundation. Brandon’s groundbreaking films Sometimes I Wonder Who I Am (1970) Anything You Want To Be (1971) and Betty Tells Her Story (1972) were among the most frequently used consciousness raising tools of the Women’s Movement. Her films, which also include Once Upon A Choice and How To Prevent A Nuclear War have won numerous national and international awards, and have been featured on HBO, Cinemax and the Criterion Channel. They have twice received Blue Ribbons at the American Film Festival and have been presented at the Museum of Modern Art, the Barbican Centre in London, the Tribeca Film Festival and many other venues. In addition to her role as Professor at the University of Massachusetts and Chair of the Educational Technology Program in the College of Education, she was the Director of UMass Educational Television. Designed to provide the public with innovative, original educational programming, UMass Educational Television produced award winning, original educational programming for cable/home audiences throughout New England. The twelve original series (50 half-hour episodes) were carried by local and regional cable and were seen in over 40 cities and towns in Massachusetts and Connecticut. The College of Education became the first educational college in the country to produce original educational programming for cable/home audiences. Currently working as a photographer, her credits include stills for American Masters, Nova, and Unsolved Mysteries. Her photographs have been published in The New York Times, the Los Angeles Times, the Boston Globe and many other publications.

The Liane Brandon Collection consists chiefly of printed materials related to the antinuclear movement, peace movement, labor unions and workers’ movement, feminism and the women’s movement, women filmmakers, student movements and organizing, as well as photographs and videotapes of shows produced by UMass Educational Television (1995-1999). For materials related to Brandon’s contributions to UMET, see the UMass Educational Television Collection.

Brandon’s historic films and papers are held at the Archive of Documentary Arts at Duke University.

Gift of Liane Brandon, 2024-2025.

Subjects

Antinuclear movement--United StatesFeminism—PeriodicalsPeace movements

Types of material

PeriodicalsPhotographsVideotapes
Sullo, Rick

Rick Sullo Photograph Collection

1964-1969
2 boxes 3 linear feet
Call no.: PH 105

Rick Sullo was born on February 16, 1943, in East Boston, son of Marco and Caroline Cianfrocca Sullo. His father was a printer and wedding photographer, and at an early age Sullo often held a flash as his father took photographs. His passion for photography began then and continued all his life. Following in the footsteps of his father, Sullo learned the trade of printing. Early in his career, he was employed as a journeyman printer, working first at Colonial Printing in Malden, then at the Home News in New Brunswick, New Jersey, and the Boston Globe. In the 1960s, Sullo was a staff photographer for Broadside of Boston magazine, a key resource in New England for folk musicians and their fans. He covered performances in the Cambridge and Boston areas as well as events such as the Newport and Pennsylvania Folk Festivals, photographing Mississippi John Hurt, Bob Dylan, Janice Joplin, Maria Muldaur, Taj Mahal, and other well-known musicians. By the 1970s, Sullo returned to printing, joining the sales department of Acme Printing Company of Wilmington, where he collaborated with publisher Little Brown to produce books by well-known photographers such as Ansel Adams and Elliott Porter, and with author/ illustrator Chris Van Allsburg on Houghton Mifflin’s The Polar Express, Just A Dream, Two Bad Ants, and many other titles. After working 18 years in the printing business, retired and spent his remaining years focusing on his family and maintaining and improving their home on Martha’s Vineyard. Sullo met his wife Alice “Ali” Keefe of Cambridge, on May 1, 1966; the couple married on May 1, 1971. During the intervening years, they joined Volunteers in Service to America. They served as VISTA volunteers in Somerville, New Jersey, working in conjunction with the Somerset County Community Action Program. Rick Sullo died on April 3, 2024, at his summer home in Oak Bluffs, Martha’s Vineyard.

The Rick Sullo Photograph Collection features negatives and contact sheets capturing musical events and performers, including Newport Folk Festival (19641964-1966, 1968-1969), Winter Fest (1966-1967), Pennsylvania Folk Festival (1965), Taj Mahal, Nancy Michaels, Chris Smither, and Siegel-Schwall.

Gift of Ali Sullo, 2025.

Subjects

Musicians--Photographs

Contributors

Sullo, Ali

Types of material

Negatives
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